SKU: KN.11026
UPC: 822795110265.
JAMZ is a collection of 15 full-length solos written in contemporary styles including funk, hip-hop, rock, funk ballad, shuffle and gospel grooves. Appropriate for individual use or in private lessons, these pieces can be played unaccompanied or with the provided backing MP3 tracks recorded by excellent studio musicians. The only thing missing is you!COLLECTION CONTENTSAfter Hours Jam; Back Nine Shuffle; Bounce; Escape Velocity; Eye On The Prize; Fish 'N Grits; I Remember When; Mid City Groove; Never The Same; One Last Time; Steep & Deep; Takin' It Home; Tune For T; Updraft and Wind Dancer.
SKU: SP.TS280
ISBN 9781585604746. UPC: 649571102807.
Reflect on this past century with 20 unforgettable jazz standards that first defined popular American music with Essential Jazz Standards for Horns from Santorella Publications. Every page is packed with toe-tapping favorites certain to make anyone dance and sing along. Share these memorable tunes with family and friends and spread the sheer joy a song can evoke. This best-selling collection is arranged in accommodating keys for clarinet, trumpet, alto sax, flute and trombone by Jonathon Robbins. Now everyone can have some fun and play along! Essential Jazz Standards for Clarinet is available with or without a piano accompaniment CD. Alexander's Ragtime Band - I Want a Girl - Hot Time in the Old Town Tonight - For Me and My Gal - Chinatown, My Chinatown - Melancholy Baby - Little Brown Jug - Fascination - You Made Me Love You - Moonlight Bay - Bill Bailey - Rock-a-Bye Your Baby - Oh, You Beautiful Doll - When the Saints Go Marching In - Swanee - St. Louis Blues - After You've Gone - A Pretty Girl Is Like A Melody - They'll Be Some Changes Made - Baby Face.
SKU: SU.94010763
Dedicated to Anthony McGill, Principal Clarinet, New York PhilharmonicClarinet Duration: 5'30 Composed: 2020 Published by: Subito Music Publishing PROGRAM NOTE: The year 2020 has definitely been a very challenging year with many upheavals. During this time of the COVID-19 health crisis, wearing masks, and high racial tensions, I decided to compose four short solo woodwind works for flute, oboe, clarinet, and bassoon, which represent the core woodwind section in an orchestra. I was inspired to compose these short pieces after I first heard Igor Stravinsky's three short pieces for clarinet, which totals a little more than four minutes in duration. I thought that it would be nice to highlight and honor my African-American male colleagues in the orchestral music world. I wanted to celebrate the fact that they are the principal player in the section of their respective orchestras. The short pieces are as follows: Principal Brother No. 1 for flute solo for Demarre McGill, Principal Flute of the Seattle Symphony Orchestra, Principal Brother No. 2 for oboe solo for Titus Underwood, Principal Oboe of the Nashville Symphony Orchestra, Principal Brother No. 3 for clarinet solo for Anthony McGill, Principal Clarinet of the New York Philharmonic, and Principal Brother No. 4 for bassoon solo for Bryan Young, Principal Bassoon of the Baltimore Chamber Orchestra. These works all begin with notes that are representative of their name; D for Demarre, B for Titus (ti in solfège starting on C), A for Anthony, and Bb for Bryan. There is also a rhythmic figure in the opening measures of each piece, which represent the utterance of their names. All four of these works are rhapsodic in nature with elements of improvisation. - James Lee III.
SKU: BR.EB-10995
From the early years of the clarinet concertoIn Cooperation with G. Henle Verlag
ISBN 9790201809953. 9.5 x 12 inches.
Louis Spohr's First Clarinet Concerto was written in winter 1808/09, at a time when the clarinet had just established itself as an orchestral and solo instrument. The concertos of Spohr and Weber which we know today and which date from these pioneer days around 1810 are due to the in-depth collaboration between composer and performer. Spohr wrote his technically very demanding clarinet concertos for the virtuoso Johann Simon Hermstedt. After the first successful performances, the composer decided to simplify the solo part for the printed edition.The Breitkopf Urtext edition is based on the autograph of the score and the first printing of the parts, which frequently differ from it. In the solo part, we have kept the easier variants along with the original version.From the early years of the clarinet concerto.
SKU: AP.20302US
ISBN 9783947998500. UPC: 038081558271. German.
It is not only the great success of Nathan Evans' re-release of The Wellerman on social media that is responsible for the great popularity of sea shanties and naval songs. Such songs create a unique mood, a touch of adventure and wanderlust for the big, wide world. Hardly anyone can elude it and with Vahid Matejko's Sea Shanty Play-Alongs there are now the most beautiful sea shanties and naval songs skillfully arranged as an instrumental play-along series for recorder, flute, clarinet, saxophone, trumpet (opt. baritone T.C.), trombone (opt. baritone B.C.), violin, and accordion (piano).The varied arrangements have a wide stylistic range and offer echoes from rock, Latin, funk, big band to orchestral and Caribbean influences. Thus, each song has its own musical and instrumental appeal, to which the parts and/or solos specially composed by arranger Vahid Matejko also contribute. The original polyphonic choral vocals are replaced by polyphonic instrumental backings.Each of the ten titles was recorded live by excellent professional musicians and is available in two different versions: ? a demo-track which features a live clarinet performance by one of the most sought-after studio and live soloists in the German music scene, two-time Grammy-award winner and former lead clarinet, saxophone and flute player for the WDR-broadcast big band Heiner Wiberny and? a minus-one mix for you to play-along.
SKU: FG.55011-334-3
ISBN 9790550113343.
Composer, pianist and conductor Kirmo Lintinen is equally at home in jazz as in the world of classical music. Since the turn of the millennium, his main job has specifically been composing concert music. Stylistically, he has found his biggest inspiration in the Baroque and in early 20th-century Neoclassicism. He composed Rieha (Frolic) as a commission from the Crusell Music Festival in Uusikaupunki, Finland, as the obligatory piece for its international clarinet competition, and it was premiered by the semi-finalists in July 2009. The first part of Rieha is dominated by spurting arpeggios, trills and changing tempos. Following this impulsive opening is a brief respite, after which the piano and clarinet begin competing, tossing each other quick, accented semiquaver figures. The rhythm soon becomes syncopated and the piece enters the longest section, a sort of hypertuned, lurching ragtime. The closing section recalls all the work's motifs before burning itself out and vanishing like smoke. Rieha is a consummate virtuoso piece demanding nimble fingers, sharp articulation and a command of tone in all the clarinet's registers. The piano is more than just an accompanying instrument; it is an equal partner. The biggest challenge for the players is synchronising their parts: the changing tempos and metres, and the alternation of quick figures keep the performers on their toes and the audience alert.
© 2000 - 2024 Home - New realises - Composers Legal notice - Full version