SKU: BR.EB-10995
From the early years of the clarinet concertoIn Cooperation with G. Henle Verlag
ISBN 9790201809953. 9.5 x 12 inches.
Louis Spohr's First Clarinet Concerto was written in winter 1808/09, at a time when the clarinet had just established itself as an orchestral and solo instrument. The concertos of Spohr and Weber which we know today and which date from these pioneer days around 1810 are due to the in-depth collaboration between composer and performer. Spohr wrote his technically very demanding clarinet concertos for the virtuoso Johann Simon Hermstedt. After the first successful performances, the composer decided to simplify the solo part for the printed edition.The Breitkopf Urtext edition is based on the autograph of the score and the first printing of the parts, which frequently differ from it. In the solo part, we have kept the easier variants along with the original version.From the early years of the clarinet concerto.
SKU: HL.48024204
ISBN 9781784542672. UPC: 888680751647. 9x12 inches.
The composer states: “Acequia Madre demonstrates an approach which was somewhat new to the style of my musical expression at the time of its composition [2012]: structuring a work with the focus on its melodic aspects. I drew inspiration from other creative artists through one of my 'rituals': I surrounded myself with the scores of composers who, for one reason or another, were on my mind at the time, like Iannis Xenakis, Alban Berg's 'Four Pieces for Clarinet and Piano,' and 'Contrasts for violin, clarinet and piano' by Bela Bartok, plus Schubert's haunting final 'String Quartet No. 15.' Conquering technical difficulties is something I find particularly rewarding when playing acoustic instruments: fully aware that today's electronics can triumph over a composer's most demanding technical challenges, I love the idea of performers encountering their instruments with virtuosity ... doing something that seems to defy physical boundaries.&rdquo.
SKU: FL.FX072458-1
The 40 Studies compiled by Cyrille Rose are still today one of the most used by clarinetists. Adapting major violin studies of the 18th and 19th century, Rose made an excellent choice of technical and expressive materials. He freely changed the tone, articulations and note ranges to adapt as much as possible to mechanical and physiological specificities of the clarinet. Nevertheless, each study is a challenge that must be overcome by a slow and patient work which, if properly structured, develops and strengthens greatly the capacity of the clarinetist. In this new edition, the references of original studies are provided, supplemented by a brief biography of their authors. Finally, you will find, at the end of the book some ways of working. ; Instruments: Solo Clarinet; Difficuly Level: Grade 3.
SKU: FL.FX072458-2
The 40 Studies compiled by Cyrille Rose are still today one of the most used by clarinetists. Adapting major violin studies of the 18th and 19th century, Rose made an excellent choice of technical and expressive materials. He freely changed the tone, articulations and note ranges to adapt as much as possible to mechanical and physiological specificities of the clarinet. Nevertheless, each study is a challenge that must be overcome by a slow and patient work which, if properly structured, develops and strengthens greatly the capacity of the clarinetist. In this new edition, the references of original studies are provided, supplemented by a brief biography of their authors. ; Instruments: Solo Clarinet; Difficuly Level: Grade 3.
SKU: AP.1-ADV14725
UPC: 805095147254. English.
Jazz Conception is a new and exciting way for players at all levels to learn the language of jazz! Each book features 21 solo etudes based on chord changes to standards and blues.The same 21 etudes transposed and adapted for the main jazz instruments. Play along with one of today's finest, swinging New York rhythm sections: Mike LeDonne on piano, Dennis Irwin on bass, and Kenny Washington on drums.Start out fairly easy, then get progressively more difficult.Use the etudes as a bridge to solos of the masters that are usually more complicated and involved.Learn melodies and lines that will give you a solid jazz vocabulary and musicality.Use the book/audio downloads sets for private lessons, for self-study, or in any combination up to a full jazz ensemble, including flute and clarinet.If you are more advanced you may want to use the book to develop your sight reading abilities, for transcribing the etudes off the audio downloads (then check against the book) or for just having fun playing along with a great jazz rhythm section.Use as an improvisation study, learning how to construct a swinging, logical solo - works especially well in combination with the Study Guide.The Jazz Conception Series is also perfectly suited for the class room. It can be used to develop younger students jazz style in a big band or small group. In an improvisation class the teacher can use the etudes as studies in improvisation. The Study Guide provides an analysis of each etude, along with practice assignments for each etude.
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