SKU: BT.AMP-381-400
ISBN 9789043135795. 9x12 inches. English-German-French-Dutch.
Part of the ANGLO MUSIC PLAY-ALONG Series, Philip Sparkes 15 INTERMEDIATE CLASSICAL SOLOS is aimed at the young instrumentalist who can play about an octave and a half and follows on from Sparkes 15 EASY CLASSICAL SOLOS. Specifically tailored to suitthe individual instrument, this book introduces the developing player to the world of the classics by using simple yet attractive melodies that fit their limited range.
The carefully selected pieces include music from the 17th to the 19th century and cover a wide variety of styles, from Handel to Tchaikovsky and from Clementi to Brahms.
The book will provide invaluable additional material to complement any teaching method and includes both piano accompaniment and a demo/play-along CD.
Genau auf jedes Instrument zugeschnitten, ermöglichen die sorgfältig ausgewählten Melodien noch mehr Spielerfahrung mit klassischer Musik. Die Stücke umfassen verschiedene Stilrichtungen und Komponisten wie z.B. Händel, Tschaikowsky, Clementi undBrahms.
Jeder Band bietet wertvolles Ergänzungsmaterial, das zu jeder Instrumentalschule passt und enthält sowohl Klavier- als auch CD-Begleitungen.
SKU: BT.AMP-299-400
ISBN 9789043138062. 9x12 inches. English-German-French-Dutch.
Part of the Anglo Music Play-along Series, Philip Sparkeâ??s 15 Easy Classical Solos is aimed at the young instrumentalist who can play just over an octave. Specifically tailored to suit the individual instrument, this book introduces the beginning player to the world of the classics by using simple yet attractive melodies that fit their limited range. The carefully selected pieces include music from the 16th to the 20th century and cover a wide variety of styles, from Bach to Grieg and from Purcell to Satie. This book will provide invaluable additional material to complement any teaching method and includes both piano accompaniment and a demo/play-along CD.Philip Sparkeâ??s 15 Easy Classical Solos, onderdeel van de Anglo Music Play-Along Series, is bedoeld voor de jonge instrumentalist die iets meer dan een octaaf kan spelen. Het boek sluit qua instrumentaal bereik en gebruikte toonsoortenaan bij het Artist Level van Hal Leonards Essential Elements ®, maar kan ook los daarvan worden gebruikt.De zorgvuldig geselecteerde melodieën, die specifiek zijn toegesneden op elk instrument, beslaan een breed scala van klassieke stijlen:van Bach tot Grieg en van Purcell tot Satie.Het boek bevat waardevol materiaal ter aanvulling op elke lesmethode en wordt geleverd met pianobegeleiding en een cd met demo- en meespeeltracks.15 Easy Classical Solos ist als Ergänzung zur bewährten Anglo Music Play-Along Reihe gedacht und richtet sich an Schüler, die ungefähr einen Tonumfang von einer Oktave beherrschen. Das Niveau entspricht dem des Artist Levels der Essential Elements ® Methode von Hal Leonard, kann aber auch unabhängig davon verwendet werden. Genau auf jedes Instrument zugeschnitten, ermöglicht die wohlüberlegte Stückeauswahl ein erstes Kennenlernen von Melodien aus verschiedenen Epochen der Klassik von Grieg über Purcell bis Satie. Jeder Band bietet wertvolles Ergänzungsmaterial, das zu jeder Instrumentalschule passt und enthält sowohl Klavier- als auch CD-Begleitungen.15 Easy Classical Solos, de Philip Sparke, est un ouvrage qui sâ??adresse aux jeunes musiciens, maîtrisant un peu plus dâ??une octave. 15 Easy Classical Solos a été conçu pour être joué en corrélation avec les séries Artist et/ou Master Level de la collection Essential Elements ®, publiée par les éditions Hal Leonard. Mais il peut également être utilisé indépendamment.Spécifiquement adapté chaque instrument, ce volume rassemble quinze mélodies écrites par des compositeurs aussi variés que Bach, Purcell, Grieg et Satie.Comprenant les parties dâ??accompagnement de piano et une version dâ??accompagnement sur compact disc, ces ouvrages représentent une sourcecomplémentaire inestimable toute méthode pédagogique. Il concetto della collana Anglo Music Play-Along Series è quello di integrare al più presto nel processo di apprendimento dei giovani strumentisti la possibilit di poter suonare accompagnati al piano o con lâ??ausilio di unâ??incisione su CD. Ilchiaro vantaggio di questo metodo è che gli allievi imparano da subito lâ??aspetto fondamentale del suonare insieme, vale a dire tenere il tempo in modo costante. 15 Easy Classical Solos consente agli allievi che hanno una conoscenza limitatadelle note di suonare brani di Bach, Schubert, Purcell, Grieg e altri, grazie alle versioni facilitate. Il livello di 15 Intermediate Classical Solos permette invece agli allievi che padroneggiano lâ??estensione superiore a unâ??ottava dicimentarsi nei â??primi concertiâ? con brani di Haendel, Clementi, Rameau, Glueck, Beethoven e altri. Il CD propone una traccia con lâ??incisione completa e una con il solo accompagnamento.
SKU: KN.KEN10352
UPC: 822795103526.
This exciting new collection contains 8 grade 3-4 pieces for instrumental solo with piano accompaniment. Free MP3 downloads of the piano accompaniment are available at kendormusic.com. Many of the titles have been published as single pieces and are listed on several state contest lists.Contents:Gavotte (Lemoine); British Isle Sketches (Halferty); Lavender Variations (Balent); Impromptu-Finale (Gee); Habanera (Bizet); Seaside Images (Niehaus); Aria Grazioso (Mozart); Polovetzian Dances (Borodin).
SKU: P2.30086
In the beginning of January, 2000 I completed a large-scale work for clarinet and orchestra. Upon its completion, I felt somewhat exhausted by the flashy and virtuoso style of writing which tends to typify the solo parts of concerti. This time... I decided to forfeit any pyrotechnical exhibitions by the soloist in favor of incorporating the instrument into the larger fabric of the orchestra. Concurrent with starting to work on this new piece, I was engaged in an altogether different project involving, among others, a Swedish deejay whose field of expertise is popular, modern dance-music.... During numerous evenings of CD listening to this genre of music, I was drawn to the way that rhythmically contrasting layers of music were constantly alternating between background and foreground. The resulting effect was of a continuously changing 'groove-pattern' even though the 'beat' of the music remained constant. I used this style of writing mainly in the fast, second section of the piece, which I felt gave it a distinct technotronic flavor. The mood of the opening movement is, however, undeniably romantic: thus the title of the piece, Romantatronic.
SKU: PR.114418230
ISBN 9781491109939. UPC: 680160640713. 9x12 inches.
Summer Solstice is a 19-minute concerto in three movements, composed for solo clarinet with a colorfully-textured string orchestra. The piano reduction is comfortably voiced for recital use. Dorff's joy in writing for his own instrument is readily heard in the warm cantabile writing and gracefully idiomatic passagework. Drawing inspiration from the elegance of Mozart's concerto and the rhythmic grit of Copland's, Dorff's concerto is a true hybrid of jazz-inspired language with classical form and counterpoint. The Philadelphia Inquirer has written, Summer Solstice is light without being insubstantial, melodic without being obvious. It has an invariably American sound. Orchestral score and parts are available on rental. Full score is also available for sale as study score (416-41604) or large score (416-41604L)._____________________________________Text from the scanned back cover:Summer Solstice (Concerto for Clarinet and Strings)The Philadelphia Inquirer has written “Summer Solstice is light without being insubstantial, melodic without being obvious. It has an invariably American sound.†SUMMER SOLSTICE is a 19-minute concerto in three movements, composed for solo clarinet with a colorfully-textured string orchestra; the piano reduction is comfortably voiced for recital use. Dorff’s joy in writing for his own instrument is readily heard in the warm cantabile writing and gracefully idiomatic passagework. Drawing inspiration from the elegance of Mozart’s concerto and the rhythmic grit of Copland’s, Dorff’s concerto is a true hybrid of jazz-inspired language with classical form and counterpoint.
SKU: HL.172779
ISBN 9781581061475. UPC: 888680628222. 9.0x12.0x0.269 inches.
Charles Neidich is among the world's foremost authorities on Mozart's masterful Concerto in A for Basset Clarinet, KV. 622. This publication presents Neidich's full reconstruction of the original basset clarinet part, as well as a carefully revised solo part for the standard clarinet in A, based on Mozart's autograph fragment and important early editions. This edition is a must for any clarinetist who wishes to perform and study one of the most important concertos ever written for the instrument.
SKU: HL.48186547
UPC: 888680795733. 9.0x12.0x0.077 inches.
Gabriel Pierne (1863-1937) was a French composer, conductor and organist. Despite being predominantly remembered as a conductor, his Canzonetta remains a recognised piece in the Clarinet repertoire. Pierne studied at the Paris Conservatoire before taking up the position of chief conductor for the concert series, Concerts Colonne in 1910. He remained in the post until 1933, and during this time, he notably conducted the world premiere of Igor Stravinsky's The Firebird. Pierne composed for a variety of instruments, Canzonetta for Clarinet with Piano accompaniment being one of four solo works by the composer. This Pierne piece for Clarinet contains many characteristics typical of the French style, such as lyrical melodies, a significant number of performance directions, flourishes of semiquavers, chromaticism and many changes in dynamics. Canzonetta is a varied piece, essential to the repertoire of aspiring clarinetists..
SKU: BR.EB-32111
The first edition of a forgotten treasure
ISBN 9790004186763. 9 x 12 inches.
There are many composers of whom it is said today that they had gone back in time or had composed against contemporary taste. Today, the question arises, though, as to what of value is to be extracted, rediscovered, or re-edited. Camillo Schumann (1872-1946) is one of these nearly forgotten composers. His works are still largely unknown today. Schumann's tonal language combines the Brahmsian sound scape with the grand late romantic Liszt school. His piano pieces range even to sounds reminiscent of Rachmaninoff and are of tremendous power and virtuosity. The pronounced and inventive melody makes the works the testimony of a composer who has not yet come to the fore. His two sonatas for clarinet and piano have hitherto remained completely unknown. This is astonishing, for they are on the level of the sonatas of Johannes Brahms, who probably contributed the most essentially to this genre. Surfacing as a special treasure from the estate of the Saxon musicologist and collector Harald Schurz were the autographs of both clarinet sonatas, now to be published for the first time. Remember falling in love with the expressive qualities of the Brahms sonatas? You can rekindle that feeling with these works by Camillo Schumann. Commentators have compared Schumann's works not only to Brahms, but also to Liszt and Rachmaninoff. Run to your shop and order now.(Gregory Barrett, The Clarinet)The first edition of a forgotten treasure.
SKU: BR.EB-32112
ISBN 9790004186770. 9 x 12 inches.
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