SKU: UT.TME-1
ISBN 9790215316096. 9 x 12 inches.
Performance Material on Hire[Solo: SAATB - Str - Bc]Thanks to its patron the Duke Francesco II, Modena became a capital city worldwide for the oratorio genre: renowned maestro di cappella in Ferrara, also Bassani wished to offer to the Duke his own work, setting aside for him the summit of his melodic and dramaturgical inventiveness.According to the documents that we have, the performance of Giona was Bassani's debut at the court of Francesco II. Born in Padua around 1650, the composer carried out the main part of his activities in Ferrara, where he was organist (probably from 1667), and maestro di cappella at the Accademia della Morte (from 1683), and subsequently also at the Cathedral (from 1686); he also became a member of the Accademia Filarmonica of Bologna (in 1677) and was committed to Alessandro II Pico, Duke of Mirandola and Marquis of Concordia. In 1712 he moved to Bergamo, where he was maestro di cappella at S. Maria Maggiore; he died there on 1st October 1716. Before his commission in Modena, the <> - as he was often called at that time - had already printed seven instrumental and vocal works as well as a few operas and oratorios.
SKU: M2.MOS-81277
ISBN 9790203797777.
SKU: M2.MOS-81051
ISBN 9790203795513.
SKU: BA.BA04493-05
ISBN 9790006496846. 27.4 x 19.8 cm inches.
SKU: OU.9780193378339
ISBN 9780193378339. 12 x 8 inches.
For SSATBB unaccompanied A beautiful 6-part unaccompanied Marian motet written for the Marian Consort. The work combines reminiscences of Renaissance settings of this text with McDowall's distinctive contemporary voice.
SKU: HH.HH549-CHS
ISBN 9790708185642.
An intimate, six-part motet which would enhance a Christmas or Advent programme, and would also be suited for Marian Feasts. It has haunting, lullaby-like motives and harmonies which evoke light coming out of darkness.
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