SKU: HL.48025430
ISBN 9798350126297. UPC: 196288210825. 6.75x10.5 inches.
“Waloyo Yamoni (We Overcome the Wind)†is the grand finale to Christopher Tin's second album 'The Drop That Contained the Sea'. The lyrics are a setting of a Lango rainmaking prayer. It was commissioned by the St. Matthews Chamber Orchestra, and recorded by the Royal Philharmonic Orchestra with the Soweto Gospel Choir. New York Concert Review wrote of the Carnegie Hall premiere “The audience reacted after the final notes with the loudest and longest standing ovation I have ever heard at any concertâ€, while The York Press wrote “We Overcome The Wind was an outpouring of joy; a unanimous standing ovation evinced the sense of togetherness at the heart of this concert.â€.
SKU: MN.50-1137
UPC: 688670511370. English.
A lilting choral accompaniment evokes pizzicato sounds surrounding the tenor melody in verse one. The other verses are set more conventionally but still reflect the goals of our Christmas with The Singers series: that the audience will enjoy the famliarity of the carol but be enchanted by the creativity of the arrangement. Challenging, but masterful in how Matthew Culloton treats the ensemble as a self-sufficient choral idiom. Duration 2:30.
SKU: JK.80041
Folk song arranged for a cappella mixed chorus (SSATBB) with optional piano part included, written in G major. (previously listed as #00148)Composer: Stephen C. Foster Arranger: Lorin F. Wheelwright and B. Cecil Gates Lyricist: Stephen C. Foster Difficulty: Medium / medium acc.
SKU: GI.G-7459
UPC: 785147745907. English. Text by Robert Burns.
Text Source: Robert Burns, 1759-1796.
SKU: BT.SCHEEV169
SKU: HH.HH479-CHS
ISBN 9790708146902.
O Nata Lux is a six-part, a cappella motet. The anonymous tenth-century text is suitable for inclusion throughout the liturgical year. Evoking a deep sense of longing, this contemplative motet would enhance any concert programme of a capella choral music.
SKU: HH.HH549-CHS
ISBN 9790708185642.
An intimate, six-part motet which would enhance a Christmas or Advent programme, and would also be suited for Marian Feasts. It has haunting, lullaby-like motives and harmonies which evoke light coming out of darkness.
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