SKU: B7.B363
8.5x11 inches.
This riveting work showcases the piccolo and clarinet, exploring their different registers and colors. It provides exciting contrasts between lyrical and technical sections. Night Flight was commissioned for the 1999 National Flute Association Convention in Atlanta and was premiered at the event by Rebecca Arrenson, piccolo; Robert E. Price, clarinet; & Paula Peace, piano. Recorded by Lois Herbine, piccolo; Allison Herz, clarinet; and Charles Abramovic, piano on the critically-acclaimed Crystal Records CD TAKE WING.
SKU: SP.TS280
ISBN 9781585604746. UPC: 649571102807.
Reflect on this past century with 20 unforgettable jazz standards that first defined popular American music with Essential Jazz Standards for Horns from Santorella Publications. Every page is packed with toe-tapping favorites certain to make anyone dance and sing along. Share these memorable tunes with family and friends and spread the sheer joy a song can evoke. This best-selling collection is arranged in accommodating keys for clarinet, trumpet, alto sax, flute and trombone by Jonathon Robbins. Now everyone can have some fun and play along! Essential Jazz Standards for Clarinet is available with or without a piano accompaniment CD. Alexander's Ragtime Band - I Want a Girl - Hot Time in the Old Town Tonight - For Me and My Gal - Chinatown, My Chinatown - Melancholy Baby - Little Brown Jug - Fascination - You Made Me Love You - Moonlight Bay - Bill Bailey - Rock-a-Bye Your Baby - Oh, You Beautiful Doll - When the Saints Go Marching In - Swanee - St. Louis Blues - After You've Gone - A Pretty Girl Is Like A Melody - They'll Be Some Changes Made - Baby Face.
SKU: P2.30120
The Three Pieces for solo clarinet (Fantasia Peruana, Partita Peruana and Capricho No. 12) all represent the Cusqueno sound that Guevara Ochoa popularized in Peruvian classical music. The Fantasia was originally scores for solo trumpet, while the Partita was written for solo flute. The Capricho was composed for solo violin. Because Guevara Ochoa was a violin prodigy, this work may most closely reflect Guevara Ochoa's original musical voice. All three pieces contain the hallmarks of his compositional style - short themes, huayno rhythms and pentatonic scales. I believe the Three Pieces provide contrasting representations of Guevara Ochoa's scoring for solo instruments. Additionally, each work presents its own unique challenges while demonstrating the composer's unique Andean compositional style.
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