SKU: HL.48025430
ISBN 9798350126297. UPC: 196288210825. 6.75x10.5 inches.
“Waloyo Yamoni (We Overcome the Wind)†is the grand finale to Christopher Tin's second album 'The Drop That Contained the Sea'. The lyrics are a setting of a Lango rainmaking prayer. It was commissioned by the St. Matthews Chamber Orchestra, and recorded by the Royal Philharmonic Orchestra with the Soweto Gospel Choir. New York Concert Review wrote of the Carnegie Hall premiere “The audience reacted after the final notes with the loudest and longest standing ovation I have ever heard at any concertâ€, while The York Press wrote “We Overcome The Wind was an outpouring of joy; a unanimous standing ovation evinced the sense of togetherness at the heart of this concert.â€.
SKU: ST.W18
ISBN 9790220218484.
SSATB.
SKU: HL.125013
UPC: 884088986506. 6.75x10.5 inches.
A well-known text set by a veteran composer who knows how to make it singularly superior. The melody is immediately entrancing, a middle section introduces a high church chant-like, liturgical sound, then the melody resumes and brings us home. The passionate lyrics, although from scripture, make it appropriate for church and concert use.
SKU: BA.BA02561
ISBN 9790006423002. 27 x 19 cm inches.
Motet no. 11 from Israelsbrunnlein.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: BA.BA02570
ISBN 9790006423095. 27 x 19 cm inches.
Motet no. 20 from Israelsbrunnlein.
SKU: CA.982100
ISBN 9790007142728. Language: English. Text: Betzner-Brandt, Michael. Text: Michael Betzner-Brandt.
The modern a cappella series offers new, challenging a cappella music with a jazzpop sound. The editions are orientated towards the needs of the developing jazz-pop choral scene. a special choral sound, groove, improvisation and choreography play central roles - individual singers can come to the fore as soloists. In short, modern a cappella is a new category of choral music; there are no covered pop songs and also no serious new music, rather grooving, contemporary vocal music with unconventional texts and choral presence. The series is geared towards highly motivated youth choirs as well as ambitious ensembles from all genres.
SKU: BA.BA02553
ISBN 9790006422920. 27 x 19 cm inches.
Motet no. 3 from Israelsbrunnlein.
SKU: HL.386716
UPC: 196288023623. 6.75x10.5x0.029 inches.
Sing a new song, Cantate Dominum, are the words that begin this energetic and celebratory piece. The opening section in 7/8 absolutely dances and thankfully returns for a joyous conclusion. The middle section poetically brings in the beauty of creation. This SATB voicing can be sung together with the SSA voicing, P1715. A great festival piece that can also be sung in worship.
SKU: BA.BA00506
ISBN 9790006403035. 27 x 19 cm inches.
Basso continuo-vocie see BA 500 67(Organ) und BA 500 86(Cello/Contrabass/Bassoon).
SKU: BA.BA02554
ISBN 9790006422937. 27 x 19 cm inches.
Motet no. 4 from Israelsbrunnlein.
SKU: BA.BA02860
ISBN 9790006426522. Text Language: Italian, German. Translation: Hans Joachim Moser.
Print on demand (POD).
SKU: MN.56-0035
UPC: 688670220401. English. Psalms 119:18, 33-5.
Selected verses of Psalm 119 are set for SSATB voices and organ. Unexpectedly, the music is rhythmic and angular, yet still lyrical. This piece would be a memorable one for any accomplished ensemble. The organ part is a non-stop tour de force and requires a very capable player. The choral parts are also a bit challenging in spots. The combined effect is worth it and we think your choir and your listeners will acclaim the results.
SKU: BA.BA10557
ISBN 9790006553068. 33 x 25.8 cm inches. Language: German.
The Complete Vocal Works Johann Pachelbel is known today as a composer of organ music and of a world-famous instrumental canon which frequently features in concert programmes and recording catalogues. However, the same can be said of only a few of his vocal compositions. At most, the motets appear occasionally in church music repertoire. Pachelbelâ??s arias, vocal concerti and large-scale Magnificats have received little attention up to now. Church musicians and musicologists have long wished for a critical edition of these important works, which survive in Pachelbelâ??s manuscript and were largely composed in his main places of work, Erfurt and Nuremberg . As always with such ventures, new discoveries are to be expected regarding the body of works, source material and the context of the works. This concerns not only beautiful music, but rather a deepening of our understanding of Pachelbel as a key figure between southern and central German traditions, and the recognition of an oeuvre which has all too often been pushed into the shadows by the mighty Bach. The Critical Edition The edition aims to make available all of Johann Pachelbelâ??s surviving vocal works in the best possible form. It is edited by the Institut für Musikwissenschaft at the University of Erlangen-Nuremberg and the Institut für Kirchenmusik at the Kunstuniversität Graz. Two volumes per year are planned. As a chronological order is not possible in many cases, the individual works have been arranged according to scoring within their groups. Fragments and works where Johann Pachelbelâ??s authorship is doubtful appear at the end of the respective group. Each volume includes an introduction (Ger/Eng) and a Critical Commentary (Ger). Format 25.5 x 32.5 cm; cloth-bound
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