TTBB chorus with (piano) or (wind ensemble) or (brass quintet, organ & optional percussion) or (full orchestra) or (Reduced orchestra) (Please note accompaniments are not compatible with each other.)

SKU: EC.RBM-103A

Composed by Randol Alan Bass. Multi-Movement/Large Choral Work. Christmas, Sacred, 21st Century. Choral score. Duration 12:00. Randol Bass Music #RBM-103A. Published by Randol Bass Music (EC.RBM-103A).

UPC: 688670440052.

This carol medley was commissioned by the Dallas Symphony Orchestra in 1992 and has been performed nationwide on Holiday and Christmas programs- both in the concert hall and for church-based presentations.

The following four carols appear, without interruption, in this manner:
Shiloh (William Billings)
Joy To the World
Silent Night (German / English)
Angels We Have Heard On High.

TTBB a cappella

SKU: GI.G-002328

Composed by William Appling. Lent, Easter 4 A, OT 28 A, Lent 4 A, OT 16 B. Sacred. Octavo. 4 pages. GIA Publications #002328. Published by GIA Publications (GI.G-002328).

UPC: 641151023281.

TTBB choir, piano ad lib

SKU: GH.WC1602029

Composed by Evert Taube. Arranged by William Lind. Octavo. With Language: Swedish. 4 pages. Published by Gehrmans Musikforlag (GH.WC1602029).

ISBN 9790070036825. A4 inches. Text: Evert Taube.

(Evert Taube-potpourri). Composed by Evert Taube. Arranged by William Lind. For TTBB choir, piano. Language: Swedish. 20 pages. Published by Gehrmans Musikforlag

TTBB choir

SKU: GH.WC1602021

Composed by Evert Taube. Arranged by William Lind. Men's choral score. With Language: Swedish. 4 pages. Published by Gehrmans Musikforlag (GH.WC1602021).

ISBN 9790070005586. 185 x 262 mm inches. Text: Evert Taube.

By Evert Taube. Arranged by William Lind. For TTBB choir (piano). Octavo. Language: Swedish. 4 pages. Published by Gehrmans Musikforlag

By Ralph Vaughan Williams. Arranged by Julius Harrison. (TTBB A Cappella). Boosey and Hawkes Secular Choral. 6 pages. Published by Boosey & Hawkes.

Choral TTBB choir, piano

SKU: PR.312419270

From Terra Nostra. Composed by Stacy Garrop. Performance Score. 8 pages. Duration 2 minutes. Theodore Presser Company #312-41927. Published by Theodore Presser Company (PR.312419270).

ISBN 9781491137918. UPC: 680160692606. English. Charles Mackay.

Terra Nostra focuses on the relationship between our planet and mankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. The oratorio is divided into three parts:Part I: Creation of the World celebrates the birth and beauty of our planet. The oratorio begins with creation myths from India, North America, and Egypt that are integrated into the opening lines of Genesis from the Old Testament. The music surges forth from these creation stories into “God’s World” by Edna St. Vincent Millay, which describes the world in exuberant and vivid detail. Percy Bysshe Shelley’s “On thine own child” praises Mother Earth for her role bringing forth all life, while Walt Whitman sings a love song to the planet in “Smile O voluptuous cool-breathed earth!” Part I ends with “A Blade of Grass” in which Whitman muses how our planet has been spinning in the heavens for a very long time.Part II: The Rise of Humanity examines the achievements of mankind, particularly since the dawn of the Industrial Age. Lord Alfred Tennyson’s “Locksley Hall” sets an auspicious tone that mankind is on the verge of great discoveries. This is followed in short order by Charles Mackay’s “Railways 1846,” William Ernest Henley’s “A Song of Speed,” and John Gillespie Magee, Jr.’s “High Flight,” each of which celebrates a new milestone in technological achievement. In “Binsey Poplars,” Gerard Manley Hopkins takes note of the effect that these advances are having on the planet, with trees being brought down and landscapes forever changed. Percy Bysshe Shelley’s “A Dirge” concludes Part II with a warning that the planet is beginning to sound a grave alarm.Part III: Searching for Balance questions how we can create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. Three texts continue the earth’s plea that ended the previous section: Lord Byron’s “Darkness” speaks of a natural disaster (a volcano) that has blotted out the sun from humanity and the panic that ensues; contemporary poet Esther Iverem’s “Earth Screaming” gives voice to the modern issues of our changing climate; and William Wordsworth’s “The World Is Too Much With Us” warns us that we are almost out of time to change our course. Contemporary/agrarian poet Wendell Berry’s “The Want of Peace” speaks to us at the climax of the oratorio, reminding us that we can find harmony with the planet if we choose to live more simply, and to recall that we ourselves came from the earth. Two Walt Whitman texts (“A Child said, What is the grass?” and “There was a child went forth every day”) echo Berry’s thoughts, reminding us that we are of the earth, as is everything that we see on our planet. The oratorio concludes with a reprise of Whitman’s “A Blade of Grass” from Part I, this time interspersed with an additional Whitman text that sublimely states, “I bequeath myself to the dirt to grow from the grass I love…”My hope in writing this oratorio is to invite audience members to consider how we interact with our planet, and what we can each personally do to keep the planet going for future generations. We are the only stewards Earth has; what can we each do to leave her in better shape than we found her?

From the Musical Something Rotten!. Composed by Karey Kirkpatrick and Wayne Kirkpatrick. Arranged by Andy Beck. Choral Octavo. Alfred Pop Series. Broadway; Secular. 20 pages. Published by Alfred Music (AP.45562).

By Michael Burkhardt. For SSATTBB choir (a cappella). Choral Music. Advent. Medium-Easy. Octavo. Published by MorningStar Music Publishers