(Woodwind Solos and Ensemble/B-flat Clarinet Collection). By Georg Philipp Telemann (1681-1767). Arranged by Sidney Forrest. For Clarinet (Clarinet). Woodwind Solos and Ensembles - B-Flat Clarinet Collection. Southern Music. Grade 3. 26 pages. Southern Music Company #B393. Published by Southern Music Company

Clarinet, piano

SKU: FG.55011-733-4

Suite for clarinet and piano. Composed by Ilkka Kuusisto. Classical. Score & part. Fennica Gehrman #55011-733-4. Published by Fennica Gehrman (FG.55011-733-4).

ISBN 9790550117334.

Ilkka Kuusisto's raucous and technically somewhat challenging suite for clarinet and piano Kissalan Aapelin soitteita (Aapeli of Kissala plays the Clarinet) is a musical portrait gallery of the Seven Brothers by playwright Aleksis Kivi. They all get musical pictures played by Aapeli, a character also appearing in the play. Musical motives are derived from the characteristics of the main persons, ie. the movement Tuomas is in slow tempo, as if portraying the trustworthiness of stable Tuomas. Aapo's Menuetto may refer to the characters abilities to tell stories. Simeoni wrestles with the Devil, as he does in the book with both alcohol and in his religious beliefs. Eero, the youngest of the brothers is portrayed in a fast polka. The suite was commissioned by Tapio Lotjonen for specifically for piccolo clarinet. In this volume the solo part is published both in B-flat and E-flat transpositions, as prepared by the composer. Contents: 1. Jussin polska * Jussi's polska 2. Tuomas 3. Menuetti Aapolle * A Menuetto for Aapo 4. Simeoni ja Perkele * Simeoni and the Devil 5. Timon Masurkka * Timo's mazurka 6. Laurin marssi * Lauri's march 7. Eeron polkka * Eeros's polka.

Bb Clarinet, Clarinet, Piano Accompaniment (Score and Solo Part)

SKU: HL.48024204

Clarinet in Bb and Piano. Composed by Magnus Lindberg. Boosey & Hawkes Chamber Music. Classical. Softcover. 24 pages. Boosey & Hawkes #M060128394. Published by Boosey & Hawkes (HL.48024204).

ISBN 9781784542672. UPC: 888680751647. 9x12 inches.

The composer states: “Acequia Madre demonstrates an approach which was somewhat new to the style of my musical expression at the time of its composition [2012]: structuring a work with the focus on its melodic aspects. I drew inspiration from other creative artists through one of my 'rituals': I surrounded myself with the scores of composers who, for one reason or another, were on my mind at the time, like Iannis Xenakis, Alban Berg's 'Four Pieces for Clarinet and Piano,' and 'Contrasts for violin, clarinet and piano' by Bela Bartok, plus Schubert's haunting final 'String Quartet No. 15.' Conquering technical difficulties is something I find particularly rewarding when playing acoustic instruments: fully aware that today's electronics can triumph over a composer's most demanding technical challenges, I love the idea of performers encountering their instruments with virtuosity ... doing something that seems to defy physical boundaries.&rdquo.