SKU: ST.C129
ISBN 9790570811298.
As I sit myself down to write this brief foreword, I ask myself can there be music more stirring than these old Cornish folk melodies? Though not Cornish myself (I confess to being born a little further up the road, in Bristol), I feel I have spent sufficient time in these 'ere parts to resonate with the sturdy brass band tradition that continues to permeate this incomparably beautiful, rugged county. One can almost detect a French 'accent' when listening to the piano music of Debussy, and likewise, speaking as a lapsed brass player, there is undoubtedly something of the Cornish twang about Trelawny when played on a cornet or euphonium. Then again, one gets a different, yet entirely convincing effect upon hearing these melodies rendered on woodwind instruments; hence, with a little gamesmanship on my part, I am pleased to see my collection of these fifteen delectable ditties come to fruition in the form of arrangements for treble clef brass instruments (in B flat and E flat), trombone and tuba (bass clef), horn in F, flute, clarinet and bassoon. While many will find themselves humming the likes of Going up Camborne Hill, Lamorna or The Helston Furry Dance even before they have turned to the first page - for these are indelibly intertwined with Cornish culture – I wonder if I might draw your attention to The Cornish Squire, The Pool of Pilate and Cold Blows the Wind Today Sweetheart, which are quite simply sublime melodies, perhaps needing that extra bit of help in bringing them to mind nowadays. In the best tradition of musical hand-me-downs, Cornish folk music works equally ideally sung and played, and only by doing so on a regular basis can such traditions hope to continue forward with vigour and authority. A legitimate way of achieving this is to revitalise the harmonic scheme of these ancient tunes and bring them up to date for a modern audience; after all, it was such an approach that fuelled the imagination of Benjamin Britten and Ralph Vaughan Williams in decades past, while skilfully paying homage to the underlying charm and, for want of a better word, simplicity, of the original music. But this is only a start – for without an energetic response from younger generations, Cornish folk music is destined to wither on the vine in much the same way as is happening with the Cornish dialect. So, put your instrument to your lips and proceed, not with caution, but with enthusiasm and a smile, for your great grandparents (and perhaps even their grandparents) would surely raise a glass if they could hear you doing your bit to ensure the survival of this splendid heritage.Timeless Cornish melodies, cooked up for hungry clarinet playersGrades 1–4Former Spartan Press Cat. No.: SP1218.
SKU: P2.30086
In the beginning of January, 2000 I completed a large-scale work for clarinet and orchestra. Upon its completion, I felt somewhat exhausted by the flashy and virtuoso style of writing which tends to typify the solo parts of concerti. This time... I decided to forfeit any pyrotechnical exhibitions by the soloist in favor of incorporating the instrument into the larger fabric of the orchestra. Concurrent with starting to work on this new piece, I was engaged in an altogether different project involving, among others, a Swedish deejay whose field of expertise is popular, modern dance-music.... During numerous evenings of CD listening to this genre of music, I was drawn to the way that rhythmically contrasting layers of music were constantly alternating between background and foreground. The resulting effect was of a continuously changing 'groove-pattern' even though the 'beat' of the music remained constant. I used this style of writing mainly in the fast, second section of the piece, which I felt gave it a distinct technotronic flavor. The mood of the opening movement is, however, undeniably romantic: thus the title of the piece, Romantatronic.
SKU: ST.C171
ISBN 9790570811717.
Grades 3–5Former Spartan Press Cat. No.: SP568Includes optional backing tracks which are free of charge and are available to download below.[vcex_button url=https://www.dropbox.com/s/x2vqjz27hzviabv/American%20Jazz%20and%20More%20mp3.zip?dl=0 title=Download style=flat align=left color=green size=small target=self rel=none]Download[/vcex_button] .
SKU: ST.C165
ISBN 9790570811656.
Grades 4–8Former Spartan Press Cat. No.: SP454Includes optional backing tracks which are free of charge and are available to download below.[vcex_button url=https://www.dropbox.com/s/o8e41aaazlduenz/Jazz%2C%20Rock%20and%20More%20mp3.zip?dl=0 title=Download style=flat align=left color=green size=small target=self rel=none]Download[/vcex_button] .
SKU: AP.36-60440001
ISBN 9798888521748. UPC: 676737684600. English.
Alban Berg's (1885-1935) Vier Stücke für Klarinette und Klavier (Four Pieces for Clarinet and Piano), Op. 5, was composed in 1913. They are his only true miniatures as, shortly after he wrote them, a fateful and somewhat traumatic lesson with his tutor Arnold Schoenberg drove the young Berg to abandon small-scale works altogether, turning towards large extended orchestral works at his teacher's heavily critical insistence. Each of the four movements (1. Mäßig; 2. Sehr langsam; 3. Sehr rasch; 4. Langsam) constantly changes in tempo, articulation, timbral effects, and dynamics throughout. Despite Schoenberg's criticism in 1913, the work did finally premiere on October 17, 1919, ironically at Schoenberg's own Society for Private Musical Performances in Vienna. Reprint edition.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: YM.GTW01091435
ISBN 9784636914351.
25 songs arranged for solo clarinet and piano. Clarinet part with a book for piano accompaniment and Karaoke CD. 20Shou Dan Huang Guan Du Zou Qu ,Gang Qin Ban Zou . Han Dan Huang Guan Pu Ji Gang Qin Ban Zou Pu &Ban Zou CD. 1. Soshunfu(Ode to Early Spring); 2. Hatsukoi(First Love); 3. Oborozukiyo(A Night with a Hazy Moon); 4. Hana; 5. Sakura Sakura; 5. Hana; 6. Hamabe no Uta(A Song at the Seaside); 7. Shabondama(Soap Bubbles); 8. Kono Michi; 9. Furusato(My Old Town); 10. Yuyake Koyake; 11. Chiisai Aki Mitsuketa(I've Found a Little Autumn); 12. Sato no Aki; 13. Aka Tombo(Red Dragonfly); 14. Kojo no Tsuki(Moon over the Ruined Castle); 15. Nagori Yukii(Snowfall at the end of the Winter); 16. Nada SouSou(Down Come My Tears); 17. Jidai; 18. Kawa no nagare no Yo ni(As a River's Running); 19. Sen no Kaze ni natte(A Thousand Winds); 20. Hana wa Saku(Flowers Will Bloom); 21. Haru yo Koi(Come spring!); 22. Hana; 23. Kazebue - Asuka' Theme; 24. Satoukibi Batake(In a Large Field of Sugarcane); 25. Miagete goran Yoru no Hoshi wo(Look up at the Night sky) 1. Zao Chun Fu ; 2. Chu Lian ; 3. Meng Long Yue Ye ; 4. Hua ; 5. Ying Hua ; 6. Hai Bin Zhi Ge ; 7. Fei Zao Pao ; 8. Zhe Tiao Lu ; 9. Gu Xiang ; 10. Wan Xia Jian Dan ; 11. Zhao Dao Liao Xiao Xiao De Qiu Tian ; 12. You Jian Chui Yan ; 13. Hong Qing Ting ; 14. Huang Cheng Zhi Yue ; 15. Can Xue ; 16. Lei Guang Shan Shan ; 17. Shi Dai ; 18. Chuan Liu Bu Xi ; 19. Hua Wei Qian Feng ; 20. Hua Zheng Zai Kai ; 21. Chun Tian ,Lai Ba ; 22. Hua ; 23. Feng Di ; 24. Gan Zhe Tian ; 25. Yang Wang Xing Kong.
SKU: P2.30122
Composer Mike D'Ambrosio says, Super Groove was commissioned by oboist Celeste Johnson Frehner (Oklahoma State University) and was premiered in April 2012. After I sent Celeste an early draft of the piece (about half done at that time), her first response was This is super groovy! and thus the title was born. For my part, I was trying to bring together my worlds as composer and music theory professor by taking some of the fun theory topics I get to teach (sonata form, chromatic mediants, ostinato, polyrhythms, and set theory) and squeezing them into a driving, energetic, and highly rhythmic texture. The piece is extremely fun to play and has been very well received by audiences..
© 2000 - 2024 Home - New realises - Composers Legal notice - Full version