SKU: WD.080689875229
UPC: 080689875229.
God's people are called to sing. His song has been written on our hearts, and we must give voice to what He has written there. And there may be nothing quite so powerful as a men's chorus joining strong voices together in songs of honor and praise to their God and King!
SKU: WD.080689504679
UPC: 080689504679.
SKU: WD.080689800726
UPC: 080689800726.
SKU: WD.080689704024
UPC: 080689704024.
SKU: BT.1515-08-050-MS
9x12 inches. English-German-French-Dutch.
De Engelse componist, dirigent en pianist Albert W. Ketèlbey (1875-1959) werd vooral bekend met zijn kleurrijke instrumentaties die waren gebaseerd op oosterse muziek. In a Monastery Garden, waarschijnlijk het bekendste werkvan Ketèlbey, gecomponeerd in 1915, is een kort symfonisch gedicht. In dit arrangement voor harmonieorkest van Tohru Takahashi komt de sfeer van het oorspronkelijke werk uitstekend tot zijn recht.Der englische Komponist, Dirigent und Pianist Albert W. Ketèlbey (1875-1959) machte sich besonders durch seine farbigen Instrumentierungen, die auf orientalischer Musik basierten, einen Namen. In a Monastery Garden, Ketèlbeys wohl bekanntestes Werk, gehört zu einer Reihe kurzer Tongedichte aus dem Jahre 1915. Diese Transkription von Tohru Takahashi wird der Atmosphäre des Originals voll und ganz gerecht. Partitions de Chœur - SATB - 25 ex.Le compositeur, chef d’orchestre et pianiste anglais Albert W. Ketèlbey (1875-1959) est particulièrement connu pour ses orchestrations colorées au caractère orientaliste. Il est également l’auteur de plusieurs œuvres vocales. Plus tard, Ketèlbey composa essentiellement des musiques légères et divertissantes pour le cinéma muet. Il a travaillé pour de grandes maisons d’édition musicales et fut directeur artistique de la Columbia Gramophone Company.Composé en 1915, In a Monastery Garden (Dans le jardin d’un monastère) est sans doute le poème symphonique le plus connu du compositeur. Plusieurs autres œuvres de Ketèlbeyportent des titres qui traduisent une vision mystérieuse et largement imaginaire : In a Persian Market (Sur un marché persan), In a Chinese Temple Garden (Au jardin d’une pagode chinoise) et In the Mystic Land of Egypt (L’Égypte mystique).Cette transcription pour Orchestre d’Harmonie signée Tohru Takahashi reste fidèle l’œuvre originale.
SKU: CF.CM9571
ISBN 9781491153659. UPC: 680160911158. 6.75 x 10.5 inches. Key: Gb major. English. Sanford F. Bennett (1836-1898).
Aaron Humble's arrangement of this beloved old favorite from American hymnody is appropriate for both school and church. With soaring obligato lines and shimmering harmony, when sung with a warm and gentle tone,?The Sweet By and By?is certain to paint a picture of a better time for us all to look forward. Also available for SATB Voices (CM9572).I have great memories of my family gathering around the piano to sing hymns. As my sister and I learned more about music through lessons, band and choir, we started adding harmony and really making music. The old American hymnody really holds a special place in my heart. Webster set Bennett's text in a time when American theology had taken a turn away from earlier ideas where God was a god of vengeance and anger. With this in mind, this arrangement should be sung with a warm and gentle tone allowing the dissonances to shimmer, the sweetness of the harmonies to bloom, and the obbligato lines to soar.
SKU: GI.WW1804
UPC: 785147025160. Latin. Text by Hildegard von Bingen.
This majestic work for men's chorus uses text by Hildegard von Bingen that speaks of the mystery of the Trinity and of God's creation. Pentatonic and written with great skill of counterpoint and voice-leading, this impressive, earthy work will come together easily for high school, university, and community men's choruses.
SKU: PR.312419270
ISBN 9781491137918. UPC: 680160692606. English. Charles Mackay.
Terra Nostra focuses on the relationship between our planet and mankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. The oratorio is divided into three parts:Part I: Creation of the World celebrates the birth and beauty of our planet. The oratorio begins with creation myths from India, North America, and Egypt that are integrated into the opening lines of Genesis from the Old Testament. The music surges forth from these creation stories into “God’s World” by Edna St. Vincent Millay, which describes the world in exuberant and vivid detail. Percy Bysshe Shelley’s “On thine own child” praises Mother Earth for her role bringing forth all life, while Walt Whitman sings a love song to the planet in “Smile O voluptuous cool-breathed earth!” Part I ends with “A Blade of Grass” in which Whitman muses how our planet has been spinning in the heavens for a very long time.Part II: The Rise of Humanity examines the achievements of mankind, particularly since the dawn of the Industrial Age. Lord Alfred Tennyson’s “Locksley Hall” sets an auspicious tone that mankind is on the verge of great discoveries. This is followed in short order by Charles Mackay’s “Railways 1846,” William Ernest Henley’s “A Song of Speed,” and John Gillespie Magee, Jr.’s “High Flight,” each of which celebrates a new milestone in technological achievement. In “Binsey Poplars,” Gerard Manley Hopkins takes note of the effect that these advances are having on the planet, with trees being brought down and landscapes forever changed. Percy Bysshe Shelley’s “A Dirge” concludes Part II with a warning that the planet is beginning to sound a grave alarm.Part III: Searching for Balance questions how we can create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. Three texts continue the earth’s plea that ended the previous section: Lord Byron’s “Darkness” speaks of a natural disaster (a volcano) that has blotted out the sun from humanity and the panic that ensues; contemporary poet Esther Iverem’s “Earth Screaming” gives voice to the modern issues of our changing climate; and William Wordsworth’s “The World Is Too Much With Us” warns us that we are almost out of time to change our course. Contemporary/agrarian poet Wendell Berry’s “The Want of Peace” speaks to us at the climax of the oratorio, reminding us that we can find harmony with the planet if we choose to live more simply, and to recall that we ourselves came from the earth. Two Walt Whitman texts (“A Child said, What is the grass?” and “There was a child went forth every day”) echo Berry’s thoughts, reminding us that we are of the earth, as is everything that we see on our planet. The oratorio concludes with a reprise of Whitman’s “A Blade of Grass” from Part I, this time interspersed with an additional Whitman text that sublimely states, “I bequeath myself to the dirt to grow from the grass I love…”My hope in writing this oratorio is to invite audience members to consider how we interact with our planet, and what we can each personally do to keep the planet going for future generations. We are the only stewards Earth has; what can we each do to leave her in better shape than we found her?
SKU: HL.319777
UPC: 888680972783. 6.75x10.5x0.046 inches.
Fred Bock began this popular series, followed by Dick Bolks, and now Richard A. Nichols. Perfect for Father's Day or when the men are singing in church, this single choral includes an introit: Brethren, We Have Met to Worship, a call to prayer: Great Is Thy Faithfulness, an anthem: God of Our Fathers, and a benediction: Eternal Father, Strong to Save. It is a full service packaged into one choral.
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