SKU: CL.012-3397-01

Featuring themes that evoke the spirit of the settlers moving westward, this delightful Greg Hillis composition is an exceptional choice for any mid-level band concert or contest performance. The adagio section begins with short solos for flute, clarinet, horn, bells and baritone (all are cued elsewhere) before building into a lush and powerful tutti. Full of appeal for audiences and players alike, this dynamic piece is sure to make your band sound like a million bucks!

About C.L. Barnhouse Command Series

The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.

SKU: HL.49015665

ISBN 9790001139786. UPC: 884088156251. 9.0x12.0x0.296 inches.

Best playability and musical spirit - this is what characterizes the music of Bertold Hummel who died in 2002, and why his music must be part of the repertoire of any amateur and semi-professional orchestra. The Oregon Symphony occupies a special position in his oeuvre: it was written by Hummel for the typically American symphonic wind bands, requiring almost 100 musicians, including 15 clarinets in three groups of five alone, as well as four piccolos and six flutes, bass clarinet, bassoons, saxophones, trumpets, horns, tubas and the typically American sousaphone, and five percussionists. The work consists of four movements; in the rousing finale, Hummel mixes jazz motifs with popular themes and even weaves the anthem of the State of Oregon in the final music. For getting better acquainted with this music, the first movement is also separately available ('Symphonische Ouverture', SHS 1001).

Picc. * 2 * 2 * Klar. in Es * 3 * Bassklar. in B * 2 Altsax. in Es * Tenorsax. in B * Baritonsax. in Es * 2 - 4 * 3 (Korn.) * 3 * Tenorhr. in B (Bar.) * 2 - P. S. (Trgl. * 4 hg. Beck. * Beckenp. * Tamt. * Gong * Glock. ad lib. * Bngs. * Schellentr. * kl. Tr. * gr. Tr. * Holzbl. * Tempelbl. * Ratsche * Xyl. * Vibr) (5 Spieler) - Kb.

SKU: IS.WE7090EM

ISBN 9790365070909.

Nico Schoeters took his first percussion lessons with Eric Buyle in the Academy for Music and Word in Boom, near Antwerp, after getting the hang of it through private lessons by Jozef Vervliet. Afterwards he continued his music studies at the Royal Conservatory of Antwerp, where he was taught by Leo Ouderits, Carlo Willems and Koen Wilmaers. In 1998 he graduated there with great distinction as Master in percussion. After cooperating on various projects in Belgium and abroad as a freelance percussionist, Nico took up a position as a percussionist in the National Orchestra of Belgium. However, despite of all his achievements as a percussionist, Nico Schoeters didn’t take his first musical steps by playing percussion, but by playing the piano. His love for the piano remained a common thread in his musical career. For example, he played numerous gigs as a pianist with his jazz quartet ‘Just Friends, consisting of a number of top musicians who are his friends. In addition he started composing piano works in 2012. Cosmopolydian is my first composition for symphonic windband. It's a solo piece for flute and vibraphone which is dedicated to Inge Smedts, principal piccolo at the Royal Wind Band of the Belgian Guides. It is written in the context of a musical project ‘Cocktail Maison'. This project includes a concert on May 25th, 2017 in De Singel in Antwerp where this work will be premiered, a CD recording and a concert tour. All the pieces for this project are new compositions by Piet Swerts, Jef Neve, Klaas Coulembier, Etienne Houben, Bart Watté, Jan Huylebroeck, Francois Glorieux and myself. All the compositions are inspired by a cocktail. My choice is the Cosmopolitan, but the non-alcoholic version, the mocktail actually. The title Cosmopolydian is a nod to the lydian scale which I used as a base for the majority of the piece. The idea behind the music is an image of children enjoying themselves, worry-free, during the holidays. Tired but satisfied, they go to sleep and have wonderful dreams. The next day they wake up to start a beautiful new day.The work is constructed in a typical ABA form. A quick first part: ‘sparkling allegro', which of course should sound very light and playful. A slow middle part warm adagio, in which the beautiful dreams become audible. The last part is a re-exposition of the first part in which eventually all the themes merge into the final.

SKU: CL.012-3415-00

Not hard, but very impressive, this David Shaffer original is perfect concert or contest material for mid-level bands. It starts with a stately fanfare introduction which leads directly into the furious section. This section features a fast tempo where several playable yet independent melody lines are intertwined to create a very busy yet pleasing musical landscape. An adagio section follows before a reprise of the furious section leads to a big finish. A rewarding work that is a welcome addition to any performance!

About Heritage of the March

Full-sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style

SKU: CL.CTS-7715-00

Overture Romantique begins with a pounding ostinato of low brass and timpani, which then accompanies a short, dramatic introduction of the thematic material, which then lends itself to an Adagio. The Allegro propels the band into a rousing section of woodwind runs, multiple meter changes and a transitional fanfare. The center section of the piece features an ostinato in 3/2, with alternating sections in 4/2 and 5/2. An appearance by the transitional fanfare is played, and music previously stated returns. One final hearing of the first theme, which leads to a marvelous Eb major chord, features the ostinato and the trombones stating the opening music one more time. One of Smith’s first virtuoso efforts for the concert band.

SKU: BC.394184

SKU: AP.81-CB224483

ISBN 9781778930492. UPC: 685462030507. English.

Behold a Ladder Set Up on the Earth by Frank McKinney is a composition that touches upon both the thoughtful meditation and the emotional response to the lyrics of the African American slave spiritual We Are Climbing Jacob's Ladder. There are abundant opportunities for both sensitive and robust musical moments. A variation of the well-known theme is stated in the opening Adagio trumpet solo and then repeated several times throughout the piece. A more upbeat Allegro variation then enters before the familiar tune is finally introduced calmly by the bassoon. The climactic Religioso section presents the main theme in all of its call and response glory. (3:50).

SKU: KJ.JB59

UPC: 8402701190.

This powerful concert overture about the Greek god of war makes extensive use of the Lydian mode and bi tonality. The low register of the clarinet is featured in the opening Adagio section while dotted rhythms and percussive outbursts comprise the closing moments of the piece.