A value for money album containing many of our best clarinet arrrangements.Contains: MENDELSSOHN - O For the Wings of a Dove OFFENBACH - Barcarolle FLOTOW - None So Rare from ?Martha? SATIE - Three Gymnopédies HANDEL - Largo DELIUS - Serenade from ?Hassan?.

for Clarinet in A and Piano-This piece was one of Brahms mature chamber works written in 1891. It is regarded by many as one of his finest chamber works and as a worthy successor to Mozart's work in the same genre. This piece is full of warmth and emotion and is a welcome addition to any clarinettists repertoire.

from the Quintet Op. 23-Baermann was the extremely accomplished clarinettist for whom Weber wrote most of his clarinet music. Unfortunately for Baermann Weber composed his last clarinet work in 1816 (the Grand Duo Concertante) however Baermann still needed fresh pieces for his concerts. To solve this problem Baermann turned to composition himself. This Adagio is the beautiful slow movement from one of three clarinet quintets for clarinet and string quartet that Baermann himself composed between 1820 and 1821.

This piece is typical of the showpieces composed by Muller that delighted audiences around the world. This work is ideal for showing the both the brilliant and expressive tones of the clarinet.

Debussy’s Première Rhapsodie is one of two concertante works completed premiered and published during his lifetime. He was commissioned to write it in 1909 for the final examination at the Paris Conservatoire in 1910. Debussy orchestrated it in the summer of 1911. While transferring the clarinet part from the already published version for clarinet and piano he made a few subtle changes particularly in m. 201 which has been a bone of contention among clarinettists for over a century.The present scholarly-critical publication is the first Urtext edition of the orchestral version. It draws on every known source and takes into account a previously ignored source that shedsnew light on the piece.First Urtext edition of the orchestral versionFirst scholarly-critical edition of a pioneering work for clarinetTrilingual Foreword (Eng/Fr/Ger) with Critical Commentary (Eng)

Sonata In A Minor D 821 'Arpeggione' arranged for Clarinet & Piano.This volume is based on the Urtext of the New Schubert Edition; the solo part has been arranged for performance on the clarinet while the Piano part is identical to Schubert´s original as presented in the New Schubert Edition.The New Schubert Edition is a scholarly-critical complete edition reflecting current knowledge of the sources and the latest research findings. It is thus indispensable for the study and authentic performance of Schubert's music.

über ein Thema aus der Oper 'Silvana'-Carl Maria Von Weber's Variatonen Op.33 Ber Ein Thema Aus Silvana for Clarinet and Piano.

Pour clarinette en la et piano.Original pour arpeggione et piano. Transcription : Florent Héau Degré : difficile (8) Durée : 28 mn 30 s / Clarinette Et Piano / 42 pages / niveau : Avancé / Partition

Par MONET M.A.. / Niveau : Assez Facile / classique / Répertoire / Clarinette et Piano

The music of Anders Hillborg’s virtuosic Tampere Raw for clarinet and piano alternates between two vividly different characters: one slowly flowing texture composed completely intuitively and one fast fiercely rhythmical and pulsative texture where the tone material for the most part is generated from permutations of prime-number series.  A thrilling addition to the repertoire this 7-minute work was commissioned by the Swedish Royal Academy of Music in 1991 for Swedish musicians Martin Fröst and Roland Pöntinen who later recorded it on BIS records.

Clarinet and Piano Charles Neidich 21st Century Series for Clarinet-Written for virtuoso clarinetist Heinrich Baermann Concertino would become the first work of an impressive oeuvre for clarinet one which along with that of Mozart Spohr and Brahms constitutes the backbone of the repertoire.Internationally-recognized clarinetist Charles Neidich unites for the first time Weber's original text with the edition published by Baermann's son which had formed the basis of most subsequent editions. Also presented areexamples from Cyrille Rose's 1879 edition which was the foundation of the French tradition and which held much more closely to Weber's original. This new critical edition inspires those learning the piece to develop their ownpersonal yet informed interpretation of Weber's premiere clarinet masterpiece.

Pop Performance Pieces includes 10 carefully selected contemporary and classic pop songs in special arrangements for Clarinet with aPiano accompaniment suitable for Grade 2-5 students as well as teachers. With a Piano score separate Clarinet part and performance hints and tips these fun pieces will hone yourskills and develop ensemble playing.These pieces present a fun alternative to graded exam material and many are suitable for GCSE performance exams. The tunes will be familiar to most players with classicslike Simon & Garfunkel's Bridge Over Troubled Water and Elton John's Your Song as well as contemporary pop songs like Adele's When We Were Young and KatyPerry's Firework. These 10 songs can be played in instrumental lessons in the classroom and of course on stage. The separate booklet with the Clarinet partfeatures tips by professional musicians with some fingering guidance while the Piano score also includes the tips along with chord symbols and helpful fingering suggestions. 

Barenreiter Urtext Edition of Brahms' Sonatas In F Minor And E-Flat Op.120 for Clarinet and Piano.Features:A pioneering Urtext edition with an extensive Performance Practice CommentaryFor further information on Romantic performance practice we recommend the text booklet: ?Performance Practices in Johannes Brahms? Chamber Music? BA 9600Brahms had already announced his 'retirement' from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter renewed Brahms' enthusiasm for Mühlfeld?s muchadmired playing and inspired him to write two new Clarinet sonatas in the summer of the same year. Brahms and Mühlfeld premiered the works and played them in several performances until the Sonatas Op.120 were first published in June 1895. These two works remain pivotal in the Clarinet?s recital repertoire establishing the Clarinet sonata as a distinct and viable chamber music genre.This edition features an extensive preface that informs about the sonatas? origins their compositional process pre-publication performances and their publication history as well as their early reception. Another truly remarkable aspect of this publication is the unique Performance Practice Commentary. Here the editors start from the premise that only a few decades after Brahms' death a widening gulf was already developing between the composer's expectations and the performance practices of the early 20th century. On the basis of manifold sources which include memoirs by pupils and chamber music partners treatises and essays early instructive editions and historical recordings the editors deal with key issues in understanding Brahms' notation. The editors provide an indispensable assistance for a historically informed interpretation of the work through a section-by-section analysis of rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding Piano arpeggiation and dislocation Clarinet vibrato and portamento. At the same time the edition offers an exciting and often surprising