SKU: JK.01170
Powerful arrangement for mixed chorus (SSATB) and piano, in A flat (3 flats), - inspiring all men and women to declare God's word:Go forth in the service of God and follow the ways of the Lord. For He is the Light, the Life, and the Way. Who can stay the great pow'r of His word?Composer: Betsy Lee Bailey Arranger: Betsy Lee Bailey Lyricist: Betsy Lee Bailey (text inspired by words of Gordon) Difficulty: Medium.
SKU: JK.01219
Revelation 1:17-18, Doctrine and Covenants 6:36-37.
Anthem for mixed chorus (SSATB) and piano, appropriate for Sacrament or Easter service.Come let us sing of endless love, of Him who left His throne above and came to earth, Oh, wondrous plan! To suffer, bleed and die for man.Composer: David Len Allen Lyricist: George A. Manwaring, treatment by David Len Allen Difficulty: Medium Performance time: 2:20Reference: Revelation 1:17-18, Doctrine and Covenants 6:36-37.
SKU: JK.01068
John 13:34-35, 1 John 4:11.
Arranged for mixed chorus (SSATB), with scriptural text from 1 John and John 13. Sopranos divide at the end.Composer: Luacine Clark Fox Arranger: S. Gordon Jessop Lyricist: 1 John 4:7-8, 12 / John 13:34-35 Difficulty: Medium Performance time: 4:20Reference: John 13:34-35, 1 John 4:11.
SKU: SU.80402150
SSATBB Chorus & Organ Composed: 2011 Published by: Paulus Publications Minimum order quantity: 8 copies. To order quantities fewer than 8, please call customer service at (973) 857-3440.
SKU: SU.YR3L13
Words from Psalm 23SSATBB Composed: 1999 Published by: Yelton Rhodes Music Minimum order quantity: 8 copies. To order quantities fewer than 8, please email customer service at sales@subitomusic.com.
SKU: CA.966500
ISBN 9790007167707. Text language: Latin/English.
Interestingly, Ayres combines the Latin text of the hymn with his translation here: in the style of a free motet-like cantus firmus, he interprets the Latin text impressively in music, making use of glissandi, wide leaps and unison twelve-tone linear construction for the dramatic second verse with its deceptive vision of night. He places the motet sections after the translated text, but quite simply with the Gregorian cantus firmus and in the style of medieval organum, however with interesting, diatonically written dissonant sounds. This rewarding piece is challenging, but well worth singing in a concert or church service.
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