SKU: BT.9781408105306
ISBN 9781408105306. English.
The perfect book for pupil and teacher.
SKU: PR.494031980
UPC: 680160686162.
Young players who are just starting to read music can find it difficult to follow a duet or trio. This book solves the problem with color coded music, making it easy for clarinet beginners to follow their ensemble part.Students only need to know 4 or 5 notes to play the first duets in this book, which covers Beginner and Preliminary levels.The music spans a wide range of composers, as well as traditional tunes from around the world. There is a selection of festive music, a section of rounds, plus there are warm up exercises, each focusing on one aspect of ensemble technique. The arrangements by Karen North have been prepared in consultation with clarinet specialist Sally Lucas.The arrangements work well for two players up to a large clarinet ensemble. Many pieces offer maximum flexibility as they can be played as a Duet (use the two upper parts) or as a Trio.Free recordings of all the duets & trios: https://www.youtube.com/channel/UCh0MBwKcJUR75_3wXRyYj5QPreview pages: https://www.theyoungfluteplayer.com/clarinet-musicSpecifications:• Beginner-Preliminary level• 32 pages• 29 duets and trios• 8 warm-up exercises• 9 rounds• Keys up to one sharp or flat• Time signatures: 2/4, 3/4, 4/4, C, 6/8, 2/2.
SKU: IS.CP6892EM
ISBN 9790365068920.
This Concertpiece, written by one of Belgium's most prominent contemporary composers, is a challenging composition. It was composed to be performed in the final rounds of the International Clarinet Competition in Belgium, 2015. It was premiered by soloist and clarinet virtuoso Eddy Vanoosthuyse, to whom the piece has been dedicated.
SKU: HL.50600566
8.25x11.75x0.07 inches.
The Finnish composer Osmo Tapio Räihälä reports that he experienced a phase whilst working on his Horn Concerto in 2011 during which he had the feeling of “having landed in a deadendâ€. To find a remedy, he decided to develop a kind of “finger exercise†for composers, comparable to the “warming-up process of an instrumental soloist before performingâ€. Räihälä remembers furthermore: “Instead of writing for orchestra, I started a short solo piece for clarinet. Little did I know that I had opened a Pandora's box! I wrote 'Soliloque 1: Étoffé' in two days. Perhaps this frenzy caused the music to become restless, with quick turns – in short, a rather virtuosic etude. The clarinet seeks paths, at first without success, but obviously finding one in the end. And what about the Pandora's Box? I had given the title the number one, and during the next two years I wrote five more Soliloques, solos of six to seven minutes, for various instruments, as well as one for soprano a cappella. The title Étoffé means 'rich', or 'well rounded', but also 'fabric' or even a 'patch' - and I felt that I had patched something in my work that was broken; indeed, working on the concerto now gave me a fresh start.â€.
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