SKU: CF.CM9635
ISBN 9781491157077. UPC: 680160915637. 6.875 x 10.5 inches. Key: E major. English, English. Abram Joseph Ryan (1838-1886).
Victor Johnson captures the mystery and nuance of the bittersweet poem, Wake Me a Song, by American poet, Abram Joseph Ryan. Nuance, text, and Johnson's rich harmonies paired with intertwining textures make this a noteworthy addition to any program. Also available for SATB Voices (CM9561).About the Author Abram Joseph Ryan was born Matthew Abraham Ryan on February 5, 1838 in Hagerstown, Maryland. As a young man, Ryan and his family moved west St. Louis, Missouri, where he was educated at the Christian Brothers School. He studied for the priesthood at Niagra University in New York State and was ordained a priest in the Vincentian order on November 1, 1856. He taught theology, first at Niagra university and then at the diocesan seminary in Cape Girardeau, Missouri, until the beginning of the war between the states. Father Ryan enlisted in the army on September 1, 1862, and served as a chaplain throughout the conflict, carrying the wounded to safety and performing last rites on the battlefield. His first piece of poetry was inspired by the death of a younger brother while serving in the army. After the war, he established a weekly literary magazine in which most of his poetry was published. He also put out several volumes of poetry, including Father Ryan's Poems and A Crown for Our Queen. Father Ryan died on April 22, 1886 at a Franciscan monastery in Louisville, Kentucky. About the Song Wake Me A Song is an inspired and sensitive setting of the 19th-century poem by Abram Joseph Ryan. It features sweeping melodic lines, rich harmonies, and a flowingly beautiful accompaniment. To master a performance of this selection, singers must perform very expressively, paying close attention to such musical aspects as phrase shaping, the rise and fall of the melodic line, blending and proper intonation between sections. One strategy that could be used to ensure proper phrasing is the idea of Painting the Phrase. The singer should make a motion as if they have a paintbrush in their hand and paint the melodic line and phrase shape as if they are painting with a nice, flowing brush stroke. One could think about painting a rainbow or an arch to show the rise and fall of the line and/or phrase. The director can also show this gesture while conducting to reinforce this concept.About the AuthorAbram Joseph Ryan was born Matthew Abraham Ryan on February 5, 1838 in Hagerstown, Maryland. As a young man, Ryan and his family moved west St. Louis, Missouri, where he was educated at the Christian Brothers School. He studied for the priesthood at Niagra University in New York State and was ordained a priest in the Vincentian order on November 1, 1856. He taught theology, first at Niagra university and then at the diocesan seminary in Cape Girardeau, Missouri, until the beginning of the war between the states.Father Ryan enlisted in the army on September 1, 1862, and served as a chaplain throughout the conflict, carrying the wounded to safety and performing last rites on the battlefield. His first piece of poetry was inspired by the death of a younger brother while serving in the army. After the war, he established a weekly literary magazine in which most of his poetry was published. He also put out several volumes of poetry, including Father Ryan's Poems and A Crown for Our Queen. Father Ryan died on April 22, 1886 at a Franciscan monastery in Louisville, Kentucky.About the SongWake Me A Song is an inspired and sensitive setting of the 19th-century poem by Abram Joseph Ryan. It features sweeping melodic lines, rich harmonies, and a flowingly beautiful accompaniment.To master a performance of this selection, singers must perform very expressively, paying close attention to such musical aspects as phrase shaping, the rise and fall of the melodic line, blending and proper intonation between sections.One strategy that could be used to ensure proper phrasing is the idea of “Painting the Phrase.†The singer should make a motion as if they have a paintbrush in their hand and “paint†the melodic line and phrase shape as if they are painting with a nice, flowing brush stroke. One could think about painting a rainbow or an arch to show the rise and fall of the line and/or phrase. The director can also show this gesture while conducting to reinforce this concept.
SKU: HL.402731
UPC: 196288057727. 6.75x10.5x0.029 inches. Luke 1:35, Matthew 2, Psalm 46:10.
Inspired by the classic carol Silent Night, this newly composed sacred nocturne moves beyond its source material and delivers an exquisite portrait of Christmas grace. A memorable melody propels the piece forward with gentle phrasing while a flowing piano part offers colorful support. The development section offers contrast as the angelic chorus breaks forth with luminous praise. An optional chamber orchestration beautifully wraps this message of hope in a sonic blanket. Very special! Score and Parts (fl, ob, cl, bn, hn, vibes, aux perc, pno, hp, vn 1-2, va, vc, db) available as a digital download.
SKU: HL.210338
UPC: 888680659226. 6.75x10.5 inches. Ronald W. Cadmus/Robert S. Cohen.
This original spiritual for male voices is infused with energy! Opening with a layered speech chorus, it moves into a southern gospel feel with a dynamic call-and-response that leads back into the speech chorus, this time with hand clapping. Excellent for male honor choirs and festival performances.
SKU: HL.49003214
ISBN 9790220117282. UPC: 888680784249. 8.25x11.75x0.052 inches. Latin.
Glorious Hill may be performed by a male choir.Text by Pico della Mirandola (1463-1497) from De Hominis Dignitate.Glorious Hill was commissioned by the Hilliard Ensemble and first performed by them at its summer Festival of Voices in Lewes, Sussex, in August 1988. It was the first piece I wrote for the ensemble and I focused on the singers' unique ability to move with ease from early music to tonal music of the present day. There were techniques which I asked for which I hardly needed to notate - the staggered breathing of the two tenors to supply a continuous unbroken held note for example - and the piece moves between passages for solo voices and sections of highly chromatic homophony, almost as if the music were switching between the 12th century of Perotin and the 16th century of Gesualdo. Each of the four voices is given its own solo passage, sometimes accompanied, sometimes quietly supported by the other voices.The title, Glorious Hill comes from the name of the small-town Mississippi setting of Tennessee Williams' Summer and Smoke. I wrote the music for the 1987 production of this play at the Leicester Haymarket Theatre, the first time I had written any incidental music for the stage. Williams makes very specific demands in terms of music and there is one particularly powerful scene, the penultimate one, throughout which music and atmospheric sound effects are continuous. The principle character Alma argues passionately about the vital importance of human choice with the man to whom she has, too late, admitted her love. I watched this section every night throughout the 4 week run of the play watching the different ways in which the actress, Frances Barber, played the scene. There is a powerful emotional and philosophical connection between the imagery of this scene and a passage from the Renaissance philosopher Pico della Mirandola's Oration on the Dignity of Man which forms the text of Glorious Hill. This passage has been described as one of the few passages in Renaissance philosophy to treat human freedom in a modern way. The text, which is sung in Latin, is addressed by God to Adam before the fall from grace.Gavin Bryars.
SKU: HL.35031192
ISBN 9781495073205. UPC: 888680640385. 6.75x10.5x0.029 inches.
A beautiful melody captures the essence of the poetry of John Thornburg. In a safe place, among their friends, the young men of the choir can explore feelings and emotions not always available to them as they move into adulthood. A truly special musical and emotional experience.
SKU: CF.CM9779
ISBN 9781491164501. UPC: 680160923410. Key: E major. Text: Rudyard Kipling.
This classic poem by Rudyard Kipling can, at first, sound like a series of stipulations for manhood. While it is all wonderful advice, I chose to set this text in a way that gradually transitions from if you can to simply, you can!As the choir moves into the contrapuntal section at m. 37, I imagine each section of the choir cheering the other sections on as they strive for their own personal greatness. The basses kick off the cheers of you can at m. 45, with the whole choir joining at m. 49, leading into the rousing final section of the result of strong personal choices: Yours is the earth, and everything that's in it.If optional text is needed for your ensemble from m. 58 to the end, consider You'll know the race is run or a text of your choosing. .
SKU: HL.419542
UPC: 196288060949. 6.75x10.5x0.029 inches. John 15:13.
There is no more poignant sight than the solemn ceremony of the folded flag. The dignity associated with honoring one who has given the last full measure of devotion is rich with tradition and provides a moment of deep reverence for those in grief. This inspiring anthem presents three moments with the flag as it moves from the hands of grief to soaring and into the hearts of the future. The music has a cinematic scope, following the text with a theme that lifts the message of commitment and devotion to the heavens. An instant classic! Score and Parts (fl 1-2, ob, cl 1-2, bn, hn 1-2, tpt 1-3, tbn 1-2, tbn3/tba, perc 1-3, timp, pno, hp, vn 1-2, va, vc, db) available as a digital download.
SKU: CA.738620
ISBN 9790007166298. Text language: Latin.
The composition of Verba Ecclesiastes begun in 2002 as a result of a comission from my friend Gary Graden. For many years I've found those words from the Old Testament very fascinating - as everyone knows, I'm not alone. Vanity of vanities! All is vanity! Writers, painters and filmmakers have for centuries been dealing with the subject and I found it high time to set the famous words to music. The suite, for soloists, choir and violoncello, consists of six movements, each one enlighting a different view of life and afterlife, and also, as Matthew Arnold puts it of human misery. Yet the suite is full of hope and humanity, specially recognizable in the two central parts, Dulce lumen and Omnia tempus habent. The music was completed in 2009. (Michael Waldenby).
SKU: HL.8771536
UPC: 649325011560. 7.0x10.0x0.045 inches.
SKU: BP.2150
Printed product. The ethereal nature of the Samuel Francis Smith poem is perfectly paired with masterful text painting until the two become one in spirit and understanding. The move from earth to heaven is flawless. The music is deep; the text rich and profound. The melody line moves to harmony and back again until it finally finds a resting place in the sight and sound of eternity . . . making heaven a heaven. Glorious! Scored for SATB choir and piano with optional string quartet or orchestra parts available. Also available for SSAA and TTBB.
SKU: SU.YR1414V1
Choral Cycle in 5 Movements. Text by Bruce Olstad 1. Welcome Winter! 2. An Old-Fashioned Christmas 3. One Family at a Time 4. Lullaby for a Winter's Eve 5. Welcome Winter! (II) TTBB Chorus & Piano Composed: 2002 Published by: Yelton Rhodes Music Minimum order quantity: 8 copies. To order quantities fewer than 8, please call customer service at (973) 857-3440.
SKU: BP.BP2197
Printed product. The promises of the Twenty-Third Psalm text come to life in this deep but tender setting as it moves through the strong statement of faith for this life through the development of the beautiful musical picture of life eternal. Available in SATB and SSAA voicings also.
SKU: CA.738610
ISBN 9790007166281. Text language: Latin.
SKU: CA.738640
ISBN 9790007166304. Text language: Latin.
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