SKU: GI.G-8789A
UPC: 785147878940. English. Text Source: Revised Order of Mass 2010.
In 1988, GIA released Michael Joncas’s No Greater Love, a flexible mass setting offering cathedral-style music that was accessible to the singing assembly. Beautiful melodies enhanced by SATB choir and extensive orchestrations were the hallmark of this best-selling work. Now, Michael Joncas has revised this treasured setting using the 2010 Revised Order of Mass. The revision has a new through-composed Gloria that can be sung in unison during the Sundays of Ordinary Time, and for more festive occasions, one can add the optional instrumental and SATB choral parts. Also new to this setting are the gospel acclamation and a sung setting of the prayer of the faithful. The memorable congregational parts for the Kyrie and the Agnus Dei haven’t changed and the much-loved Holy, Holy has been adapted to accommodate the 2010 Revised Order of Mass text. The optional orchestration is now reduced and includes string quartet, flute, and oboe parts.
SKU: HP.8727
Christmas Musical Telling the Christmas story through six dynamic choral settings, Joel Raney brings his masterful ability to compose new and creative rhythms that showcase his grasp of the gospel style to this impactful presentation for SATB choirs. Christmas carols like you've never heard before, all performed with an interspersing of scripture readings. Accompaniment can be provided by just piano, or Ed Hogan's lively orchestration or a smaller set of rhythm parts. Performance time is 25-minutes making this ideal for fitting into a Christmas worship service or as a separate musical program. Orchestration: Conductor's Score, Flute, Oboe(or Soprano Sax or Clarinet), Clarinet, 2 Trumpets (or Alto Sax), Alto Sax, Tenor Sax, 2 Trombones or Tenor Sax or Baritone T. C. , Percussion, Piano, Synth, Guitar/Bass, Drums, Violins 1 & 2, Viola, Cello/Bassoon and String Reduction for Keyboard. Rhythm Parts: Conductor's Score, Percussion, Piano, Synth, Guitar/Bass, Drums and String Reduction for Keyboard. The Publisher grants permission to the purchaser to print parts from the CD-ROM for the use in your church's performance.
SKU: GI.G-10622
English.
This contemporary-style wedding song for solo or unison voices (with optional string quartet) creates a treasured memory in the midst of a holy moment as two become one. Play it as a prelude, for Preparation of Gifts, or as a Communion meditation.
SKU: HP.8366
UPC: 763628183660. Galatians 6:14, John 3:14-15, John 12:32, Numbers 21:8-9, Revelation 5:9, Revelation 14:1, Revelation 22:4.
Lloyd Larson has crafted this versatile cantata to be sung during the Lenten Season, highlighting Palm Sunday through the Easter resurrection, in this 30-35 minute musical journey. Options to omit either the Palm Sunday selection or the Easter anthem are provided. This journey to the cross is filled with passionate and intimate worship moments using texts by contemporary hymn and song writers. It conveys a powerful message filled with eternal hope and the challenge to Lift high the cross, the love of Christ proclaim! The accompaniment may be provided by piano alone, chamber orchestra or an accompaniment CD. The instrumentation, arranged by Mark Kellner, contains a Conductor's Score and parts for: Flute, Oboe, Horn in F, Trumpet in B-flat, Percussion, Violin, Cello, Bass Guitar, and Synthesizer String Reduction.
SKU: GI.G-6409
UPC: 785147640905. English. Text source: Based on Song of Songs. Scripture: Song of Songs.
The string quartet parts are optional.
SKU: ST.CN72P
ISBN 9790220228629.
A perfect seasonal choice, Onward we go is a consummate example of Thomas Hewitt Jonesâ??s feeling for young voices, and his passion for sharing the joy of Christmas through memorable tunes. A beautiful, arching melody carries the delightful verse by Canon Gordon Giles, which tells of children singing as they journey to the manger. Shepherds, angels and the Magi accompany them on their way, bearing gifts of love to honour the incarnation in faith, hope and reverence. Expressive and irresistible, words and music go straight to the heart, with a warmth especially inspired by the dedicatees, chorister-tutor Caroline Lenton-Ward and the childrenâ??s choir of St Stephenâ??s, South Dulwich, a church which also played a formative part in the composerâ??s musical upbringing. Onward we go may be performed by unison voices with organ or piano, or with organ or piano and additional flexible instrumental ensemble including any available upper strings and woodwind, plus optional cello, bass guitar or double bass, mark tree and tubular bells.A set of score and parts for the optional ensemble (Cat. No. Y373) will be available to purchase.
SKU: GI.G-6851
UPC: 785147685104. English, German. Text Source: Trier Gesangbuch, 1847, st. 1 tr. Herman G. Stuempfle, Jr., alt., st. 2 tr. Ronald F. Krisman.
A unison carol in German and English scored for unison choir, two violins, and a viola. The strings provide a lot of movement. Very festive. The instrumental parts, which add a festive character to the piece, are flexible: three violins, flute and two violins, flute or violin, violin and viola. It is possible to play the three instrumental parts on the organ, soft flute 8' and 4' are suggested. —William Tortolano.
SKU: CA.3113305
ISBN 9790007161934. Language: German.
The cantata Ich freue mich in dir was first performed during Bach's second year as Thomaskantor, on the 3rd day of Christmas, and belongs to the so-called annual cycle of chorale cantatas. Here the focus of the composition is the hymn of the same name by Philipp Ziegler, in which the first and final strophes were adopted, word for word, in the first and sixth movements of the cantata. The soprano, which carries the chorale, is supported by the conrnett (Zink), which already at this time had become a seldom-used instrument. The joyful, lively choral movement with instrumental interludes directly follows the first aria, and begins with a marked, ascending motive at the word Getrost! (safely). The oboes d'amore which accompany the alto lend the movement a special color. In the second aria (for soprano), Bach again shows himself to be the master of text interpretation. The words Wie lieblich klingt es in den Ohren are emphasized in an exchange between open strings and sixteenth note figures. Score available separately - see item CA.3113300.
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