SKU: CF.CM9635

ISBN 9781491157077. UPC: 680160915637. 6.875 x 10.5 inches. Key: E major. English, English. Abram Joseph Ryan (1838-1886).

Victor Johnson captures the mystery and nuance of the bittersweet poem, Wake Me a Song, by American poet, Abram Joseph Ryan. Nuance, text, and Johnson's rich harmonies paired with intertwining textures make this a noteworthy addition to any program. Also available for SATB Voices (CM9561).
About the Author Abram Joseph Ryan was born Matthew Abraham Ryan on February 5, 1838 in Hagerstown, Maryland. As a young man, Ryan and his family moved west St. Louis, Missouri, where he was educated at the Christian Brothers School. He studied for the priesthood at Niagra University in New York State and was ordained a priest in the Vincentian order on November 1, 1856. He taught theology, first at Niagra university and then at the diocesan seminary in Cape Girardeau, Missouri, until the beginning of the war between the states. Father Ryan enlisted in the army on September 1, 1862, and served as a chaplain throughout the conflict, carrying the wounded to safety and performing last rites on the battlefield. His first piece of poetry was inspired by the death of a younger brother while serving in the army. After the war, he established a weekly literary magazine in which most of his poetry was published. He also put out several volumes of poetry, including Father Ryan's Poems and A Crown for Our Queen. Father Ryan died on April 22, 1886 at a Franciscan monastery in Louisville, Kentucky. About the Song Wake Me A Song is an inspired and sensitive setting of the 19th-century poem by Abram Joseph Ryan. It features sweeping melodic lines, rich harmonies, and a flowingly beautiful accompaniment. To master a performance of this selection, singers must perform very expressively, paying close attention to such musical aspects as phrase shaping, the rise and fall of the melodic line, blending and proper intonation between sections. One strategy that could be used to ensure proper phrasing is the idea of Painting the Phrase. The singer should make a motion as if they have a paintbrush in their hand and paint the melodic line and phrase shape as if they are painting with a nice, flowing brush stroke. One could think about painting a rainbow or an arch to show the rise and fall of the line and/or phrase. The director can also show this gesture while conducting to reinforce this concept.
About the AuthorAbram Joseph Ryan was born Matthew Abraham Ryan on February 5, 1838 in Hagerstown, Maryland. As a young man, Ryan and his family moved west St. Louis, Missouri, where he was educated at the Christian Brothers School. He studied for the priesthood at Niagra University in New York State and was ordained a priest in the Vincentian order on November 1, 1856. He taught theology, first at Niagra university and then at the diocesan seminary in Cape Girardeau, Missouri, until the beginning of the war between the states.Father Ryan enlisted in the army on September 1, 1862, and served as a chaplain throughout the conflict, carrying the wounded to safety and performing last rites on the battlefield. His first piece of poetry was inspired by the death of a younger brother while serving in the army. After the war, he established a weekly literary magazine in which most of his poetry was published. He also put out several volumes of poetry, including Father Ryan's Poems and A Crown for Our Queen. Father Ryan died on April 22, 1886 at a Franciscan monastery in Louisville, Kentucky.About the SongWake Me A Song is an inspired and sensitive setting of the 19th-century poem by Abram Joseph Ryan. It features sweeping melodic lines, rich harmonies, and a flowingly beautiful accompaniment.To master a performance of this selection, singers must perform very expressively, paying close attention to such musical aspects as phrase shaping, the rise and fall of the melodic line, blending and proper intonation between sections.One strategy that could be used to ensure proper phrasing is the idea of “Painting the Phrase.” The singer should make a motion as if they have a paintbrush in their hand and “paint” the melodic line and phrase shape as if they are painting with a nice, flowing brush stroke. One could think about painting a rainbow or an arch to show the rise and fall of the line and/or phrase. The director can also show this gesture while conducting to reinforce this concept.

SKU: SU.YR5R11V1

Words by Philip Sydney, 2554-1586. The gender references may be changed to reflect the views of the chorus or the occasion of the performanceTTBB Composed: 2008 Published by: Yelton Rhodes Music Minimum order quantity: 8 copies. To order quantities fewer than 8, please email customer service at sales@subitomusic.com.

SKU: JK.01441

Doctrine and Covenants 133:7-9, 14, Doctrine and Covenants 75:2-5.

Arranged for men's chorus (TTBB) and organ, from our General Conference Series performed at the October 2014 Priesthood Session by the Priesthood Choir from the Provo Missionary Training Center.
Composer: Thomas H. Bayly
Arranger: Steven Spiel
Lyricist: Cyrus H. Wheelock
Difficulty: Medium
Performance time: 4:43
Reference: Doctrine and Covenants 133:7-9, 14, Doctrine and Covenants 75:2-5

SKU: JK.01033

Matthew 6:6, Alma 33:3-11.

Arranged for men's chorus (TTBB) and organ, with flowing accompaniment and organ interlude between verses. Arranged for the Brigham Young University-Idaho Men's Chorus, performed at the April 2014 Priesthood Session of General Conference. Full audio accompaniment mp3 also available (01033acc.mp3).
Composer: Hans Henry Petersen
Arranger: James C. Kasen
Lyricist: Hans Henry Petersen
Difficulty: Easy / medium acc.
Performance time: 4:20
References: Matthew 6:6, Alma 33:3-11

SKU: BP.BP2238B

Printed product.

Full score and parts for flute 1,2, oboe, B-flat clarinet 1,2, bassoon I, II, horn in F 1,2, trombone 1,2, tuba, percussion, harp, violin I, II, viola, cello and double bass.

Note: This scoring can be used flexibly to accommodate various instrumental ensemble sizes, allowing balance with choirs of varying sizes, and for more quiet/gentle performances or larger/more dramatic interpretations. Performance options include:

The piano part (from choral octavo) can be used with any performance, but is not required if harp and winds are used.

SKU: JK.01563

Psalm 82:6, Mosiah 4:15, Doctrine and Covenants 14:7.

Harmonic anthem for a cappella mixed men's chorus (TTBB), recently developed for Ray Smith and BYU Synthesis 2010.
Composer: Mildred T. Pettit
Arranger: Charles Cardin
Lyricist: Naomi Randall
Difficulty: Medium
Performance time: 2:30
Reference: Psalm 82:6, Mosiah 4:15, Doctrine and Covenants 14:7.

SKU: HL.1108589

UPC: 196288103349. 6.75x10.5x0.019 inches. Mark 5:36, Proverbs 3:5-6.

A unique offering, this unaccompanied anthem takes on the character of a sea chanty in style and spirit. Featuring a soloist, the call and response format invites creative singer placements, along with two voicings, as performance options.

SKU: GI.WW1701

UPC: 785147014164. Xitsonga. Text Source: Traditional Xitsonga.

A simple and joyous South African song stating Look at the dove on that tree! Use a soloist or a small group of singers along with improvised percussion and ululations to create an unforgettable performance. Available in both SATB and TTBB voicings. .

SKU: JK.01705

Doctrine and Covenants 121:34-46, Doctrine and Covenants 107:1-4.

Written for mens chorus (TTBB) and piano, this Priesthood anthem boldly proclaims: But the power above all others is the priesthood of our Lord.
Composer: John Craven
Arranger: John Longhurst
Lyricist: John Craven
Difficulty: Medium-easy
Performance time: 1:20
Reference: Doctrine and Covenants 121:34-46, Doctrine and Covenants 107:1-4.

SKU: AP.43293

UPC: 038081488356. English. Michael Grayton.

Introduce madrigal singing with this wonderful edition of the Thomas Morley classic. This new men's choir arrangement sounds full and effectively captures the character and spirit of early music. Suitable for large groups or small ensembles, this excellent teaching piece will be a staple of your choral library.

About Alfred Choral Designs

The Alfred Choral Designs Series provides student and adult choirs with a variety of secular choral music that is useful, practical, educationally appropriate, and a pleasure to sing. To that end, the Choral Designs series features original works, folk song settings, spiritual arrangements, choral masterworks, and holiday selections suitable for use in concerts, festivals, and contests.

SKU: AP.43282

UPC: 038081488240. English.

Develop your choir's a cappella skills with this straightforward original madrigal for Christmas or general use. Traditional harmonies, appropriate ranges, and plenty of repetition make it a quick-to-learn piece. Contrasting dynamics and a lilting triple meter create a joyful effect. Now available for four-part men!

About Alfred Choral Designs

The Alfred Choral Designs Series provides student and adult choirs with a variety of secular choral music that is useful, practical, educationally appropriate, and a pleasure to sing. To that end, the Choral Designs series features original works, folk song settings, spiritual arrangements, choral masterworks, and holiday selections suitable for use in concerts, festivals, and contests.