SKU: ST.M622
ISBN 9790220218477.
SSATB. Revised by Thurston Dart.
SKU: ST.M404
ISBN 9790220211430.
SSATB. Edited by E H Fellowes. Revised by Thurston Dart.
SKU: ST.W14
ISBN 9790220218194.
SKU: ST.M1005
ISBN 9790220218200.
SKU: ST.W15
ISBN 9790220218118.
SKU: ST.T3412
ISBN 9790220217753.
SSATB.
SKU: ST.M1008
ISBN 9790220218101.
SKU: ST.T509
ISBN 9790220206788.
SKU: ST.W16
ISBN 9790220211249.
SKU: HL.49019492
ISBN 9790001192699. 7.75x11.0x0.039 inches. German.
Heinrich Poos is not the first composer inspired by Friedrich Gottlieb Klopstock's poem 'Die Auferstehung', as even Gustav Mahler had already used these verses in the fifth movement of his Second Symphony 'Auferstehung'. Mahler was inspired to use a choral movement at the end of his symphony at the funeral of the conductor Hans von Bülow where a choir sang a chorale based on said text by Klopstock. Heinrich Poos wrote his deeply moving choral piece in remembrance of the organist Hubert Schoonbrodt.
SKU: JK.01147
Luke: 2.
Traditional French lullaby arranged for seasoned a cappella mixed chorus (SSATB), creates a lovely vision of lowing animals in the stable and angels hovering over the cradle where the God of Light is laid. Arranger: Julie Webb Difficulty: Very Easy Performance time: 1:20Reference: Luke: 2.
SKU: OU.9780193572263
ISBN 9780193572263. 10 x 7 inches.
For SSATB and piano Come Back Like the Sea sets a Sara Teasdale poem that uses the metaphor of the ocean's tide to symbolize life's ups and downs. The music captures the sea imagery and sense of yearning with a captivating opening soundscape, melodies that ebb and flow like the tide, and an evocative piano part that weaves throughout the work.
SKU: GI.G-008817
UPC: 641151088174. English.
Orlando composer Bob Schaefer always brings out the best in choirs with his musically compelling liturgical works. The images he portrays in each unique composition serve to support the particular liturgical day or ritual action. In this eucharistic anthem he makes use of staggered vocal entrances, creating a wash of sound as the melody first emerges from the lower voices.
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