SKU: HL.50605353
ISBN 9781705180310. UPC: 196288106210.
Dániel Dobos (* 1994) studied with Gyula Fekete and Máté Bella at the Department of Composition of the Liszt Ferenc Academy of Music. In his violin concerto Sylvanus, he uses the technical repertoire of Transylvanian folk violinists. His piano piece, Drumul dracului, which won the first prize in 2018 at the Béla Bartók World Competition, also focuses on a new interpretation of Transylvanian folk music roots. In Callis stellarum, Dobos set one of the apocalyptic visions by the prophet Isaiah: “For the stars of heaven and the constellations thereof shall not give their light: the sun shall be darkened in his going forth, and the moon shall not cause her light to shine.†At the end of the composition, the Hungarian folk song “Csillagok, csillagok†(Stars and Stars) is heard as a kind of hopeful association. Commissioned by the municipality of Debrecen, this piece won the first prize in the youth mixed choir category of the HangKELTO Youth Composition Competition held in 2021.
SKU: JK.01219
Revelation 1:17-18, Doctrine and Covenants 6:36-37.
Anthem for mixed chorus (SSATB) and piano, appropriate for Sacrament or Easter service.Come let us sing of endless love, of Him who left His throne above and came to earth, Oh, wondrous plan! To suffer, bleed and die for man.Composer: David Len Allen Lyricist: George A. Manwaring, treatment by David Len Allen Difficulty: Medium Performance time: 2:20Reference: Revelation 1:17-18, Doctrine and Covenants 6:36-37.
SKU: UT.TME-1
ISBN 9790215316096. 9 x 12 inches.
Performance Material on Hire[Solo: SAATB - Str - Bc]Thanks to its patron the Duke Francesco II, Modena became a capital city worldwide for the oratorio genre: renowned maestro di cappella in Ferrara, also Bassani wished to offer to the Duke his own work, setting aside for him the summit of his melodic and dramaturgical inventiveness.According to the documents that we have, the performance of Giona was Bassani's debut at the court of Francesco II. Born in Padua around 1650, the composer carried out the main part of his activities in Ferrara, where he was organist (probably from 1667), and maestro di cappella at the Accademia della Morte (from 1683), and subsequently also at the Cathedral (from 1686); he also became a member of the Accademia Filarmonica of Bologna (in 1677) and was committed to Alessandro II Pico, Duke of Mirandola and Marquis of Concordia. In 1712 he moved to Bergamo, where he was maestro di cappella at S. Maria Maggiore; he died there on 1st October 1716. Before his commission in Modena, the <> - as he was often called at that time - had already printed seven instrumental and vocal works as well as a few operas and oratorios.
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