SKU: GI.G-5971M
English, Spanish.
SKU: HL.374935
UPC: 196288017301. 6.75x10.5x0.004 inches. Deuteronomy 31:8, Isaiah 52:12b, Psalm 139:5-10.
Simple and yet so perfect for the closing of a worship gathering, this small but mighty blessing will enfold your church in the arms of assurance and grace. The images of Christ's surrounding and indwelling love will be an important moment for your community of faith. Easy enough to become a treasured ritual, this benediction is an indispensable incidental for your choir folders. Superb!
SKU: HL.14020820
ISBN 9780711997875. UPC: 884088440046. 9.0x12.0x0.086 inches. English.
A 10-minute mimed Nativity for young children, with one continuous song involving audience participation. The included CD contains two vocal performances: one by an adult and the other by a child. The adult version is ideal for learning and rehearsing. The child solo version will blend in with your own children's voices. Suitable for Pre-School, Child Minders, Kindergarten, Small Groups, Whole Classes or Year Groups. If you need to license a school/youth theatre performance of this product, please use the online application form.
SKU: GI.G-8455
UPC: 785147845508. English. Text by Edward Caswall.
Compelling rhythmic variety and a heartwarming text make this short anthem especially useful for small choirs during the Christmas season. An optional C instrument part brings a delicate playfulness to the keyboard accompaniment.
SKU: AP.46429
ISBN 9781470639198. UPC: 038081528083. English. Recording orch. Tim Hayden.
These charming mini-musicals make a perfect pair for primary-aged students! Both of the traditional folk tales are told with brief unison songs and short scenes (featuring a small cast of characters plus up to 25 narrators). Minimal rehearsal time, few props, creative costume pieces, and a simple set make for no fuss in-class or on-the-stage productions. Whether you present them separately or as a set, your youngest performers will shine as adorable farm animals, fluffy forest creatures, or the territorial mean and nasty troll. Approximately 30 minutes when combined. Complete choreography included. Recommended for grades K--4.
SKU: CA.3124405
ISBN 9790007211264. Language: German/English.
Practical performing Urtext edition based on the latest state of Bach research. Every era hears and interprets Bach anew, and every era also evaluates the sources afresh and with new eyes. 40 years after the publication of the St. Matthew Passion in the New Bach Edition, Klaus Hofmann, Director of the Johann Sebastian Bach Institute Gottingen for many years and a contributing editor to the New Bach Edition, presents a new edition. Hofmann has placed the study of the sources at the service of musical practice and the detailed investigation of Bach's intentions. Bach scholars are well aware that Bach's original score and performance parts, running to almost 500 pages of music, are full of ambiguities and contradictions, particularly regarding articulation, which constantly challenge performers to new interpretations. Hofmann discusses these and other problems in a concise critical report, frequently arriving at new conclusions in the process. Extensive notes about parallel passages offer valuable help for interpretation. Special attention was devoted to the performance material with regard to practical needs. Thus, for example the text incipits are also printed in the instrumental parts (including tacet passages). In short - an Urtext edition for practical performance based on the latest findings in Bach research. Score available separately - see item CA.3124400.
SKU: CA.9100300
ISBN 9790007120788.
This collection is to be recommended as an addition to the current choral repertoire; it contains 19th-century a cappella music both Catholic and Protestant, with German and Latin words. There are short choral pieces in the straightforward chordal style, which impress with their homophonic writing, enabling the words to be understood clearly. This edition, rich in its variety, is especially valuable for small choirs, as it makes no severe demands on the performers; it also contains music for the Liturgy of the Mass and for each season of the Church Year.
SKU: GI.G-2678
English.
Percussion is for Triangle, Tambourine, and small Drum. 11 handbells.
SKU: GI.G-7810A
UPC: 785147781042. English. Text Source: Revised Order of Mass 2010.
Since its original publication in 1971, A Community Mass has become a staple for many parishes. Due to its wide use and inclusion in various denominational hymnals, additional material and new instrumentations were periodically created by the composer. These enrichments have made A Community Mass adaptable to a variety of circumstances and forces-from cantor, assembly, and organ to performances by choir and assembly with small or large instrumental ensembles in addition to organ. Thus an ordinary setting is transformed into a festive setting in the appropriate liturgical context. The current edition contains Proulx's own alterations for incorporating the 2010 Revised Order of Mass.
SKU: XC.HRMG2143
UPC: 785147103059. Latin. Text source: Traditional.
Now for unision voices (opt. 2-part) thie beautiful modern harmonies create the backdrop for this elegantly simple work that is well within reach for most choirs. Straightforward rhythms and moments of release create a tapestry of sound that surrounds the solo chant line, which may be sung by a soloist, small group, or performed by a C instrument. Also available for SATB, SAB, 3pt, SA, and unsion voices with piano. This artistic setting is equally appropriate for litugical use or the concert stage.
SKU: GI.G-9672
UPC: 785147967200. English. Text by George Herbert.
Hampton produced a small, but significant body of hymn tunes that expanded the notion of what a hymn tune and its accompaniment could be. Melodic sequences and an accompaniment cast in trio sonata form were common compositional devices he employed, both are found in the tune MacDOUGALL. is set for two mixed voices (or equal voices, if desired) is taken from e Calvin Hampton Hymnary, G-2339. In the composer’s notes from that collection, Hampton suggests a tempo of quarter note = 76, saying: “the accompaniment can be played by hands alone, omitting the vocal line [found in the keyboard treble clef]. The accompaniment figure could be played on the guitar, piano, or harpsichord.†Listen to the recording and follow along with the score in this preview video:  .
SKU: CA.2720505
ISBN 9790007200992. Key: G minor. Language: Latin.
The Magnificat for 6 voices and basso continuo is the small sister of the Magnificat from the so-called Marian Vespers (Vespers 1610). Monteverdi published it in 1610 together with the larger work which included obbligato instruments - a real alternative for Vesper services and performances where only an organ is available. Score available separately - see item CA.2720500.
SKU: BR.SON-442
ISBN 9790004803509. 10 x 12.5 inches.
This volume contains three reworkings and orchestrations of religious works by Felix Mendelssohn Bartholdy which were originally set for smaller ensembles (solo voices, four-part chorus and organ). They were composed at different times and for different occasions, two of them as commissions. The anthem ,,Why, o Lord, delay forever MWV A 19 was originally the sacred vocal piece MWV B 33, published in England in 1841 with the additional title ,,[…] The Thirteenth Psalm, and in Germany in the same year as ,,Lass, o Herr, mich Hilfe finden with the title ,,Drei geistliche Lieder which was composed at the suggestion of the English literature and music lover Charles B. Broadley who also provided the paraphrase of the psalm text. After Mendelssohn had refused an initial request by Broadley to furnish the anthem post festum with an organ prelude, the composer did not want to turn down a second request to orchestrate the work and he even expanded the existing material with a lengthy closing fugue involving additional trumpets and timpani. The ,,Ave Maria MWV B 19 was written in connection with Mendelssohn's appointment as municipal music director, a position which at the same time included the responsibility for the musical organization of church services. The instrumentation of the work with an accompaniment of two clarinets and two bassoons as well as low strings was due to the fact that the organ in Dusseldorf's principal church St. Lambertus was out of order for an extended period of time, and Mendelssohn considered this solution explicitly only as a surrogate for the organ should there be none. A further psalm paraphrase in English, this time by William Bartholomew, of the hymn ,,Hear my prayer MWV B 49 was set to music in early 1844; the orchestration of the organ part commissioned by the distinguished Dublin musician Joseph Robinson was not completed until 1847 so that the premiere finally only took place after Mendelssohn's death. In the further course of the century ,,Hear my prayer would, particularly in the version with organ accompaniment, come to enjoy great popularity in Great Britain and Ireland.
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