SKU: MN.50-1137
UPC: 688670511370. English.
A lilting choral accompaniment evokes pizzicato sounds surrounding the tenor melody in verse one. The other verses are set more conventionally but still reflect the goals of our Christmas with The Singers series: that the audience will enjoy the famliarity of the carol but be enchanted by the creativity of the arrangement. Challenging, but masterful in how Matthew Culloton treats the ensemble as a self-sufficient choral idiom. Duration 2:30.
SKU: HL.49013665
ISBN 9790001016094. German.
SKU: HL.49012111
ISBN 9790001101493. 9.0x12.0x0.058 inches.
SKU: HL.288472
ISBN 9788759841150. UPC: 888680911348. 8.5x11 inches.
Maja S. K. Ratkje's A Dismantled Ode To The Moral Value Of Art for 6 Part Chorus.
It was performed under the direction of Leonard Bernstein at a concert to mark the fall of the Berlin Wall, it appears in Stanley Kubrick's A Clockwork Orange. Hitler celebrated his birthdays with it, and the government of Rhodesia made it their anthem. And the prisoners in German concentration camps played it. It also figured prominently at Mitterand's 1981 investiture. In 2012, we celebrate the Ode to Joy's 40 years anniversary as National Anthem of the EU.
SKU: CA.4049680
ISBN 9790007105952. Key: D major. Language: German/English. Text: Silesius, Angelus. Text: Angelus Silesius.
SKU: CA.964100
ISBN 9790007143541. Text language: Latin.
The Good Friday Responsory Tenebrae factae sunt for six-part chorus was commissioned in 2012 for Peking University Student Choir and was premiered at the World Choir Games in Cincinnati, Ohio, USA conducted by Hou Xijin. It is an ambitious work with a fervent intensity. Matsushita sets the two last words of Jesus, Deus meus, ut quid me dereliquisti? [My God, why hast thou forsaken me] and Pater, in manus tuas commendo spiritum meum [Father, into thy hands I commend my spirit] as pained outcries in Stravinskyian harshness, in chords characterized by tritones, as a truly superhuman work of redemption whose Easter message of hope only appears in the last conciliatory F major chord. Although this work lies slightly beyond the upper limit of the musical and vocal technical demands of the Carus Contemporary series, it is well within the abilities of ambitious chamber choirs.
© 2000 - 2024 Home - New realises - Composers Legal notice - Full version