SKU: CF.CM9781
ISBN 9781491164525. UPC: 680160923434. Key: D major. English. Based on an African American Spiritual with Additional Music by Donald Moore.
The Shepherdâ??s Spiritual is a fun and energetic choral work that has become a favorite of choirs around the world. The heart and soul of the piece is the driving piano accompaniment, which should be played with an upbeat tempo and very little pedal. Singers should follow the piano lead with gusto and enthusiasm. Be sure to allow plenty of dynamic contrast, which will add to the enjoyment of the piece.Have fun with this one!
SKU: AP.47570
UPC: 038081542638. English.
In 1960, pianist and singer Charles Brown first recorded this Christmas classic. Since then, the Eagles, Kelly Clarkson, Martina McBride, and Jon Bon Jovi are among the many artists who have covered the blues-infused tune about missing the one you love during the holidays. Opens with an optional solo followed by irresistible classic '60s harmonies.
SKU: HL.319777
UPC: 888680972783. 6.75x10.5x0.046 inches.
Fred Bock began this popular series, followed by Dick Bolks, and now Richard A. Nichols. Perfect for Father's Day or when the men are singing in church, this single choral includes an introit: Brethren, We Have Met to Worship, a call to prayer: Great Is Thy Faithfulness, an anthem: God of Our Fathers, and a benediction: Eternal Father, Strong to Save. It is a full service packaged into one choral.
SKU: HL.14065089
SKU: BT.HU-2977-250
English.
SKU: HL.419542
UPC: 196288060949. 6.75x10.5x0.029 inches. John 15:13.
There is no more poignant sight than the solemn ceremony of the folded flag. The dignity associated with honoring one who has given the last full measure of devotion is rich with tradition and provides a moment of deep reverence for those in grief. This inspiring anthem presents three moments with the flag as it moves from the hands of grief to soaring and into the hearts of the future. The music has a cinematic scope, following the text with a theme that lifts the message of commitment and devotion to the heavens. An instant classic! Score and Parts (fl 1-2, ob, cl 1-2, bn, hn 1-2, tpt 1-3, tbn 1-2, tbn3/tba, perc 1-3, timp, pno, hp, vn 1-2, va, vc, db) available as a digital download.
SKU: PR.312419270
ISBN 9781491137918. UPC: 680160692606. English. Charles Mackay.
Terra Nostra focuses on the relationship between our planet and mankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. The oratorio is divided into three parts:Part I: Creation of the World celebrates the birth and beauty of our planet. The oratorio begins with creation myths from India, North America, and Egypt that are integrated into the opening lines of Genesis from the Old Testament. The music surges forth from these creation stories into “God’s World” by Edna St. Vincent Millay, which describes the world in exuberant and vivid detail. Percy Bysshe Shelley’s “On thine own child” praises Mother Earth for her role bringing forth all life, while Walt Whitman sings a love song to the planet in “Smile O voluptuous cool-breathed earth!” Part I ends with “A Blade of Grass” in which Whitman muses how our planet has been spinning in the heavens for a very long time.Part II: The Rise of Humanity examines the achievements of mankind, particularly since the dawn of the Industrial Age. Lord Alfred Tennyson’s “Locksley Hall” sets an auspicious tone that mankind is on the verge of great discoveries. This is followed in short order by Charles Mackay’s “Railways 1846,” William Ernest Henley’s “A Song of Speed,” and John Gillespie Magee, Jr.’s “High Flight,” each of which celebrates a new milestone in technological achievement. In “Binsey Poplars,” Gerard Manley Hopkins takes note of the effect that these advances are having on the planet, with trees being brought down and landscapes forever changed. Percy Bysshe Shelley’s “A Dirge” concludes Part II with a warning that the planet is beginning to sound a grave alarm.Part III: Searching for Balance questions how we can create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. Three texts continue the earth’s plea that ended the previous section: Lord Byron’s “Darkness” speaks of a natural disaster (a volcano) that has blotted out the sun from humanity and the panic that ensues; contemporary poet Esther Iverem’s “Earth Screaming” gives voice to the modern issues of our changing climate; and William Wordsworth’s “The World Is Too Much With Us” warns us that we are almost out of time to change our course. Contemporary/agrarian poet Wendell Berry’s “The Want of Peace” speaks to us at the climax of the oratorio, reminding us that we can find harmony with the planet if we choose to live more simply, and to recall that we ourselves came from the earth. Two Walt Whitman texts (“A Child said, What is the grass?” and “There was a child went forth every day”) echo Berry’s thoughts, reminding us that we are of the earth, as is everything that we see on our planet. The oratorio concludes with a reprise of Whitman’s “A Blade of Grass” from Part I, this time interspersed with an additional Whitman text that sublimely states, “I bequeath myself to the dirt to grow from the grass I love…”My hope in writing this oratorio is to invite audience members to consider how we interact with our planet, and what we can each personally do to keep the planet going for future generations. We are the only stewards Earth has; what can we each do to leave her in better shape than we found her?
SKU: HL.421316
UPC: 196288061274. 6.75x10.5x0.029 inches. Luke 12:26-28, Philippians 4:19, Psalm 37:23-24.
Alive with gospel goodness, this song of assurance and follow-ship has become a sanctuary standard since its first release. Trusting Jesus is a subject appropriate for any time of year, and the cheerful styling found in this choral is immediately engaging.
SKU: BT.PMC4518
Michael Bussewitz-Quarm (b. 1971, US - living on New York's Long Island), composer of more than 30 vocal and choral works written over the past 20 years, is a passionate advocate of music's role in effecting social awareness andchange. The Silver Swan (SATB, SSAA, TTBB) is dedicated to a Long Islander who lost his battle with PTSD following his tour of duty as a medic in Iraq. Adapted from the text attributed to Orlando Gibbons, this setting memorializeslives lost to conflict with the tender repeating phrase He sang his first, and sang his last, and sang no more.
SKU: AP.47722
UPC: 038081544151. English.
A triumphant unison fanfare sounds a clarion call in praise of music at the start of this concert/contest opener, followed by a contemplative, chant-like middle section on a brief Latin text. An accelerating return to the jubilant main theme leads to a majestic and satisfying conclusion. Be sure to add the optional trumpet part for full effect.
SKU: GI.WW1888
UPC: 785147033363. IsiXhosa. Text Source: Traditional isiXhosa.
A fantastic concert opener, Bayasibiza's dramatic opening is followed by an up-tempo traditional South African arrangement with percussion. Great for honor choirs and festivals. Recording is SATB version.
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