Santorella Publications' proudly boasts our connection to some of the best studio players in the Los Angeles studio circuit. Each one of these great musicians, when they are not in a session or performing on a new movie soundtrack, are giving lessons to horn players of all ages. Santorella Publications is setting a new trend in the industry by making it possible for you to study with these talented professionals in a virtual world with Learn From A Pro. Mark Hollingsworth will walk you through all 23 lessons as if you're sitting in a studio by his side. If you went to Los Angeles and took 23 lessons, it would cost over $1,000.00. Now you can Learn "Clarinet" From A Pro for only $12.95 and in the privacy of your own home. Whether you are an early beginner or an adult, here is your chance to fulfill that dream. Do something for yourself and learn to play today with Santorella's Learn From A Pro series. About your private instructor, Mark Hollingsworth Mark Hollingsworth began studying music at five years of age. His background includes both classical and jazz training. After high school Mark won a scholarship from Berklee College of Music in Boston and graduated Magna Cum Laude, with a major in woodwind performance. Mark has over fifteen years experience as a studio musician in Los Angeles recording for movies, albums, television broadcasts and numerous "jingles" as well as cartoons for Warner Brothers and Walt Disney. He has also performed in concerts with a wide range of artists including Quincy Jones, Natalie Cole, Celine Dion, Whitney Houston, Donna Summer and Manhattan Transfer to name a few. Some of Mark's most significant accomplishments include memorable television appearances with Stevie Wonder, Ray Charles, Michael Bolton and Michael McDonald . He has worked on numerous recordings with Tom Petty, Luther Vandross, U2, the Library of Congress and soundtracks for the Ren and Stimpy show. Mark's musical breadth also includes skills on an extensive collection of flutes from around the world. For more information about Mark Hollingsworth visit: www.windshoremusic.com.

By Various. Arranged by Andrew Balent. For Clarinet. FJH Solo Time. Contents include: America (my Country, 'Tis of Thee); America, The Beautiful; Battle Hymn of the Republic; The Caissons Go Rolling Along; Columbia, The Gem of the Ocean; The Marines' Hymn; The Stars and Stripes Forever; The Star-Spangled Banner; When Johnny Comes Marching Home Again; Yankee Doodle; You're A Grand Old Flag; and more. Published by The FJH Music Company Inc.

Performed by The Beatles. For Bb clarinet. Format: clarinet solo songbook (no accompaniment). With solo part. Classic rock, britpop and psychedelic rock. 96 pages. 9x12 inches.

Instrumental Play-Along(r) Series. Composed by Various. Instrumental Play-Along. Movies, Children, Disney. Softcover Audio Online. Published by Hal Leonard

Instrumental solo book for clarinet solo. Level 2-3. With fingeringing chart and accompaniment CD. 20 pages. Published by Alfred Publishing.

Clarinet

SKU: SP.TS057

Composed by Tony Santorella. Collection; Sacred. Book and CD. Santorella Publications #TS057. Published by Santorella Publications (SP.TS057).

ISBN 9781585603282. UPC: 649571100575.

Spiritual enlightenment is at the heart of this sacred collection from Santorella Publications. Inspirational Hymns for Clarinet arranged by Tony Santorella and Jonathon Robbins features thirty- three well known hymns written specifically for brass and reed instruments and includes a piano accompaniment CD. Each piece is edited and arranged in a comfortable key and range for wind players of any level. A great addition to any church music library, this assortment of sacred titles is sure to bring the congregation to its feet with songs of praise. Written in accommodating keys for Bb, Eb, C treble and C bass clef instruments, now everyone can sing His praise and worship in song. Includes: Nearer My God To Thee - Fairest Lord Jesus - Where He Leads Me - O God, Our Help in Ages Past - Rock of Ages - There is a Happy Land - Holy, Holy, Holy - Lead Kindly Light - Faith of Our Fathers - The Little Brown Church in the Vale - A Mighty Fortress is Our God - Hark! The Vesper Hymn is Stealing - Abide With Me - Now The Day is Over - Praise God From Whom All Blessings Flow - The Lord is My Shepherd - Blest The Tie That Binds - Eternal Father, Strong to Save (The Navy Hymn) - Bringing in The Sheaves - Jesus Loves Me - Evening Prayer - Jesus, Lover of My Soul - Prayer of Thanksgiving - Softly Now The Light of Day - When I Survey The Wond'rous Cross - I Need Thee Every Hour - He Leadeth Me - Jesus, Saviour, Pilot Me - Let The Lower Lights Be Burning - Stand Up For Jesus - God Be With You 'Till We Meet Again - Amazing Grace.

Arranged by Robin de Smet. 100 Solos. Pop and Rock. Book Only. Wise Publications #MUSAM33689. Published by Wise Publications

Book 2. By Ned Bennet. For Clarinet. A New Tune A Day. Instructional: Instructional, Instructional: Method. Instructional book with accompaniment/examples cd. 48 pages. Published by Boston Music Company.

Arranged by Lawrance. Solo Woodwind. Collection. Published by Brass Wind Publications (B5.0314).

Clarinet

SKU: HL.14011933

Composed by Karsten Fundal. Music Sales America. Classical. Book [Softcover]. Edition Wilhelm Hansen #WH30248. Published by Edition Wilhelm Hansen (HL.14011933).

ISBN 9788759859902.

Work for Clarinet solo. The composer writes 'The title refers to several levels in the piece. Partly a method I have used, where three lines are weaved, so they become one line, here the clarinet which can (nearly) only play one tone at the time. Either the three parts disappear and become one waving melodic line as in the beginning of the piece. Or they are put in different registers of the clarinet, so they are heard as separate lines weaving into one another. On a different level there is three different sequences, which are also weaved into one another; one which rises (for instance in the beginning), and one which falls, and one which falls in parallels in several registers. These three sequences become faster and faster every time they reappear. The idea of weaving melodic lines was inspired by Bach's pieces for solo strings, where he in a marvellous way established several simultaneous melodic lines, without simultaneous sounding notes. This happened by weaving parts, which in other works would sound simultaneously, into one another, so that only one note was heard at the time. This meant that in that long line, which was heard as the instrument's development of the piece, other melodies were weaving around each other with different focuses. Woven Lines was commissioned by DUT with support from the Danish Arts' Council.'.