Unison Voice Organ Accompaniment

SKU: HL.14033475

Composed by Eric H. Thiman. Music Sales America. Classical. Choral Score. 4 pages. Music Sales #NOV281308. Published by Music Sales (HL.14033475).

6.75x9.75x0.09 inches.

Choir

SKU: CA.3101805

Cantata for Sexagesima. Leipzig version. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Holy Week. Choral Score. Composed 1715(?). BWV 18. 4 pages. Duration 21 minutes. Carus Verlag #CV 31.018/05. Published by Carus Verlag (CA.3101805).

ISBN 9790007204822. Text language: German/English.

The cantata dates from Bach's time in Weimar. The instrumental scoring of four violas and basso continuo - in the Leipzig performances enhanced by two recorders doubling viola I and II at the octave - is unique in Bach's cantata oeuvre. It lends a dark, luxurious sound to the four movements which is gently illuminated by the recorders. The work - with its instrumental sinfonia, a short secco recitative and an extended accompagnato recitative (both of which contain arioso inserts), a short soprano aria and a simple closing chorale - makes no great demands on the performing forces. Admirers of text interpretation by means of instrumental figuration will be richly rewarded. Score available separately - see item CA.3101800.

Unison. By Eric H. Thiman. (unison). Boosey and Hawkes Sacred Choral. Size 7x10.5 inches. 4 pages. Published by Boosey & Hawkes.

Unison. By Eric H. Thiman. (unison). CME BEGINNING SERIES. Size 6.8x10.5 inches. 4 pages. Published by Boosey & Hawkes.

Choir

SKU: CA.3113305

Cantata for the 3rd day of Christmas. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Christmas. Choral Score. Composed 1724. BWV 133. 4 pages. Duration 20 minutes. Carus Verlag #CV 31.133/05. Published by Carus Verlag (CA.3113305).

ISBN 9790007161934. Language: German.

The cantata Ich freue mich in dir was first performed during Bach's second year as Thomaskantor, on the 3rd day of Christmas, and belongs to the so-called annual cycle of chorale cantatas. Here the focus of the composition is the hymn of the same name by Philipp Ziegler, in which the first and final strophes were adopted, word for word, in the first and sixth movements of the cantata. The soprano, which carries the chorale, is supported by the conrnett (Zink), which already at this time had become a seldom-used instrument. The joyful, lively choral movement with instrumental interludes directly follows the first aria, and begins with a marked, ascending motive at the word Getrost! (safely). The oboes d'amore which accompany the alto lend the movement a special color. In the second aria (for soprano), Bach again shows himself to be the master of text interpretation. The words Wie lieblich klingt es in den Ohren are emphasized in an exchange between open strings and sixteenth note figures. Score available separately - see item CA.3113300.