SKU: GI.WJMS1161
UPC: 785147000365. Latin. Text Source: Psalm 65.
A highly energetic and challenging work, Ivo Antognini's Jubilate Deo will be a nice rhythmic and uptempo addition to your program. Written for choir and SATB quartet or small ensemble, this interesting combination of forces makes for a great opportunity to feature some of your singers. Jo-Michael Scheibe Choral Series. Recording Choir: Slovenian Philharmonic Choir, Matjaz Scek, conductor.
SKU: CA.964100
ISBN 9790007143541. Text language: Latin.
The Good Friday Responsory Tenebrae factae sunt for six-part chorus was commissioned in 2012 for Peking University Student Choir and was premiered at the World Choir Games in Cincinnati, Ohio, USA conducted by Hou Xijin. It is an ambitious work with a fervent intensity. Matsushita sets the two last words of Jesus, Deus meus, ut quid me dereliquisti? [My God, why hast thou forsaken me] and Pater, in manus tuas commendo spiritum meum [Father, into thy hands I commend my spirit] as pained outcries in Stravinskyian harshness, in chords characterized by tritones, as a truly superhuman work of redemption whose Easter message of hope only appears in the last conciliatory F major chord. Although this work lies slightly beyond the upper limit of the musical and vocal technical demands of the Carus Contemporary series, it is well within the abilities of ambitious chamber choirs.
SKU: OU.9780193378339
ISBN 9780193378339. 12 x 8 inches.
For SSATBB unaccompanied A beautiful 6-part unaccompanied Marian motet written for the Marian Consort. The work combines reminiscences of Renaissance settings of this text with McDowall's distinctive contemporary voice.
SKU: JK.80041
Folk song arranged for a cappella mixed chorus (SSATBB) with optional piano part included, written in G major. (previously listed as #00148)Composer: Stephen C. Foster Arranger: Lorin F. Wheelwright and B. Cecil Gates Lyricist: Stephen C. Foster Difficulty: Medium / medium acc.
SKU: MN.50-1137
UPC: 688670511370. English.
A lilting choral accompaniment evokes pizzicato sounds surrounding the tenor melody in verse one. The other verses are set more conventionally but still reflect the goals of our Christmas with The Singers series: that the audience will enjoy the famliarity of the carol but be enchanted by the creativity of the arrangement. Challenging, but masterful in how Matthew Culloton treats the ensemble as a self-sufficient choral idiom. Duration 2:30.
SKU: MN.80-854
UPC: 688670808548.
Tu es Petrus (you are Peter, the rock) is based on a Gregorian antiphon for the Feast of Saints Peter and Paul/Feast of the Chair of Peter. The piece was composed specifically to fit the parameters and setting of a Papal audience, with a brief performance time. In six-parts with octave doublings, it makes a big a cappella sound for a big space. A powerful new choice for pilgrim choirs to Rome!
SKU: HL.49024124
ISBN 9790001006040. Latin.
SKU: HL.49024126
ISBN 9790001006064. Latin.
SKU: HL.49024125
ISBN 9790001006057. Latin.
SKU: OU.9780193566996
ISBN 9780193566996. 10 x 7 inches.
For SSATBB unaccompanied This song skillfully blends a classic poem, Christina Rossetti's Uphill, with a relaxed, lightly jazzy style. Expanding from three- to six-part harmony, the chordal texture allows for strong annunciation of this well-known text. Chydenius's opening direction 'Swung, yet profound' encapsulates the essence of this work.
SKU: HL.49013707
ISBN 9790001122955. 7.5x11.0x0.096 inches. German.
SKU: HL.48022995
ISBN 9780851627779. UPC: 888680009205. 7.25x10.25x0.125 inches.
Text in Latin.
SKU: HL.48025430
ISBN 9798350126297. UPC: 196288210825. 6.75x10.5 inches.
“Waloyo Yamoni (We Overcome the Wind)†is the grand finale to Christopher Tin's second album 'The Drop That Contained the Sea'. The lyrics are a setting of a Lango rainmaking prayer. It was commissioned by the St. Matthews Chamber Orchestra, and recorded by the Royal Philharmonic Orchestra with the Soweto Gospel Choir. New York Concert Review wrote of the Carnegie Hall premiere “The audience reacted after the final notes with the loudest and longest standing ovation I have ever heard at any concertâ€, while The York Press wrote “We Overcome The Wind was an outpouring of joy; a unanimous standing ovation evinced the sense of togetherness at the heart of this concert.â€.
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