SKU: CA.9207800
ISBN 9790007098049. Language: Latin.
SKU: HL.14005970
SKU: BC.418107
SKU: JK.00352
Doctrine and Covenants 4:2-3, Doctrine and Covenants 20:17-19.
Powerful choral medley (TTBB) combining music and lyrics from four beloved children's songs--I Hope They Call Me On a Mission, I Will Be Valiant, We'll Bring the World His Truth, and Called to Serve.Performed in the October 2014 Priesthood Session of LDS General Conference. Also available as SATB arrangement #01754.Composer: VariousArranger: T. Chemain Evans and Ryan K. EggettLyricist: VariousPerformance Time: 4:45Reference: Doctrine and Covenants 4:2-3, Doctrine and Covenants 20:17-19
SKU: CA.967400
ISBN 9790007187484. Language: Latin.
With the publication of his hypnotic Pater noster, Carus proudly presents Jacek Sykulski as a new composer in the Carus Contemporary series. Whilst Sykulski has achieved worldwide success as Director of the Academic Choir at the University of Poznan and the Poznan Boys' Choir, as a composer he has remained a well-guarded secret until now. In his sacred compositions he combines in music the deeply Catholic-imbued tradition of his country with his own compositional technique, characterized by a tremendous vocal sensuousness of sound and a conscious use of tonality enriched by dissonance. His Pater noster was composed in 2009 and revised in 2015 for a performance by the RIAS Kammerchor in Berlin. The first section of this three-part work for eight-part choir (tenors and sopranos also split into three) begins with the invocation Pater noster homophonically in A minor. This then introduces the Gregorian liturgical melody of the Our Father canonically and aleatorically, like a contemplative congregational hymn. The middle section calls out Dein Reich komme in increasingly insistent rhythmic declamation, more demanding, with hypnotic repetitions and intensifications. In the last section, Sykulski returns to the opening harmonies, but now a semitone lower on A flat, followed by an intensification at the words sed libera nos a malo - and delivery us from evil once more; this ends unresolved in a diatonic cluster on A flat as the paradigm of our imperfect earthly existence. The eight-minute unaccompanied composition is extremely singable, impressive, and not difficult to master. The piece is suitable for use in the liturgy, as well as in concerts and competitions.
SKU: SU.YR1414V1
Choral Cycle in 5 Movements. Text by Bruce Olstad 1. Welcome Winter! 2. An Old-Fashioned Christmas 3. One Family at a Time 4. Lullaby for a Winter's Eve 5. Welcome Winter! (II) TTBB Chorus & Piano Composed: 2002 Published by: Yelton Rhodes Music Minimum order quantity: 8 copies. To order quantities fewer than 8, please call customer service at (973) 857-3440.
SKU: SU.80401320
TTBB Chorus, a cappella Duration: 3' 45 Composed: 2001 Published by: Paulus Publications (SP404) Minimum order quantity: 8 copies. To order quantities fewer than 8, please call customer service at (973) 857-3440.
SKU: PR.312416820
UPC: 680160050376. 8.5 x 11 inches.
Chen Yi’s most performed and most beloved choral music is a series of 10 Chinese folk songs adapted for S.A.T.B. Chorus (published in 3 volumes: 312-41731, 312-41732, 312-41733). This special version is a setting of the familiar collection, adapted for children’s chorus and strings.Remembering when I studied composition in the Central Conservatory of Music in Beijing, I learned to sing hundreds of Chinese folk songs collected from more than twenty provinces and fifty ethnic groups, and went to countryside to collect original folk music every year. I got to know that the folk songs are a mirror of people’s daily lives, their thoughts and sentiments, local customs and manners. They are sung in regional dialects and use the idioms of everyday speech with their particular intonations, accents and cadences. This correlation between speech and music distinguishes folk songs of one region from another. I learned all songs by heart and sang them back in the exams every week. They melted in my blood and became my natural music language. The more I walk into the music life,the more I treasure the rich culture I have learned from my homeland. When I became the Composer-in-Residence of Chanticleer and was invited to write the first work for its concert program, as well as another version for its Singing-In-The-Schools program, I decided to introduce A Set of Chinese Folk Songs to my American audiences, and add a new flavor to Chanticleer’srich repertoire. The work includes ten folk songs, taken from eight provinces (Anhui, Shaanxi, Yunnan, Shanxi, Taiwan, Sinkiang, Jiangsu and Guizhou) and five ethnic groups (Han, Hasake, Uighur, Miao and Yi). I arranged them for choirs (men’s or children’s chorus) with various combinations in voices, to be sung mostly in Chinese, some in English.  From the mysterious mountain songs originally sung in the open air with high and long notes that can carry over great distances, the sweet and delicate melodies of young love compared with nature, the humorous antiphony by little children, and the lively dancing tune by villagers, you may get an idea of various music styles in Chinese folk songs according to geographic, ethnic and linguistic differences, and appreciate the beauty of the Chinese folk music. The pure choir sound and the sophisticated singing by Chanticleer, in terms of pitches, language and musical expressions, really attract and inspire me to create some more new works in the years to come. In thisedition of A Set of Chinese Folk Songs for standard SATB mixed choir (with piano rehearsal score), I divided these ten songs into three volumes. They are Fengyang Song, The Flowing Stream, Guessing, Thinking of My Darling, Mayila, Jasmine Flower, Riding on a Mule, Awariguli, Diu Diu Deng, andMountain Song and Dancing Tune.—Chen Yi.
SKU: SU.27000380
TTBB Chorus (div.) & Piano Composed: 2019 Published by: Distributed Composer Minimum order quantity: 8 copies. To order quantities fewer than 8, please call customer service at (973) 857-3440.
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