SKU: HL.48184382

UPC: 888680846350. 9.25x12 inches.

“French composer, Robert Truillard published his Reverie in 1986. The work remains popular for intermediate clarinetists. With a typical performance lasting around 2 minutes and 46 seconds, Reverie is in Ternary Form, with the 'B' section marked 'Scherzando' and containing a short cadenza passage. The solo Clarinet part makes use of variety in articulation, tempo, dynamics and phrasing, amongst other aspects. For all aspiring, intermediate clarinetists, Truillard's Reverie provides exciting, alternative repertoire.&rdquo.

SKU: FL.FX072392-6

This piece is an echo of Paris Universal Exposition of 1887, for which the Eiffel tower was built, and which saw also the birth of cinema by the Lumiere brothers. - Patrice BERNARD ; Instruments: 1 Bb Clarinet 1 Piano; Difficuly Level: Grade 4; Duration: 1 mn 50 s; Musical Style: Classical, Educational; Category: Original Composition; Composer: Patrice BERNARD;.

SKU: M7.DUX-1164

ISBN 9783868490855.

16 weltbekannte populäre Melodien aus allen Bereichen der Musik. Der Bläser findet unvergessene Standards und Classics, Pop-Songs, Filmmusik und Evergreens. Die passende Playalong Doppel-CD ist mit der Bestellnummer D1160 separat erhältlich. Der Ausgabe liegt ein 32-seitiger Einleger mit der Solo-Stimme bei.

SKU: ST.C143

ISBN 9790570811434.

Alexander Konstantinovich Glazunov (1865-1936) trained under Rimsky- Korsakov and became the most illustrious Russian composer and conductor immediately succeeding Tchaikovsky. Glazunov’s close affinity with the Saint Petersburg Conservatory, of which institution he would later become Director for more than two decades, placed him ideally to assist in the Institute’s transition to the Petrograd Conservatory in the immediate wake of the Bolshevik Revolution of 1917. For the last six years of his life, Glazunov left the USSR, feeling hemmed in by propagandist restrictions and at the same time out of kilter with the Modernist movement.

He lived in exile for a time, touring the USA, before eventually settling in Paris, though his stoical brand of Russian Romanticism never waned. Despite being partly remembered for having taught Shostakovich, Glazunov was never known as a revolutionary composer, more inclined to align himself with 19th century ideologies than with the thrusting new compositional paths forged by Prokofiev and others. Indeed, the nationalistic movement so successfully espoused by Balakirev found a new energy in Glazunov’s hands, and he discovered an opulence of scale which leaned more in the direction of Borodin.

There can be no doubting Glazunov’s technical mastery, which successfully drew together contrapuntal, lyrical and virtuosic skills, and which were admired by the likes of Liszt. Glazunov steered a steady course at a time when it was most sorely needed; one need only hear the marvellous Violin Concerto in A minor to experience the full power and authority of his writing, though he possessed an enviable touch with more intimate forms too, such as those readily to be heard in these three charming Miniatures Op.42, originally composed for piano.
Clarinet and Piano
Transcribed by Mark Tanner
Grades 6 & 7 (Trinity Grades 6 & 7 syllabuses)
Former Spartan Press Cat. No.: SP1360.