SKU: HL.319777
UPC: 888680972783. 6.75x10.5x0.046 inches.
Fred Bock began this popular series, followed by Dick Bolks, and now Richard A. Nichols. Perfect for Father's Day or when the men are singing in church, this single choral includes an introit: Brethren, We Have Met to Worship, a call to prayer: Great Is Thy Faithfulness, an anthem: God of Our Fathers, and a benediction: Eternal Father, Strong to Save. It is a full service packaged into one choral.
SKU: WD.080689875229
UPC: 080689875229.
God's people are called to sing. His song has been written on our hearts, and we must give voice to what He has written there. And there may be nothing quite so powerful as a men's chorus joining strong voices together in songs of honor and praise to their God and King!
SKU: WD.080689504679
UPC: 080689504679.
SKU: WD.080689800726
UPC: 080689800726.
SKU: WD.080689704024
UPC: 080689704024.
SKU: EC.RBM-103A
UPC: 688670440052.
This carol medley was commissioned by the Dallas Symphony Orchestra in 1992 and has been performed nationwide on Holiday and Christmas programs- both in the concert hall and for church-based presentations.
The following four carols appear, without interruption, in this manner:Shiloh (William Billings)Joy To the WorldSilent Night (German / English)Angels We Have Heard On High.
SKU: AP.45389
UPC: 038081511290. English. Traditional Carols.
This majestic mash-up of Masters in This Hall and We Three Kings of Orient Are includes a joyful new text and optional parts for flute and hand drum. A lively 6/8 tempo and a buoyant minor tonality create a festive feel.
About Alfred Choral Designs
The Alfred Choral Designs Series provides student and adult choirs with a variety of secular choral music that is useful, practical, educationally appropriate, and a pleasure to sing. To that end, the Choral Designs series features original works, folk song settings, spiritual arrangements, choral masterworks, and holiday selections suitable for use in concerts, festivals, and contests.
SKU: LP.765762132627
UPC: 765762132627.
Joseph Linn has captured all the excitement and joy of southern gospel music in one collection. Sunday Go-to-Meetin' Songs for Men is arranged quartet-style and provides singable arrangements of 12 gospel quartet classics. Men's ensembles and quartets will love the warm harmonies and energetic accompaniment trax that make Sunday Go-to-Meetin' Songs for Men a toe-tapping good time for your men's ensemble.
SKU: AP.47608
UPC: 038081543017. English.
The spirit of the season comes alive in this unbelievably fantastic holiday hit from The Polar Express. Originally recorded by Josh Groban, the magical ballad has grown in popularity to become recognizable worldwide. Fully arranged by Mark Hayes for choirs of all sizes and ages, a much-anticipated TTBB voicing is now available!
SKU: AP.47625
UPC: 038081543185. English.
Here's the heart-swelling central anthem from Ragtime, beautifully arranged for a cappella voices! A lush ah and oo introduction yields to the stirring strains of Stephen Flaherty's stunning Broadway ballad, which gradually builds to a wall of sound as Lynn Ahrens' lyrics unfold. This arrangement delivers the spirit and truth of an important message---especially relevant today.
About Alfred Pop Choral Series
The Alfred Pop Series features outstanding arrangements of songs from the popular music genre. These publications provide exciting, contemporary, and educationally-sound arrangements for singers of all ages, from elementary through high school, to college and adult choirs.
SKU: PR.312419270
ISBN 9781491137918. UPC: 680160692606. English. Charles Mackay.
Terra Nostra focuses on the relationship between our planet and mankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. The oratorio is divided into three parts:Part I: Creation of the World celebrates the birth and beauty of our planet. The oratorio begins with creation myths from India, North America, and Egypt that are integrated into the opening lines of Genesis from the Old Testament. The music surges forth from these creation stories into “God’s World” by Edna St. Vincent Millay, which describes the world in exuberant and vivid detail. Percy Bysshe Shelley’s “On thine own child” praises Mother Earth for her role bringing forth all life, while Walt Whitman sings a love song to the planet in “Smile O voluptuous cool-breathed earth!” Part I ends with “A Blade of Grass” in which Whitman muses how our planet has been spinning in the heavens for a very long time.Part II: The Rise of Humanity examines the achievements of mankind, particularly since the dawn of the Industrial Age. Lord Alfred Tennyson’s “Locksley Hall” sets an auspicious tone that mankind is on the verge of great discoveries. This is followed in short order by Charles Mackay’s “Railways 1846,” William Ernest Henley’s “A Song of Speed,” and John Gillespie Magee, Jr.’s “High Flight,” each of which celebrates a new milestone in technological achievement. In “Binsey Poplars,” Gerard Manley Hopkins takes note of the effect that these advances are having on the planet, with trees being brought down and landscapes forever changed. Percy Bysshe Shelley’s “A Dirge” concludes Part II with a warning that the planet is beginning to sound a grave alarm.Part III: Searching for Balance questions how we can create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. Three texts continue the earth’s plea that ended the previous section: Lord Byron’s “Darkness” speaks of a natural disaster (a volcano) that has blotted out the sun from humanity and the panic that ensues; contemporary poet Esther Iverem’s “Earth Screaming” gives voice to the modern issues of our changing climate; and William Wordsworth’s “The World Is Too Much With Us” warns us that we are almost out of time to change our course. Contemporary/agrarian poet Wendell Berry’s “The Want of Peace” speaks to us at the climax of the oratorio, reminding us that we can find harmony with the planet if we choose to live more simply, and to recall that we ourselves came from the earth. Two Walt Whitman texts (“A Child said, What is the grass?” and “There was a child went forth every day”) echo Berry’s thoughts, reminding us that we are of the earth, as is everything that we see on our planet. The oratorio concludes with a reprise of Whitman’s “A Blade of Grass” from Part I, this time interspersed with an additional Whitman text that sublimely states, “I bequeath myself to the dirt to grow from the grass I love…”My hope in writing this oratorio is to invite audience members to consider how we interact with our planet, and what we can each personally do to keep the planet going for future generations. We are the only stewards Earth has; what can we each do to leave her in better shape than we found her?
© 2000 - 2024 Home - New realises - Composers Legal notice - Full version
