SKU: BT.DHP-1105029-143
9x12 inches. English.
George Gershwin’s only opera, Porgy and Bess, dealt with the socially sensitive issue of race. The composer even specified that it may only be performed by coloured actors. Summertime is easily the most well-known piece from this opera and has been covered numerous times, even by the likes of Ella Fitzgerald herself. Now it is your turn! Die Oper Porgy and Bess von George Gershwin aus dem Jahre 1935 handelt von Afroamerikanern und darf nach einer Verfügung des Komponisten auch nur mit farbigen Schauspielern besetzt werden. Summertime ist eines der berühmtesten Lieder aus der Oper und wurde schon von Größen wie Ella Fitzgerald interpretiert - und jetzt auch von Ihren Nachwuchsmusikern!Spielbar ab Essential Elements Band 2, Seite 24 L’opéra Porgy and Bess (1935), du grand George Gershwin, est considéré comme un classique du patrimoine culturel américain. La trame fait une large place au blues et au spiritual. Summertime est devenu l’air emblématique de cette oeuvre ; un standard repris, par divers grands interprètes dont Barbara Hendricks et Ella Fitzgerald. Cette version pour Orchestre Junior ou petites formations incomplètes est signée Jan de Haan. Summertime, l’aria emblematica della celebre opera Porgy and Bess di George Gerswhin del 1935, ora disponibile in un arrangiamento per orchestre principianti o ad organico ridotto firmato Jan de Haan.
SKU: FJ.B1785
UPC: 241444405086. English.
Inspired by Dvorák's Slavonic Dance No. 1, this fiery piece provides an engaging opportunity to explore this Eastern European dance form. The dramatic shifts in style, accents and dynamics pair with an exciting accelerando and grand pause before coming to a thrilling close. Unbelievable writing using just six notes!
About FJH Starter Series
Introduction to Beginning Band - Ideal for the first several months of instruction. These pieces are a comfortable length for students (about a half page of music) and are playable with as few as five instruments. All instruments are limited to a 6-note diatonic range. Several supplemental exercises are included to help teach different elements of each piece. Grade .5
SKU: FJ.B1785S
English.
SKU: BT.DHP-1165728-140
English-German-French-Dutch.
Pjotr Iljitsj Tchaikovsky is famous for his fantastic moving melodies. Different to many of his other romantic Russian contemporaries, Tchaikovsky had a particular feel for the European music taste of music, which made him immensely popular. In this accessible compilation, arranger Wil van der Beek uses a selection of Tchaikovsky’s most beautiful melodies from works including Capriccio Italien, String Quartet No. 1 and his famous Piano Concerto No.1.Pjotr Iljitsj Tsjaikovski staat bekend om zijn fantastische, treffende melodieën. Anders dan veel van zijn Russische tijdgenoten uit de romantiek had Tsjaikovski veel gevoel voor de Europese muzieksmaak, waardoor hij immens populair werd. Voor deze toegankelijke compilatie heeft arrangeur Wil van der Beek een selectie van Tsjaikovski’s mooiste melodieën gebruikt, uit de werken Capriccio Italien, het Strijkkwartet nr. 1 en het beroemde Pianoconcert nr.1.Peter Iljitsch Tschaikowski ist berühmt für seine fantastischen, bewegenden Melodien. Im Gegensatz zu vielen anderen seiner russischen romantischen Zeitgenossen hatte Tschaikowski ein besonderes Gespür für den europäischen Musikgeschmack, was ihn ausgesprochen populär machte. In dieser Zusammenstellung verwendet der Arrangeur Wil van der Beek eine Auswahl von Tschaikowskis schönsten Melodien aus dem Capriccio Italien, dem Streichquartett Nr. 1 und seinem berühmten Klavierkonzert Nr. 1.Piotr Ilitch Tcha kovski est connu pour ses magnifiques mélodies émouvantes. Au contraire de la plupart de ses collègues russes au style romantique, Tcha kovski avait une aptitude particulière pour le go t de la musique européenne, ce qui le rendit très populaire. Dans ce medley la portée de tous, l’arrangeur Wil van der Beek incorpore une sélection des plus belles mélodies de Tcha kovski, comme celles du Capriccio Italien, du Quatuor cordes n°1 et son célèbre Concerto pour piano n°1.
SKU: BT.DHP-1165728-010
SKU: BT.DHP-1063969-010
9x12 inches. English-German-French-Dutch.
The Ukrainian Dmitri Bortniansky (1751-1825) received lessons at the local singing school in his hometown of Hlukhiv, and soon his extraordinary talent was recognised. He was somewhat of a child prodigy, writing his first opera at a young age. Following his studies Bortniansky was appointed court composer and Kapellmeister of the Imperial Chapel Choir. In the period that followed, he wrote - in addition to a number of operas, instrumental works, and a cycle of songs - more than a hundred religious works for a cappella choir, in which he combined Russian-orthodox and Ukrainian traditions with late 18th century European music. The appealing melody of Ich bete an die Macht derLiebe (Prayer to the Power of Love) became well-known, especially in Germany, in combination with German text by Gerhard Tersteegen. This arrangement by Michael Bilkes reflects the atmosphere of the original work very well. Die Chormusik des russischen Komponisten Dmitri Bortniansky zeugt von großem technischen Können und reflektiert zugleich ein tiefes spirituelles Verständnis. Die Melodie zu Ich bete an die Macht der Liebe erlangte mit dem Text von Gerhard Tersteegen besonders im deutschsprachigen Raum einen großen Bekanntheitsgrad. Die vorliegende Blasorchesterbearbeitung von Michael Bilkes gibt die Stimmung des Originals sehr gut wieder.
SKU: BT.DHP-0940582-010
Utopia is the name of a book written by the English author Thomas More and was published in 1516. The title is a word thought up by More himself, after the Greek language, meaning Nowhereland and leading to the invention of the words utopian scheme and utopian. Utopia pictured an ideal state on an island far from the inhabited world. This idea was the basis of the composition. It makes one think of Oregon in variety of themes and style. Utopia also exists of a combination of styles that breathe the atmosphere of film music. However, Utopia sounds less American. The slow and stirring middle part for example is closer to the European romanticism: the chord signals in the brasssection remind of Wagner's music. Utopia is de naam waaronder een in 1516 door de Engelse schrijver Thomas More gepubliceerd boek bekend is geworden. Utopia is een door More zelf naar het Grieks gemaakt woord dat Nergensland betekent en de woorden utopie en utopismeheeft doen ontstaan. Utopia schildert een ideale staat op een ver van de bewoonde wereld gelegen eiland. Dit idee vormde de inpiratiebron voor deze compositie. Qua variatie in thematiek en stijl doet het werk denken aan Oregon.Ook Utopia bestaat uit een combinatie van stijlen die de atmosfeer ademen van filmmuziek. Toch klinkt Utopia minder Amerikaans. Het langzame, meeslepende middendeel bijvoorbeeld komt dichter in de buurt van de Europese romantiek.de drieklanksignalen in het koper herinneren aan de muziek van Wagner.
SKU: BT.DHP-1115117-013
9x12 inches. English-German.
Jan de Haan has created an easy international arrangement that sounds anything but, featuring Au clair de la lune from France, Mary Had a Little Lamb from England and Un, dun, dip, a Dutch children’s song. Uit Au clair de la lune uit Frankrijk, Mary Had a Little Lamb uit het Engelstalige spraakgebeid en Un, dun, dip uit ons eigen land arrangeerde Jan de Haan een eenvoudige en goed klinkende medley.Au clair de la lune aus Frankreich, Mary Had a Little Lamb aus dem englischen Sprachraum und das holländische Kinderlied Un, dun, dip fasste Jan de Haan in diesem leichten und doch gut klingenden Medley zusammen.Spielbar ab Essential Elements Band 1, Seite 11 La chanson populaire française Au clair de la lune, la comptine anglaise Mary had a little lamb, et la berceuse hollandaise Un, dun, dip, ont été admirablement arrangées par Jan de Haan dans cet attachant medley international. La canzone popolare francese Au clair de la lune, il canto inglese Mary had a Little Lamb, e la ninna nanna olandese Un, dun, dip, sono state arrangiate per banda da Jan de Haan in un medley molto internazionale e accattivante.
SKU: BT.DHP-1115117-143
SKU: BT.DHP-1115116-143
Jan de Haan’s arrangement of La donna è mobile makes the excitement of opera accessible to less experienced bands as well as school bands! Neem nu uw jonge muzikanten mee naar de wereld van de opera! Met deze bewerking voor beginnerorkesten van Jan de Haan laat u ze kennis maken met een evergreen van Verdi.Mit dieser Bearbeitung für Anfängerorchester und Bläserklassen von Jan de Haan können Sie jungen Musikern die Tür in die Welt der Oper öffnen.Spielbar ab Essential Elements Band 2, Seite 17 Cet arrangement pour orchestre junior de Jan de Haan vous ouvrira les portes du monde magique de l’Opéra. Questo arrangiamento per banda giovanile firmato Jan de Haan apre le porte del meraviglioso mondo dell’opera anche ai più giovani.
SKU: BT.DHP-1115116-013
Jan de Haanâ??s arrangement of La donna è mobile makes the excitement of opera accessible to less experienced bands as well as school bands! Neem nu uw jonge muzikanten mee naar de wereld van de opera! Met deze bewerking voor beginnerorkesten van Jan de Haan laat u ze kennis maken met een evergreen van Verdi.Mit dieser Bearbeitung für Anfängerorchester und Bläserklassen von Jan de Haan können Sie jungen Musikern die Tür in die Welt der Oper öffnen.Spielbar ab Essential Elements Band 2, Seite 17 Cet arrangement pour orchestre junior de Jan de Haan vous ouvrira les portes du monde magique de lâ??Opéra. Questo arrangiamento per banda giovanile firmato Jan de Haan apre le porte del meraviglioso mondo dellâ??opera anche ai più giovani.
SKU: CL.011-3426-01
A delightful piece for developing bands that is European in flavor and its distinctive style is sure to make it a wonderful addition to any concert or contest performance. Ranges are quite modest and Orcino makes outstanding use of sudden dynamic changes to add to the general effect. All sections get a chance to shine in this welcome addition to the literature for developing bands. Very highly recommended!
About C.L. Barnhouse Command Series
The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.
SKU: HL.44012730
Christmas as celebrated in England is a relatively newtradition dating from the time of Queen Victoria. Herhusband Prince Albert was from Germany and he broughtmany German Christmas traditions with him, including theChristmas tree and Christmascards, and even carols such asHark, the Herald Angels Sing. Philip Sparke has however useda varied selection of English melodies to arrange into his?Festival of Carols?.The choir parts are seperately available (order no. AMP 227-050). Christmas as celebrated in England is a relatively new tradition dating from the time of Queen Victoria. Her husband Prince Albert was from Germany and he brought many German Christmas traditions with him, including the Christmas tree and Christmas cards, and even carols such as Hark, the Herald Angels Sing. Philip Sparke has however used a varied selection of English melodies to arrange into his Festival of Carols. The choir parts are seperately available (order no. AMP 227-050).Hoewel de Engelsen een lange traditie kennen in het zingen van carols zijn veel van de melodieen die er worden gezongen afkomstig van het Europese vasteland - of uit Amerika. Desondanks heeft Philip Sparke een gevarieerde selectievan Engelse melodieen kunnen samenstellen voor dit prachtige 'Festival of Carols' - dat zowel met als zonder koor kan worden uitgevoerd.Weihnachten, wie es heute in England gefeiert wird, ist eine relativ junge Tradition aus dem 19, Jahrhundert, die der deutsche Ehemann von Konigin Victoria mit in seine neue Heimat brachte. Viele gebrauchliche Weihnachtslieder stammen ebenfalls nichtaus England. Philip Sparke gelang es jedoch, eine abwechslungsreiche Sammlung von Liedern aus seiner Heimat zu diesem schonen englischen Weihnachtslieder-Festival zu formen.Die optional einsetzbaren Chorstimmen sind unter der Artikelnummer AMP227-050 separat erhaltlich. << La plupart des traditions de Noel en Angleterre sont relativement recentes. Montee sur le trone en 1837, la reine Victoria (nee de Hanovre) regnera jusqu'a sa mort en 1901. En 1840, elle epousa son cousin, le prince Albert de Saxe-Cobourg-Gotha. Leprince consort, originaire d'Allemagne, importa bon nombre de traditions de Noel allemandes au Royaume-Uni. Ainsi, il fit decouvrir aux Anglais la coutume du sapin et les cartes de Noel, entre autres, contribuant largement au Noel typiquement anglaistel que nous le connaissons aujourd'hui.Bien que les chants de Noel font l'objet d'une longue tradition en Angleterre, de nombreuses melodies que nous chantons proviennent ducontinent europeen ou des Etats-Unis. Je savais bien que le celebrissimeSilent Night (Douce nuit) etait d'origine autrichienne et que Hark, the Herald Angels Sing (Ecoutez le chant des Anges) etait d'origine allemande. Pourtant, quelle ne fut pas ma surprise d'apprendre qu'Away in a Manger (Sur la paillefraiche) ou encore We Three Kings nous venaient des Etats-Unis et que Ding, Dong Merrily on High etait un noel d'origine francaise. Quoiqu'il en soit, j'ai reussi a constituer un canevas de melodies anglaises pour realiser cefestival de chants de Noel. >>Philip SparkeRemarques sur l'interpretation : Cet arrangement est adapte pour une interpretation avec ou sans Chœur. S'il est joue par un Brass Band, les parties vocales seront doublees par des partiesinstrumentales.Les tempi indiques correspondent a une interpretation par un Brass Band seul. Si l'œuvre est donnee avec un Chœur, il est sans doute necessaire de baisser le tempo en fonction du nombre de choristes et de l'acoustique du lieude concert.Les parties de Chœur (en anglais) sont disponibles separement (Ref. : AMP 227-050). The choir parts are seperately available (order no. AMP 227-050).
SKU: AP.44992S
ISBN 9781470654450. UPC: 038081518978. English.
In some European Christmas traditions, Saint Nick (Santa Claus) does not work alone. He travels with the Krampus, a Christmas Devil who doles out punishment to bad boys and girls on Christmas Eve. This work serves as a darkly delightful Christmas piece, intended to educate, entertain, and creep out your audience. The poem Beware the Krampus (written by the composer) helps frame the piece as familiar carols The Ukranian Bell Carol, Up on the Housetop, Jolly Old St. Nicholas, and other holiday favorites are distorted. (4:50) This title is available in MakeMusic Cloud.
SKU: AP.37786
UPC: 038081439402. English.
Raisins and Almonds (Rozhinkes mit Mandlen) is a Jewish lullaby by Abraham Goldfaden (1840--1908) that has become so well-known that it is now considered a folk song. It is a common lullaby among European Jews (Ashkenazim). Correlated to Sound Innovations for Concert Band, Book 2, Level 2, this lovely arrangement of this beautiful song allows bands to play with expression and color, lending a charming and heartfelt moment to any concert. (3:00).
SKU: AP.37786S
UPC: 038081439419. English.
Raisins and Almonds (Rozhinkes mit Mandlen) is a Jewish lullaby by Abraham Goldfaden (1840--1908) that has become so well-known that it is now considered a folk song. It is a common lullaby among European Jews (Ashkenazim). Correlated to Sound Innovations for Concert Band, Book 2, Level 2, this lovely arrangement of this beautiful song allows bands to play with expression and color, lending a charming and heartfelt moment to any concert.
SKU: HL.44012731
The choir parts are seperately available (order no. AMP 227-050). Hoewel de Engelsen een lange traditie kennen in het zingen van carols zijn veel van de melodieen die er worden gezongen afkomstig van het Europese vasteland - of uit Amerika. Desondanks heeft Philip Sparke een gevarieerde selectievan Engelse melodieen kunnen samenstellen voor dit prachtige 'Festival of Carols' - dat zowel met als zonder koor kan worden uitgevoerd.Weihnachten, wie es heute in England gefeiert wird, ist eine relativ junge Tradition aus dem 19, Jahrhundert, die der deutsche Ehemann von Konigin Victoria mit in seine neue Heimat brachte. Viele gebrauchliche Weihnachtslieder stammen ebenfalls nichtaus England. Philip Sparke gelang es jedoch, eine abwechslungsreiche Sammlung von Liedern aus seiner Heimat zu diesem schonen englischen Weihnachtslieder-Festival zu formen.Die optional einsetzbaren Chorstimmen sind unter der Artikelnummer AMP227-050 separat erhaltlich. << La plupart des traditions de Noel en Angleterre sont relativement recentes. Montee sur le trone en 1837, la reine Victoria (nee de Hanovre) regnera jusqu'a sa mort en 1901. En 1840, elle epousa son cousin, le prince Albert de Saxe-Cobourg-Gotha. Leprince consort, originaire d'Allemagne, importa bon nombre de traditions de Noel allemandes au Royaume-Uni. Ainsi, il fit decouvrir aux Anglais la coutume du sapin et les cartes de Noel, entre autres, contribuant largement au Noel typiquement anglaistel que nous le connaissons aujourd'hui.Bien que les chants de Noel font l'objet d'une longue tradition en Angleterre, de nombreuses melodies que nous chantons proviennent ducontinent europeen ou des Etats-Unis. Je savais bien que le celebrissimeSilent Night (Douce nuit) etait d'origine autrichienne et que Hark, the Herald Angels Sing (Ecoutez le chant des Anges) etait d'origine allemande. Pourtant, quelle ne fut pas ma surprise d'apprendre qu'Away in a Manger (Sur la paillefraiche) ou encore We Three Kings nous venaient des Etats-Unis et que Ding, Dong Merrily on High etait un noel d'origine francaise. Quoiqu'il en soit, j'ai reussi a constituer un canevas de melodies anglaises pour realiser cefestival de chants de Noel. >>Philip SparkeRemarques sur l'interpretation : Cet arrangement est adapte pour une interpretation avec ou sans Chœur. S'il est joue par un Brass Band, les parties vocales seront doublees par des partiesinstrumentales.Les tempi indiques correspondent a une interpretation par un Brass Band seul. Si l'œuvre est donnee avec un Chœur, il est sans doute necessaire de baisser le tempo en fonction du nombre de choristes et de l'acoustique du lieude concert.Les parties de Chœur (en anglais) sont disponibles separement (Ref. : AMP 227-050).
SKU: CF.YPS199
ISBN 9781491152195. UPC: 680160909698. Key: G minor.
Tum Balalaika is attributed to a number of Eastern European countries, but is best known as a Russian Jewish folk/love/“riddle†song. Loosely translated, “tum†means “noise,†and the Balalaika is a Russian stringed instrument with a characteristic triangular, hollow, wooden body and three strings, closely related to the domra and mandolin. Carl Strommen's wonderful setting will help any group sound their best.Tum Balalaika is attributed to a number of Eastern European countries, but is best known as a Russian Jewish folk/love/“riddle†song. Loosely translated, “Tum†means “noise,†and the Balalaika is a Russian stringed instrument with the characteristic triangular wooden hollow body and three strings, closely related to the Domra and Mandolin. Tum Balalaika should be played brightly and in a broad flowing manner. As always, attention should be paid to dynamics and articulations.
SKU: CF.YPS199F
ISBN 9781491152874. UPC: 680160910373.
SKU: HL.50499274
ISBN 9790080148396. UPC: 884088949143. 8.0x11.0x0.078 inches. Laszlo Zempleni.
The second half of the 18th century, for the people of East Central Europe, was the time of the awakening of national consciousness. The leading force in the Hungarian enlightenment, the lesser nobility, also regarded as important the national character of the country's culture. A valuable kind of national music was the Hungarian dance music that flourished in the 18th century. The greater part of the repertoire naturally perpetuates the 'Hungarian-style' pieces from the previous centuries (appearing in foreign collections too described as hungaricus, ungaresca, saltus hungaricus or Ungarischer Tanz), but beside these we can encounter contemporary European dances and entertaining instrumental pieces in almost every style. The majority of the sources are collections compiled by non-professional musicians and intendedfor private music-making. In this work the composer uses melodies from the 18th-century Linus dance collection, in trioform, with harmonies and bass appropriate to that period. The musical fabric is rich in counterparts, the sound is mademore colourful with many kinds of percussion instruments. The register and rhythmic simplicity of the parts make thepieces easily playable even by music school pupils.picc, 8 fl, 2 ob, 2 fg, 4 cl1 Bb, 4 cl2 Bb, 4 cl3 Bb, 2 cl b Bb, sax a1 Eb, sax a2 Eb, 2 sax t Bb, sax bar Eb - 4 tr1 Bb, 4 tr2 Bb, 4 cor, 4 trb, 2 flic t Bb/C, 4 tb - timp, 4 perc (glsp, xyl, 5 t bl, 2 bongos, cast, ptto sosp, cow bell, trgl, gr c, tamb b).
SKU: CL.023-4283-01
Majestic and regal, this fanfare statement by Robert W. Smith is inspired by the monarchs of European history. The stately melody will highlight strengths throughout the band and make them sound very mature. Using only the first six notes introduced in most band methods, Reign is a perfect selection to open your young band's next performance!
SKU: HL.44010539
UPC: 884088481490. 9x12 inches. English-German-French-Dutch.
Also available for euphonium and piano (HL44010860) Scaramouche was commissioned by Katrina Marzella with a grant from the BBC Performing Arts Fund. Undoubtedly the finest baritone player of her generation, Ms. Marzella was granted an education bursary from the BBC Performing Arts Fund (as a result of winning BBC Radio 2's Young Brass Soloist of the Year in 2004), which allowed her to commission a series of new works for euphonium. Scaramouche continues Sparke's series of works that highlights the Italian theatre tradition of commedia dell'arte. Like its predecessors Pantomime and Harlequin, Scaramouche draws on the contrasting moods of pathos and comedy characterized by the symbolic happy/sad masks of European theatre. A slow, expressive ballad followed by a spirited vivace allows the composer to exploit both the lyrical and technical sides of the instrument, and the soloist to display its full capabilities.
SKU: HL.44010538
UPC: 884088481483. 9x12 inches. English(US)/Deutsch/Francais/Nederlands.
Also available for euphonium and piano (HL44010860) Scaramouche was commissioned by Katrina Marzella with a grant from the BBC Performing Arts Fund. Undoubtedly the finest baritone player of her generation, Ms. Marzella was granted an education bursary from the BBC Performing Arts Fund (as a result of winning BBC Radio 2's “Young Brass Soloist of the Year†in 2004), which allowed her to commission a series of new works for euphonium. Scaramouche continues Sparke's series of works that highlights the Italian theatre tradition of commedia dell'arte. Like its predecessors Pantomime and Harlequin, Scaramouche draws on the contrasting moods of pathos and comedy characterized by the symbolic “happy/sad†masks of European theatre. A slow, expressive ballad followed by a spirited vivace allows the composer to exploit both the lyrical and technical sides of the instrument, and the soloist to display its full capabilities.
SKU: BT.AMP-334-010
The title of this work refers to the Tall Ship Race, in which large sailing ships annually appear at various European destinations. The work consists of a slow introduction, which describes the majestic sailing ships; and a faster section (Vivo), which begins in the style of a sea shanty. Now the ship is under full sail, and we hear a reprise of material from the introduction to bring the piece to a close. Tijdens de wereldbekende, jaarlijkse ‘Tall Ship Race’ nemen op verschillende plaatsen in Europa grote zeilschepen het tegen elkaar op. Dit event vormt de inspiratiebron van dit werk, dat in het eerste, langzame deel een majestueuze boot beschrijft. Hierna volgt een snel ‚vivo’ gedeelte waarin alle zeilen worden bijgezet waarna een spectaculair slot - gebaseerd op het beginmateriaal éen einde maakt aan deze tocht. Der Titel des Werkes bezieht sich auf das Tall Ship Race, bei dem sich jährlich große Segelschiffe an verschiedenen Orten in Europa messen. Das Werk besteht aus einer langsamen Einleitung, welche den majestätischen Segler beschreibt, und einem schnelleren Abschnitt (Vivo), der im Stile eines Seemannsliedes beginnt. Im Mittelteil fährt das Schiff_x001F_ schon unter vollen Segeln, bevor Motive aus der Einleitung wieder aufgenommen werden, um das Stück zu beenden.Le titre de la pièce évoque la Tall Ship Race (La Course des Grands Voiliers) qui se déroule chaque année depuis 1956. Les bateaux qui y participent sont tous de grands voiliers servant la formation des jeunes équipages et couvrent des centaines de miles marins sur les mers d’Europe. L’oeuvre se compose d’une lente introduction qui évoque les bateaux majestueux et une section plus rapide débutant dans le style d’une chanson de marins. Un passage central voit les bateaux toutes voiles dehors, puis les thèmes de la première section reviennent pour clore la composition. Hissez la grand voile !Il titolo del brano evoca la Tall Ship Race, una gara velistica che si tiene ogni anno in diverse localit in Europa. Il brano si compone di una lenta introduzione che rappresenta la maestosit delle imbarcazioni e che precede una sezione veloce (vivo), scritta nello stile di una canzone di marinai. Un passaggio centrale vede le imbarcazioni allineate prima della partenza, in seguito i temi del primo movimento sono ripresentati e concludono la composizione.
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