SKU: FG.55011-843-0

ISBN 9790550118430.

Kai Nieminen's Hymnos IV - Waterscapes... for solo clarinet is composed in 2016.

SKU: BT.DHP-1226455-404

ISBN 9789043165327. English.

SKU: HL.50601489

SKU: BT.DHP-1002355-404

ISBN 9789043161626. French.

Pour tous ceux qui recherchent un nouvel outil pédagogique pour apprendre jouer dâ??un instrument vent, les Ã?ditions De Haske proposent la méthode Ã?couter, lire and jouer. Elle se compose dâ??une méthode richement illustréeen trois volumes avec fichiers audio en ligne et dâ??ouvrages éducatifs et ludiques fondés sur les principes actuels de la théorie musicale. Tout en se conformant aux exigences de lâ??apprentissage classique, cette collection utiliseune approche résolument ouverte, motivante et moderne de lâ??enseignement musical permettant aux élèves de découvrir la pratique instrumentale avec plaisir. De nombreux jeux, exercices dâ??écoute, morceaux et compositions originalespermettent dâ??acquérir un savoir-faire tout en sâ??amusant. Ã?couter - lire jouer : trois éléments incontournables de la pratique musicale, trois concepts réunis dans une collection enrichissante et simple utiliser.

SKU: FG.55011-359-6

ISBN 9790550113596.

Kimmo Hakola's thrilling Creazy for solo clarinet is a response to a commission by the ECHO Young Talents program. The work has all of Hakola's trademarks we have come to love: fast-paced situations, lyric passages, faster-than lightning arpeggios and search for new sounds. Clarinet is no strange instrument to Hakola; he has written several solo works for the instrument, and even a clarinet concerto and a clarinet quintet.

SKU: FG.55011-649-8

ISBN 9790550116498.

Antti Auvinen's (b. 1974) Eliangelis (2005) for clarinet solo challenges the conventional way of writing for a monophonic solo instrument: at times the multi-layered multiphonic figures create an illusion of polyfony, and at times the timbres for the clarinet are augmented by a combination of broken sound and pitchless hissing. Sounds created by unusual ways of playing do not sound artificial. Auvinen uses them in a service of the musical substance understanding the features of the clarinet. Despite its modern approaches, the music of Auvinen slips with ease into the centuries-old classical-music continuum, and the emotional charges generated by music occupy an important role. Art, he says, affects people deepest down, in the realm of emotion.

SKU: FG.55011-334-3

ISBN 9790550113343.

Composer, pianist and conductor Kirmo Lintinen is equally at home in jazz as in the world of classical music. Since the turn of the millennium, his main job has specifically been composing concert music. Stylistically, he has found his biggest inspiration in the Baroque and in early 20th-century Neoclassicism. He composed Rieha (Frolic) as a commission from the Crusell Music Festival in Uusikaupunki, Finland, as the obligatory piece for its international clarinet competition, and it was premiered by the semi-finalists in July 2009.
The first part of Rieha is dominated by spurting arpeggios, trills and changing tempos. Following this impulsive opening is a brief respite, after which the piano and clarinet begin competing, tossing each other quick, accented semiquaver figures. The rhythm soon becomes syncopated and the piece enters the longest section, a sort of hypertuned, lurching ragtime. The closing section recalls all the work's motifs before burning itself out and vanishing like smoke.
Rieha is a consummate virtuoso piece demanding nimble fingers, sharp articulation and a command of tone in all the clarinet's registers. The piano is more than just an accompanying instrument; it is an equal partner. The biggest challenge for the players is synchronising their parts: the changing tempos and metres, and the alternation of quick figures keep the performers on their toes and the audience alert.

SKU: FG.55011-705-1

ISBN 9790550117051.

Kirmo Lintinen composed his clarinet concerto (2012-13) full of rhythmic drive attempting to write for the orchestra as if it were a large chamber ensemble in which listening closely to the other players is both possible and of supreme importance. All four movements of the clarinet concerto are joined together, and their titles say something: prefazione, danze, confessione and finale. Though differing in mood and texture, they all share themes and motifs. The solo cadenza between the third and last movement alludes, as quasi quodlibet suggests, to many motifs, in this case in the past and in the future. Duration c. 23 minutes. The product includes solo part & piano reduction. The orchestral material (instrumentation 2(II+picc)2(II+c.ing)2(II+cl.b)21-2200-11-str) is available for hire from the publisher.

SKU: FG.55011-360-2

ISBN 9790550113602.

Assonata by Kai Nieminen dates from 1982. It is a joyful exploration of clarinet's possibilities; cascades, flatterzunge, large jumps from one end of the compass to the other are thorougly charted. The work's duration is ca. 12 minutes.

SKU: HL.48189592

UPC: 888680884871. 8.25x12.0x0.55 inches.

Mendelsohn Andante Cantabile (Walter) Clarinet In B Flat & Piano Book.

SKU: FL.FX072652

Old cowboy stories told by young Clarinet players - from 4 years of instrument practice. - Pascal PROUST ; Instruments: 1 Bb Clarinet 1 Piano; Difficuly Level: Grade 3; Duration: 3 mn 55 s; Musical Style: Classical, Educational; Category: Original Composition; Composer: Pascal PROUST;.