SKU: JK.01660
Psalm 82:6, Mosiah 4:15, Doctrine and Covenants 14:7.
Original arrangement for mixed chorus (SSATB), about our Father in Heaven and our fathers on earth: From soothing hands under quiet skies, to the reflection of wond'ring eyes. He gently hums heaven's lullaby. Beautiful harmony between the voices.Composer: Julie Webb Lyricist: Julie Webb Difficulty: Medium Performance time: 2:30Reference: Psalm 82:6, Mosiah 4:15, Doctrine and Covenants 14:7.
SKU: HL.14011728
ISBN 9788759851890. UPC: 888680705817. 10.5x14.5 inches. Danish.
These Four Madrigals by Pelle Gudmundsen-Holmgreen are settings of texts by the Australian author, Les Murray. Two songs were originally written for the Song Company, Australia and two more from his larger work, Sound/Sight for Danish Radio Chamber Choir. All have been arranged here for six voices (SSATBarB) with texts in English and Danish. Duration 16:30.
SKU: HL.1437384
UPC: 196288204497.
“The Listening,” written by Grammy-nominated composer Cheryl B. Engelhardt in December 2017 for VOICES 21C under the artistic direction of André de Quadros, draws its inspiration from Dr. Martin Luther King Jr.'s impactful 1967 speech, “Beyond Vietnam: A Time to Break Silence.” This dynamic, emotion-filled piece expresses King's call to end societal silence. The rhythmic elements in the piece are derived from the poetic nature of King's speech. The inclusion of a children's choir, inspired by the Parkland school shooting and subsequent protests, symbolizes the disruption of childhood peace by violence. Notably, the virtual collaboration, featuring Donzaleigh Abernathy, Dr. King's goddaughter, emphasizes the song's contemporary relevance in addressing social issues, and was featured in PEOPLE. Premiered live at the Massachusetts Music Educators Conference in 2018 by VOICES 21C, and digitally released during Black History month in 2021, “The Listening” stands as a profound anthem for breaking silence and to foster positive change.
SKU: OU.9780193953949
ISBN 9780193953949. 12 x 8 inches.
For SSATB (with divisions) and organ Following the recent release of a CD of Harry Bramma's church music, the Church Music Society is proud to publish this setting of words of St Augustine of Hippo, written for the Choir of St Martin's, Dorking, to mark the centenary of the birth of Dr William Cole.
SKU: UT.TME-1
ISBN 9790215316096. 9 x 12 inches.
Performance Material on Hire[Solo: SAATB - Str - Bc]Thanks to its patron the Duke Francesco II, Modena became a capital city worldwide for the oratorio genre: renowned maestro di cappella in Ferrara, also Bassani wished to offer to the Duke his own work, setting aside for him the summit of his melodic and dramaturgical inventiveness.According to the documents that we have, the performance of Giona was Bassani's debut at the court of Francesco II. Born in Padua around 1650, the composer carried out the main part of his activities in Ferrara, where he was organist (probably from 1667), and maestro di cappella at the Accademia della Morte (from 1683), and subsequently also at the Cathedral (from 1686); he also became a member of the Accademia Filarmonica of Bologna (in 1677) and was committed to Alessandro II Pico, Duke of Mirandola and Marquis of Concordia. In 1712 he moved to Bergamo, where he was maestro di cappella at S. Maria Maggiore; he died there on 1st October 1716. Before his commission in Modena, the <> - as he was often called at that time - had already printed seven instrumental and vocal works as well as a few operas and oratorios.
SKU: OU.9780193572263
ISBN 9780193572263. 10 x 7 inches.
For SSATB and piano Come Back Like the Sea sets a Sara Teasdale poem that uses the metaphor of the ocean's tide to symbolize life's ups and downs. The music captures the sea imagery and sense of yearning with a captivating opening soundscape, melodies that ebb and flow like the tide, and an evocative piano part that weaves throughout the work.
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