SKU: CA.1905205
ISBN 9790007161286. Language: German/English/Latin/French/Italian/Spanish.
Score available separately - see item CA.1905200.
SKU: CA.1907500
ISBN 9790007090807.
SKU: CA.4071600
ISBN 9790007077013.
SKU: CA.300400
ISBN 9790007097974.
SKU: HL.14028125
Danish.
SKU: BR.SON-442
ISBN 9790004803509. 10 x 12.5 inches.
This volume contains three reworkings and orchestrations of religious works by Felix Mendelssohn Bartholdy which were originally set for smaller ensembles (solo voices, four-part chorus and organ). They were composed at different times and for different occasions, two of them as commissions. The anthem ,,Why, o Lord, delay forever MWV A 19 was originally the sacred vocal piece MWV B 33, published in England in 1841 with the additional title ,,[…] The Thirteenth Psalm, and in Germany in the same year as ,,Lass, o Herr, mich Hilfe finden with the title ,,Drei geistliche Lieder which was composed at the suggestion of the English literature and music lover Charles B. Broadley who also provided the paraphrase of the psalm text. After Mendelssohn had refused an initial request by Broadley to furnish the anthem post festum with an organ prelude, the composer did not want to turn down a second request to orchestrate the work and he even expanded the existing material with a lengthy closing fugue involving additional trumpets and timpani. The ,,Ave Maria MWV B 19 was written in connection with Mendelssohn's appointment as municipal music director, a position which at the same time included the responsibility for the musical organization of church services. The instrumentation of the work with an accompaniment of two clarinets and two bassoons as well as low strings was due to the fact that the organ in Dusseldorf's principal church St. Lambertus was out of order for an extended period of time, and Mendelssohn considered this solution explicitly only as a surrogate for the organ should there be none. A further psalm paraphrase in English, this time by William Bartholomew, of the hymn ,,Hear my prayer MWV B 49 was set to music in early 1844; the orchestration of the organ part commissioned by the distinguished Dublin musician Joseph Robinson was not completed until 1847 so that the premiere finally only took place after Mendelssohn's death. In the further course of the century ,,Hear my prayer would, particularly in the version with organ accompaniment, come to enjoy great popularity in Great Britain and Ireland.
SKU: CA.970100
ISBN 9790007086589.
A different take on Christmas: well-known Christmas numbers in beat, jazz, pop, soul, and swing styles! Vom Himmel hoch mutates into a stylish jazz waltz and Stille Nacht (for some, almost a nightmare in the original) becomes atmospheric, disguised mood music. Thomas Gabriel has composed eight exciting, sophisticated arrangements for choir and piano accompaniment, some with an added melody instrument, and with lots of opportunities for improvisation.
SKU: HL.49031162
ISBN 9790001042314.
SKU: GH.CG-7555
En aktuell introduktion som vander sig till saval musiker, musikstuderande och korsangare som till intresserade kyrkobesokare och musikalskare. Ur teoribokens innehall: historisk oversikt, forhallandet ord- ton, modalitet och melodik, olika sangtyper. Sangens rytm och fragor kring uppforandepraxis behandlas fylligt. Repertoarhaftet som utarbetats i samarbete med Peter Wallin, innehaller 35 gregorianska sanger pa latin och svenska, de flesta mycket lattsjungna.
SKU: CA.260200
ISBN 9790007137243.
A many-faceted cross section of interesting works for men's choir from the Romantic era. - Contains works by Cornelius, Bortnjanskij, Faure, Hauptmann, Hiller, Spohr, Mendelssohn Bartholdy, Loewe, Rinck etc., many of whom in world's premiere editions. - This valuable, representative collection of works will enable choirs to rediscover pieces for performance which today are scarcely known. - The works range from easy to mid-level difficulty. - Genuine rarities: the collection contains music and texts of the highest quality which are no longer accessible in other editions. - In addition to choruses for three voices modeled on the works of the classic era (e.g., Spohr, Klein and Rinck), there are also easy to perform compositions scored for large ensembles.
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