SKU: JK.01124
Moroni 10:4-5.
Scriptural setting arranged for mixed chorus (SSATB) and piano, of Moroni 10:4-5.Composer: Richard W. Smith Lyricist: Moroni 10:4-5 Difficulty: Medium-easy Performance time: 4:30Reference: Moroni 10:4-5.
SKU: OU.9780193953956
ISBN 9780193953956. 12 x 8 inches.
For SSATB unaccompanied This piece was cited as an example of good church music in S.S.Wesley's pamphlet about the state of church music in 1849. The text had significance for Samuel Wesley as these were the last words said to him by his father. He uses the unusual key (for the time) of C sharp minor, giving the work a special intensity.
SKU: CA.924100
ISBN 9790007244361. Language: French. Text: Gounod, Charles.
In Charles Gounod's L'absent, composed in 1873, the absent one asks at night time whether the beloved remembers him in the light of the moon and at the sound of the evening prayer bells. These art songs were originally composed not for chamber choir, but for solo voice and piano. Denis Rouger has carefully adapted them to suit the requirements and expressive possibilities offered by a larger ensemble, without losing the any of the qualities of the original in the process. Each part in the choir has a melodic line drawn from the harmonic and rhythmic framework. In the process, the variety and refinement of the choral language combines with an enormous flexibility in form and expression, as French melodies or German art song demand from a soloist and pianist. The songs have been recorded by the figure humaine chamber choir on the CD Kennst du das Land ... (Carus 83.495).
SKU: HL.1437384
UPC: 196288204497.
“The Listening,” written by Grammy-nominated composer Cheryl B. Engelhardt in December 2017 for VOICES 21C under the artistic direction of André de Quadros, draws its inspiration from Dr. Martin Luther King Jr.'s impactful 1967 speech, “Beyond Vietnam: A Time to Break Silence.” This dynamic, emotion-filled piece expresses King's call to end societal silence. The rhythmic elements in the piece are derived from the poetic nature of King's speech. The inclusion of a children's choir, inspired by the Parkland school shooting and subsequent protests, symbolizes the disruption of childhood peace by violence. Notably, the virtual collaboration, featuring Donzaleigh Abernathy, Dr. King's goddaughter, emphasizes the song's contemporary relevance in addressing social issues, and was featured in PEOPLE. Premiered live at the Massachusetts Music Educators Conference in 2018 by VOICES 21C, and digitally released during Black History month in 2021, “The Listening” stands as a profound anthem for breaking silence and to foster positive change.
SKU: JK.01068
John 13:34-35, 1 John 4:11.
Arranged for mixed chorus (SSATB), with scriptural text from 1 John and John 13. Sopranos divide at the end.Composer: Luacine Clark Fox Arranger: S. Gordon Jessop Lyricist: 1 John 4:7-8, 12 / John 13:34-35 Difficulty: Medium Performance time: 4:20Reference: John 13:34-35, 1 John 4:11.
SKU: JK.00935
Doctrine and Covenants 18:10-16, 1 John 2:10.
Beautifully sacred setting from Missa Mormonis, sung as an earnest request for the Lord to be patient with an imperfect child--in words reminiscent of O Divine Redeemer. Arranged for mixed chorus (SSATB) and piano by Lynn S. Lund. Also available for SAB choir (#00562).Composer: Lynn S. Lund Lyricist: Psalms 25 Difficulty: Medium / medium acc. Performance time: 5:30Reference: Doctrine and Covenants 18:10-16, 1 John 2:10.
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