SKU: BA.BA04493-05
ISBN 9790006496846. 27.4 x 19.8 cm inches.
SKU: BA.BA02563
ISBN 9790006423026. 27 x 19 cm inches.
Motet no. 13 from Israelsbrunnlein.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: BA.BA02572
ISBN 9790006423118. 27 x 19 cm inches.
Motet no. 22 from Israelsbrunnlein.
SKU: BA.BA02558
ISBN 9790006422975. 27 x 19 cm inches.
Motet no. 8 from Israelsbrunnlein.
SKU: BA.BA10557
ISBN 9790006553068. 33 x 25.8 cm inches. Language: German.
The Complete Vocal Works Johann Pachelbel is known today as a composer of organ music and of a world-famous instrumental canon which frequently features in concert programmes and recording catalogues. However, the same can be said of only a few of his vocal compositions. At most, the motets appear occasionally in church music repertoire. Pachelbelâ??s arias, vocal concerti and large-scale Magnificats have received little attention up to now. Church musicians and musicologists have long wished for a critical edition of these important works, which survive in Pachelbelâ??s manuscript and were largely composed in his main places of work, Erfurt and Nuremberg . As always with such ventures, new discoveries are to be expected regarding the body of works, source material and the context of the works. This concerns not only beautiful music, but rather a deepening of our understanding of Pachelbel as a key figure between southern and central German traditions, and the recognition of an oeuvre which has all too often been pushed into the shadows by the mighty Bach. The Critical Edition The edition aims to make available all of Johann Pachelbelâ??s surviving vocal works in the best possible form. It is edited by the Institut für Musikwissenschaft at the University of Erlangen-Nuremberg and the Institut für Kirchenmusik at the Kunstuniversität Graz. Two volumes per year are planned. As a chronological order is not possible in many cases, the individual works have been arranged according to scoring within their groups. Fragments and works where Johann Pachelbelâ??s authorship is doubtful appear at the end of the respective group. Each volume includes an introduction (Ger/Eng) and a Critical Commentary (Ger). Format 25.5 x 32.5 cm; cloth-bound
SKU: CA.966500
ISBN 9790007167707. Text language: Latin/English.
Interestingly, Ayres combines the Latin text of the hymn with his translation here: in the style of a free motet-like cantus firmus, he interprets the Latin text impressively in music, making use of glissandi, wide leaps and unison twelve-tone linear construction for the dramatic second verse with its deceptive vision of night. He places the motet sections after the translated text, but quite simply with the Gregorian cantus firmus and in the style of medieval organum, however with interesting, diatonically written dissonant sounds. This rewarding piece is challenging, but well worth singing in a concert or church service.
SKU: BA.BA08957-91
ISBN 9790006525522. 27 x 19 cm inches. Text Language: German, English, Latin.
Year after year, during Advent and the Christmas season, compositions are sought which present well-known carols in a new light, whether it be compositions set for small or larger groups, for children or adults, with or without accompanying keyboard instruments. This collection by Gerd-Peter Munden presents carols in new settings as a welcome addition to the Christmas literature and will enrich the repertoire of an adults' or children's choir.- Well-known Advent and Christmas carols in new settings- With texts in German and English- With short Latin introductions as a part of each motet- Ideal for a children's or adults' choir during the Christmas seasonContentsThere comes a galley, laden / Es kommt ein Schiff, geladenO saviour, open heaven's gate / O Heiland, reiss die Himmel aufO Lord, how shall I meet you / Wie soll ich dich empfangenAngels from the realms of Glory / Hort der Engel helle LiederAs I was watching o'er my sheep / Als ich bei meinen Schafen wachtGood Christian men rejoice / Nun singet und seid frohThe EditorGerd-Peter Munden is one of the most creative German church-musicians today. From 1992 to 1999 he worked as the cantor in Minden, where he also directed the music school for choristers. From 1999 he has been the Cathedral-Cantor at the Braunschweig Cathedral and the director of the cathedral school for choristers. He is the initiator and artistic director of a successful school project throughout Germany encouraging youngsters to sing.
SKU: GI.G-9610
UPC: 785147961000. Latin. Text Source: Attr. Ambrose of Milan, 340–397. Text by Ambrose of Milan.
Composer's Notes When I met Kelsey Rose in Oxford in St. Stephen’s House chapel over the summer of 2017, we had both just attended a very moving candlelit concert by Westminster Williamson Voices, featuring my setting of “Tenebrae lumini.†I was delighted to be asked to write a piece for compline in Princeton University Chapel, celebrating the 150th anniversary of the Anglican/Episcopal chaplaincy at Princeton University. “Aurora†is the result of that meeting. Composing by commission often throws up some interesting challenges. The piece had to fit both as an accompanying piece to the plainchant of compline, whilst simultaneously being a celebratory anthem. I was instantly drawn back to the poetry and hymns of St. Ambrose of Milan, particularly “Aurora iam spargit polum.†Fragments of chant (both real and imagined) are used to create the powerful imagery of the descending golden light of dawn. The piece reaches its climax with the plea for the despair of night to “vanish,†which it then does, leaving the sopranos alone on a high G.
SKU: GI.WW1946
UPC: 785147042167. Sesotho and IsiZulu. Text Source: Traditional SeSotho and IsiZulu.
This traditional South African song is typically sung by a choir or a group of winners in a competition. It is a bragging song that says when we sing like this we have no mercy and no grace! Add percussion and ululations for an authentic South African sound.
SKU: JK.01170
Powerful arrangement for mixed chorus (SSATB) and piano, in A flat (3 flats), - inspiring all men and women to declare God's word:Go forth in the service of God and follow the ways of the Lord. For He is the Light, the Life, and the Way. Who can stay the great pow'r of His word?Composer: Betsy Lee Bailey Arranger: Betsy Lee Bailey Lyricist: Betsy Lee Bailey (text inspired by words of Gordon) Difficulty: Medium.
SKU: CA.982100
ISBN 9790007142728. Language: English. Text: Betzner-Brandt, Michael. Text: Michael Betzner-Brandt.
The modern a cappella series offers new, challenging a cappella music with a jazzpop sound. The editions are orientated towards the needs of the developing jazz-pop choral scene. a special choral sound, groove, improvisation and choreography play central roles - individual singers can come to the fore as soloists. In short, modern a cappella is a new category of choral music; there are no covered pop songs and also no serious new music, rather grooving, contemporary vocal music with unconventional texts and choral presence. The series is geared towards highly motivated youth choirs as well as ambitious ensembles from all genres.
SKU: BA.BA02564
ISBN 9790006423033. 27 x 19 cm inches.
Motet no. 14 from Israelsbrunnlein.
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