SKU: UT.TME-1
ISBN 9790215316096. 9 x 12 inches.
Performance Material on Hire[Solo: SAATB - Str - Bc]Thanks to its patron the Duke Francesco II, Modena became a capital city worldwide for the oratorio genre: renowned maestro di cappella in Ferrara, also Bassani wished to offer to the Duke his own work, setting aside for him the summit of his melodic and dramaturgical inventiveness.According to the documents that we have, the performance of Giona was Bassani's debut at the court of Francesco II. Born in Padua around 1650, the composer carried out the main part of his activities in Ferrara, where he was organist (probably from 1667), and maestro di cappella at the Accademia della Morte (from 1683), and subsequently also at the Cathedral (from 1686); he also became a member of the Accademia Filarmonica of Bologna (in 1677) and was committed to Alessandro II Pico, Duke of Mirandola and Marquis of Concordia. In 1712 he moved to Bergamo, where he was maestro di cappella at S. Maria Maggiore; he died there on 1st October 1716. Before his commission in Modena, the <> - as he was often called at that time - had already printed seven instrumental and vocal works as well as a few operas and oratorios.
SKU: HL.1197753
UPC: 196288134831. 6.75x10.5x0.029 inches.
“Death, thou art welcome to my arms attended by a thousand charms...†a text that dates back as far as 1818 speaks to the human desire for a peaceful end to life. This new setting by Richard Burchard provides your tenor-bass choir with an exciting and contemporary approach to this rich traditional hymn melody. In typical Burchard fashion, he has beautifully crafted phrases that combine the hymn text, touches of Latin, and a folk-style solo designed to draw attention to the rhythm, melody, and message of the hymn. Looking for that perfect piece with a special soulful appeal? Look no further; accompanied by cello and percussion, here's the ideal candidate, sure to become a choir and audience favorite.
SKU: BA.BA08957-91
ISBN 9790006525522. 27 x 19 cm inches. Text Language: German, English, Latin.
Year after year, during Advent and the Christmas season, compositions are sought which present well-known carols in a new light, whether it be compositions set for small or larger groups, for children or adults, with or without accompanying keyboard instruments. This collection by Gerd-Peter Munden presents carols in new settings as a welcome addition to the Christmas literature and will enrich the repertoire of an adults' or children's choir.- Well-known Advent and Christmas carols in new settings- With texts in German and English- With short Latin introductions as a part of each motet- Ideal for a children's or adults' choir during the Christmas seasonContentsThere comes a galley, laden / Es kommt ein Schiff, geladenO saviour, open heaven's gate / O Heiland, reiss die Himmel aufO Lord, how shall I meet you / Wie soll ich dich empfangenAngels from the realms of Glory / Hort der Engel helle LiederAs I was watching o'er my sheep / Als ich bei meinen Schafen wachtGood Christian men rejoice / Nun singet und seid frohThe EditorGerd-Peter Munden is one of the most creative German church-musicians today. From 1992 to 1999 he worked as the cantor in Minden, where he also directed the music school for choristers. From 1999 he has been the Cathedral-Cantor at the Braunschweig Cathedral and the director of the cathedral school for choristers. He is the initiator and artistic director of a successful school project throughout Germany encouraging youngsters to sing.
SKU: BA.BA02553
ISBN 9790006422920. 27 x 19 cm inches.
Motet no. 3 from Israelsbrunnlein.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: BA.BA10557
ISBN 9790006553068. 33 x 25.8 cm inches. Language: German.
The Complete Vocal Works Johann Pachelbel is known today as a composer of organ music and of a world-famous instrumental canon which frequently features in concert programmes and recording catalogues. However, the same can be said of only a few of his vocal compositions. At most, the motets appear occasionally in church music repertoire. Pachelbelâ??s arias, vocal concerti and large-scale Magnificats have received little attention up to now. Church musicians and musicologists have long wished for a critical edition of these important works, which survive in Pachelbelâ??s manuscript and were largely composed in his main places of work, Erfurt and Nuremberg . As always with such ventures, new discoveries are to be expected regarding the body of works, source material and the context of the works. This concerns not only beautiful music, but rather a deepening of our understanding of Pachelbel as a key figure between southern and central German traditions, and the recognition of an oeuvre which has all too often been pushed into the shadows by the mighty Bach. The Critical Edition The edition aims to make available all of Johann Pachelbelâ??s surviving vocal works in the best possible form. It is edited by the Institut für Musikwissenschaft at the University of Erlangen-Nuremberg and the Institut für Kirchenmusik at the Kunstuniversität Graz. Two volumes per year are planned. As a chronological order is not possible in many cases, the individual works have been arranged according to scoring within their groups. Fragments and works where Johann Pachelbelâ??s authorship is doubtful appear at the end of the respective group. Each volume includes an introduction (Ger/Eng) and a Critical Commentary (Ger). Format 25.5 x 32.5 cm; cloth-bound
SKU: C4.9790902260459
ISBN 9790902260459. 8.27 x 11.7 inches.
Australian poet James McAuley's visceral text is joined here in perfect marriage with Brooke Shelley's imaginative and shapely setting. The work was commissioned by St James’ Church, King Street, Sydney for the concert Gul Gul Dja Mardji: Long is the Journey, 9 December, 2017.
SKU: HL.49019492
ISBN 9790001192699. 7.75x11.0x0.039 inches. German.
Heinrich Poos is not the first composer inspired by Friedrich Gottlieb Klopstock's poem 'Die Auferstehung', as even Gustav Mahler had already used these verses in the fifth movement of his Second Symphony 'Auferstehung'. Mahler was inspired to use a choral movement at the end of his symphony at the funeral of the conductor Hans von Bülow where a choir sang a chorale based on said text by Klopstock. Heinrich Poos wrote his deeply moving choral piece in remembrance of the organist Hubert Schoonbrodt.
SKU: OU.9780193529571
ISBN 9780193529571. 10 x 7 inches.
For SSATB and piano An arrangement of a well-known hymn by John Adam Granade in which the arching vocal lines are accompanied by a rhythmic, undulating piano part evocative of the rivers the hymn-writer describes. There is also a version for men's voices.
SKU: HL.49046753
ISBN 9781705154229. UPC: 196288021810.
With the Petrarch settings, I am continuing my preoccupation with classical Italian literature, after setting Michelangelo in 2011 and Ariosto in 2013. The gesture and harmony of the piece are developed entirely from the text and from the sensations that are expressed there. Petrarch's poetry is an exploration of beauty and pain that begins again and again: beauty that lies in pain and pain that is causedby beauty. Anno Schreier.
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