SKU: AP.1-ADV8115
UPC: 805095081152. English.
Here is an arrangement of the Adagio from Mozart's Clarinet Concerto by klezmer clarinetist Helmut Eisel. By adding a section in a blues style, he exposes the solemn character of this popular piece to its best advantage. This arrangement contains an accompanying part for piano.
SKU: HL.49016024
ISBN 9780793526048. UPC: 073999302806. 305 X 229 inches.
Contents: Adagio (Wagner) • Adagio from Concerto, K.622 (Mozart) • Adagio (Spohr) • Adagio (Baermann) • Adagio and Allegro (Handel) • Allegro (Albinoni) • Allegro (Bach) • At the Brook(Starokadomsky) • Etude (Baermann) • Fantasy Piece (Schumann) • First Movement from Flute Concerto in D (Vivaldi) • Gavotte (Lully) • Gavotte and Minuet (Stanley) • Intermezzo (Starokadomsky) •Larghetto from Quintet, K.581 (Mozart) • Romance (Stamitz) • Second Movement from Concerto No. 1 in F Minor (Weber) • Second Movement from Concerto Militaire (Baermann) • Sonata in G Major (Marcello) •Tambourin (Gossec) • Valse Triste (Gliere).Selected and edited by Arthur H. Christmann. A collection of 20 pieces of medium difficulty, many of which were originally written for the clarinet. With piano accompaniment. Contents: Adagio (Wagner) • Adagio from Concerto, K.622 (Mozart) • Adagio (Spohr) • Adagio (Baermann) • Adagio and Allegro (Handel) • Allegro (Albinoni) • Allegro (Bach) • At the Brook(Starokadomsky) • Etude (Baermann) • Fantasy Piece (Schumann) • First Movement from Flute Concerto in D (Vivaldi) • Gavotte (Lully) • Gavotte and Minuet (Stanley) • Intermezzo (Starokadomsky) •Larghetto from Quintet, K.581 (Mozart) • Romance (Stamitz) • Second Movement from Concerto No. 1 in F Minor (Weber) • Second Movement from Concerto Militaire (Baermann) • Sonata in G Major (Marcello) •Tambourin (Gossec) • Valse Triste (Gliere).
SKU: P2.30073
Pietro Tonassi borrows two melodies from Act 2, Scene 9 of Vincenzo Bellini's opera Il Pirata to create his multi-thematic fantasy for clarinet and piano. For the majority of the work, the clarinet depicts the role of Gualtiero while the piano provides the orchestral accompaniment as heard in Bellini's opera semiseria of 1827. The two arias are manipulated in creative and challenging ways throughout the introduction, Adagio cavatina, cadenza, theme and variations, finale and coda sections.
SKU: HL.49011082
ISBN 9790001098021. UPC: 073999175264. 9.0x12.0x0.09 inches.
The Clarinet Parts remain unaltered, whereas the Piano accompaniments have been transposed to suit the change of Instruments.
SKU: HL.49002390
ISBN 9790220102752. UPC: 073999287448. 9.0x12.0x0.09 inches.
SKU: BT.AMP-441-400
ISBN 9789043151368. English-German-French-Dutch.
Sounds Classical is a collection of graded solos selected specifically for the developing clarinet player.Designed to correlate with grades 1-4 of the exam syllabus of the Associated Board of the royal Schools of Music, the pieces aredrawn from four centuries of classical repertoire ranging from Susato to Sullivan, and will provide ideal material for practice or recital.Sounds Classical is een verzameling van solos die speciaal voor klarinetleerlingen zijn geselecteerd - in oplopend niveau.De stukken komen qua moeilijkheidsgraad overeen met niveau 1-4 van de examenbundel van de Britse Associated Board ofthe Royal Schools of Music. Ze bestrijken een periode van vier eeuwen klassiek repertoire - van Susato tot Sullivan - en ze vormen ideaal materiaal voor zowel lessen als optredens.Sounds Classical ist eine Sammlung von im Schwierigkeitsgrad fortschreitenden Soli, die speziell für den Instrumentalunterricht von Klarinettisten ausgewählt wurden. Philip Sparke wählte für dieses Buch Stücke aus dem klassischenRepertoire aus vier Jahrhunderten aus - von Susato über Telemann, Händel, Grieg, Purcell, Mozart bis Sullivan - das ideale Material zum Üben oder Vorspielen!Sounds Classical est une collection de solos de difficulté croissante, sélectionnés spécifiquement pour les clarinettistes débutants. Ces pièces couvrent quatre siècles du répertoire classique, de Susato Sullivan, et se prêtentparfaitement l’étude comme une interprétation en concert.
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