SKU: IS.CC6294EM
ISBN 9790365062942.
A 'hayashi' is a group of performers who provide musical accompaniment for Japanese Noh or kabuki theatre. In Noh, they are purely instrumentalists; the type of instruments featured and the order in which they sit on stage follow established practices. The leftmost performer plays a small taiko, set on a stand before him, with two drumsticks. To his right is the Åtsuzumi hip drum, followed by the kotsuzumi shoulder drum, and the Noh flute. In kabuki, a number of shamisen players are added, along with, depending on the play, taiko drums of various sizes, various types of flutes, and other instruments, including a myriad of devices for sound effects. This composition for clarinet choir includes Eb clarinet, 3 Bb clarinets, alto clarinet, bass clarinet, contra alto and contrabass clarinets and optional percussion.
SKU: HL.44004738
ISBN 9789043125727. UPC: 073999047387. International (more than one language).
The Russian Dance from Tchaikovsky?s ballet The Nutcracker has been expertly arranged for Eb clarinet, 4 Bb clarinets, Eb alto clarinet, Bb bass clarinet and Bb contra-bass clarinet. Der Russische Tanz aus der Nussknacker-Suite von Tschaikowski in einer Bearbeitung von R. Upten Holder. Besetzung: Es- Klarinette, 4 B Klarinetten, Es-Altklarinette, B-Bassklarinette, B-Kontrabassklarinette.
SKU: AP.1-ADV8409
UPC: 805095084092. English.
This exciting, three-movement suite offers a sound world that is somewhere between jazz and modern classical, with floating tonal centers and unpredictable rhythmic movement.
SKU: RM.CIPR05848
ISBN 9790231058482.
SKU: IS.CC7002EM
ISBN 9790365070022.
Ferenc Farkas wrote about the origin of the Passacaglia: In 1931, while I was still a student by Ottorino Respighi in Rome, I began to compose a Partita in 4 movements for orchestra, whose third movement should be a Passacaglia. From this work, I only finished the Passacaglia and the Scherzo. In 1968, I took over the Passacaglia and transcribed it for organ without any modification, except the last 6 bars, I partially changed. In the shape of an arch, the work is based on a theme that is repeated thirteen times. Piano initially it evolves in crescendo to a climax in the 33rd bar, then falls gradually to a gently end. We do not know when and for whom Ferenc Farkas wrote this version for 6 clarinets of the Passacaglia.
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