SKU: HL.4008948
UPC: 196288281771.
The Juvavum Fanfare was composed for the closing concert of the first part-time University course in Wind Orchestra Conducting at the renowned Mozarteum University Salzburg, which took place from 2019 to 2021 for the first time. This celebratory opening composition is dedicated to the esteemed course instructor and conductor, Martin Fuchsberger, as well as to all the graduates who successfully completed this program. The name of the fanfare, “Juvavum,” derives from the ancient Roman name for Salzburg. This connection to Salzburg is not only evident in the premiere of the piece at the Mozarteum Salzburg but also in its musical depth. Thematically, the initial fanfare and subsequent lyrical section draw from the melody of Salzburg's regional anthem, “Land uns'rer Väter.” The majestic fanfare echoes the opening intervals of this anthem. From bar 27 onward, a direct citation of the melodic theme can be heard. Both the fanfare motifs and the vocal lines of this anthem are eventually brought together in an exhilarating final ection. The Juvavum Fanfare is ideally suited to ceremonially open concerts and provides an engaging experience for both listeners and musicians alike due to its appropriate length.
SKU: XC.PCB1903FS
UPC: 812598031171. 9 x 12 inches.
The holiday season is a time of joy, merriment, excitement, and traditions. One such time-honored tradition is the holiday band concert, which is often the debut performance of young musicians. Composer Matthew R. Putnam has created a nice addition to the young band holiday repertoire with First Holiday Fanfare.
SKU: XC.PCB1903
UPC: 812598031799. 9 x 12 inches.
SKU: AP.36-A929590
UPC: 735816239411. English.
When Max Reinhardt was engaged to direct a German language production of Shakespeare's Much Ado About Nothing at the Vienna Volksbühne in 1918, he asked Korngold to compose the incidental music. The production, under the German title Viel Lärmen um Nichts did not open until May 6, 1920 at the Schönbrunn Palace Theater. In the pit, the composer led members of the Vienna Philharmonic, performing no less than 18 pieces of music. In the meantime, due to the tardy premiere of the play, Korngold had already extracted a five-movement orchestral suite which garnered much praise when performed three months before the play's opening night. The five movements included: 1. the Overture; 2. Scene in the Bridal Chamber; 3. Holzapfel und Schlehwein (a mock-serious scene); 4. Intermezzo (Garden Scene); and 5. Hornpipe. When the play moved to Vienna's Burgtheater (more than 80 performances) and later to the Rezidenz Theater in Munich, the music continued to attract much attention. Demand for the music was such that Korngold arranged the suite into versions for violin and piano (four pieces), and for solo piano (three pieces). German composer-arranger Leo Artok (1885-1935) arranged the most popular three items (1. Hornpipe; 2. Garden Scene; and 3. In the Bridal Chamber) for small orchestra, which were then published by Schott in 1926. This newly engraved edition of the Artok arrangement, offered with a new full score for the first time, has been completed by R. Mark Rogers. All editions noted above are available from the publisher. Instrumentation: 1.1.2.1: 2.2.1.0: Timp.Perc(2).Harm: Str (9.8.7.6.5 in set).
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: AP.36-A929501
ISBN 9781638875192. UPC: 735816239497. English.
SKU: CN.R10243
This 3-movement tribute to H.G. Wells perfectly captures the imagination and wonderment found in the author's collection of works. The first movement is a march that could easily be extracted and performed on its own as a nice alternative to Sousa.The Time Traveller: A tribute to H.G. Wells is cast in three movements: March: Anticipation, Mankind in the Making, and A Modern Utopia. Commissioned by the Bromley Youth Concert Band and first performed under the Director: Peter Mawson, on Sunday, March 3, 2002, at the Queen Elizabeth Hall, South Bank Centre, London.
SKU: CN.S11243
SKU: RU.10325
9 x 12 inches.
Written in 1915, the background of America First has not been well documented. It is believed that Losey choose this particular title as a result of World War I taking place during the time the march was composed. As the original purpose of a march was for use by the military to keep time during marching and maneuvers, this wonderful march could certainly have served that purpose, as well as evoking a sense of pride and patriotism when performed by bands during the period.
SKU: RU.10325S
SKU: AP.37787S
UPC: 038081439433. English. Traditional.
Still, Still, Still is an Austrian Christmas carol and lullaby. In German, its first line translates to Hush, hush, hush, for the little child wants to sleep! The melody is a folk tune from the region around Salzburg, and appeared for the first time in 1865 in a folk song collection of the founder of the Salzburg Museum. Correlated to Sound Innovations for Concert Band, Book 2, Level 2, this lovely setting for young band provides opportunities for expression and lyricism on any holiday concert. This title is available in MakeMusic Cloud.
SKU: ML.011268120
PARADE CONCERTO was Lancen's first concerto for symphonic band. He had fallen in love with the marvellous sonorities of a symphonic band and wanted to join the wind players in a concert, so he wrote this concerto and gave it a parade character. PARADE CONCERTO was premiered in 1972 by Pierre NIMAX in Esch-sur-Alzette (Luxemburg), G. WAGNER conducting. That same year the composer performed it for the first time, in Spain with the Banda Primitiva from Lliria, Jan MOLENAAR conducting. He has performed it since in many countries, including France, Belgium, Holland, Germany, Luxemburg, Norway and the USA.
SKU: CN.S11268
Time Present, Past and Future.... the melodic themes of this dance travel from the 5/4 meter of the present day, to the 3/4 waltzes of the past, to the 6/8 accented phrases of the future. Players will recognize the themes as they explore the variations and new meters to each dance.Dances of Time was commissioned by the National School Band Association and first performed on 10 June 2000 at the Adrian Boult Hall, Birmingham Conservatoire, University of Central England, by the Aldridge School Wind Band , conducted by the composer. Time Present, Past and Future.... the melodic themes of this dance travel from the 5/4 meter of the present day, to the 3/4 waltzes of the past, to the 6/8 accented phrases of the future. Players will recognize the themes as they explore the variations and new meters to each dance.
SKU: CN.R10268
SKU: CF.FPS151
ISBN 9781491152119. UPC: 680160909612.
Everyone remembers the first time that they saw a snake. Though fascinating to some and terrifying to others, few animals are as universally mesmerizing. Composer Tyler Arcari has crafted a very fun piece making use of auxiliary percussion instruments to emulate a snake's hiss or ominous rattle. With very strong and interesting melodic material, and scored to make a developing band sound great, this piece is sure to be a favorite among students.Everyone remembers the first time that they saw a snake. The majority of people have a base fear of them, while others have a “heebie-jeebies†experience. We all know how the great explorer Dr. Indiana Jones felt about snakes, especially when he famously fell into a snake pit during Raiders of the Lost Ark. However you feel about snakes, a pit of them certainly sounds like an adventure.About the work:Snake Pit uses a lot of auxiliary percussion instruments. Some of these sounds are intended to subtly mimic the sounds that snakes make. The maraca in m. 4, of course, is a rattler’s call! The Chinese cymbal is intended to sound like the “hiss†of a not-so-friendly serpent. The eighth-note pattern at m. 9 is used throughout as a “creepy†effect using dynamic contrast so take care to emphasize this when present.I enjoy the gong as a “color†instrument in the band. I try to balance it with the low brass. Take care that at m. 42 the gong is not “front-and center†but more of a support for the nice accented chords in the low brass. Also, the trumpets can become spaced too much here. The accents are more for emphasis and less space.
SKU: CF.FPS151F
ISBN 9781491152799. UPC: 680160910298.
SKU: ML.013758070
Originally written in 2017 for 'Banda Orquestral de Câmara de Lobos 'Os Infantes'', this composition is now published here for Concert Band, arranged and revised by the author himself. With a Swinged Funk Style, this piece present us with a neat and cool groove that will put your light musical habilities to the test. When asked about the title of the piece for the first time, the author who at the time still didn't thought about it yet, replied 'Who knows?'. And the name stuck!Oorspronkelijk geschreven in 2017 voor 'Banda Orquestral de Câmara de Lobos 'Os Infantes'', is deze compositie nu hier gepubliceerd voor Concert Band, gearrangeerd en herzien door de auteur zelf. Met een Swinged Funk-stijl presenteert dit stuk ons een nette en coole groove die je lichte muzikale vaardigheden op de proef zal stellen. Toen de auteur, die er toen nog niet over nadacht, voor het eerst naar de titel van het stuk werd gevraagd, antwoordde hij ' Who knows?'. En de naam bleef hangen!Originellement écrite en 2017 pour la 'Banda Orquestral de Câmara de Lobos 'Os Infantes'', cette composition est maintenant publiée ici pour Orchestre d'Harmonie, arrangée et révisée par l'auteur lui-même. Avec un style Swinged Funk, ce morceau nous présente un groove soigné et cool qui mettra à l'épreuve vos capacités musicales légères. Lorsqu'on lui a demandé pour la première fois quel était le titre de cette pièce, l'auteur, qui à l'époque n'y avait pas encore réfléchi, a répondu: ' Who knows ? Et le nom est resté !Ursprünglich im Jahr 2017 für die 'Banda Orquestral de Câmara de Lobos 'Os Infantes'' geschrieben, wird diese Komposition nun hier für Concert Band veröffentlicht, arrangiert und überarbeitet vom Autor selbst. Mit einem Swinged Funk Style präsentiert uns dieses Stück einen ordentlichen und coolen Groove, der Ihre leichten musikalischen Fähigkeiten auf die Probe stellen wird. Als der Autor zum ersten Mal nach dem Titel des Stückes gefragt wurde, antwortete er, der damals noch nicht darüber nachdachte, ' Who knows?'. Und der Name blieb hängen!
SKU: KN.5600
UPC: 822795056006.
Issued in 1966, the enduring popularity of this novelty number for young bands can best be explained by its appealing simplicity and practical flexibility. All that's needed is at least one low instrument to cover the bass part (trombone, baritone, tenor sax, tuba, bass clarinet) and any combination of higher instruments for the treble part. Musically it's a 12-bar blues featuring a staccato walking bass line for low winds punctuated by a rhythmic, repeated-pitch pattern for upper winds. Beginners who can play just two notes can even play along, and the final chorus offers some dramatic options by having the band stand the first time through, then playing it one more time! as an encore after applause. Duration 2:00.
SKU: BT.1143-04-010-MS
At the beginning of the 1980s Alison Moyet was discovered by Vince Clarke, who - in search of greater independence - had left the successful band Depeche Mode. The soulful singing style of Moyet and the electronic, innovative pop that Clarke made melded well together in the group Yazoo with hits such as Only You and Don’t Go. However, after a number of years Moyet went her own way and forged a solo career, during which she demonstrated a somewhat more traditional sound. She recorded several covers (such as The First Time I Ever Saw Your Face and That Ole Devil Called Love) but she also wrotefine songs herself, such as Love Resurrection and, of course, the expressive song AllCried Out. This arrangement by Peter Kleine Schaars does justice to the atmosphere of the original song. Die erfolgreiche Karriere von Alison Moyet begann zu Beginn der 80er-Jahre mit der englischen Popgruppe Yazoo. Nach ein paar Jahren ging die Sängerin mit der starken Soulstimme jedoch eigene Wege und arbeitete an einer Solo-Karriere. Sie nahm einige Cover-Versionen auf, schrieb aber auch selbst schöne Lieder, darunter Love Resurrection und natürlich das ausdrucksvolle, unvergessene All Cried Out. Diese Bearbeitung von Peter Kleine Schaars wird der Stimmung des Originals vollkommen gerecht.La chanteuse Alison Moyet est repérée au début des années 1980 par Vince Clarke, alors la recherche d’une plus grande indépendance : il a quitté son célèbre groupe Depeche Mode. La voix mélancolique d’Alison Moyet et la musique pop électronique innovante de Vince Clarke s’unissent au sein du groupe Yazoo dont des chansons comme Only You et Don’t Go rencontrent un vif succès. Quelques années après, Alison Moyet décide néanmoins de suivre son propre chemin et se lance dans une carrière solo au cours de laquelle elle développe un style plus conventionnel. Elle enregistre plusieurs reprises telles que The First Time I Ever Saw Your Face et That Ole Devil CalledLove, mais compose aussi de superbes titres tels que Love Resurrection et bien entendu All Cried Out, une chanson particulièrement expressive. L’arrangement de Peter Kleine Schaars reste très fidèle l’ambiance de la chanson d’origine.
SKU: BT.1143-04-140-MS
T the beginning of the 1980s Alison Moyet was discovered by Vince Clarke, who - in search of greater independence - had left the successful band Depeche Mode. The soulful singing style of Moyet and the electronic, innovative pop that Clarke made melded well together in the group Yazoo with hits such as Only You and Don’t Go. However, after a number of years Moyet went her own way and forged a solo career, during which she demonstrated a somewhat more traditional sound. She recorded several covers (such as The First Time I Ever Saw Your Face and That Ole Devil Called Love) but she also wrotefine songs herself, such as Love Resurrection and, of course, the expressive song AllCried Out. This arrangement by Peter Kleine Schaars does justice to the atmosphere of the original song. Die erfolgreiche Karriere von Alison Moyet begann zu Beginn der 80er-Jahre mit der englischen Popgruppe Yazoo. Nach ein paar Jahren ging die Sängerin mit der starken Soulstimme jedoch eigene Wege und arbeitete an einer Solo-Karriere. Sie nahm einige Cover-Versionen auf, schrieb aber auch selbst schöne Lieder, darunter Love Resurrection und natürlich das ausdrucksvolle, unvergessene All Cried Out. Diese Bearbeitung von Peter Kleine Schaars wird der Stimmung des Originals vollkommen gerecht.La chanteuse Alison Moyet est repérée au début des années 1980 par Vince Clarke, alors la recherche d’une plus grande indépendance : il a quitté son célèbre groupe Depeche Mode. La voix mélancolique d’Alison Moyet et la musique pop électronique innovante de Vince Clarke s’unissent au sein du groupe Yazoo dont des chansons comme Only You et Don’t Go rencontrent un vif succès. Quelques années après, Alison Moyet décide néanmoins de suivre son propre chemin et se lance dans une carrière solo au cours de laquelle elle développe un style plus conventionnel. Elle enregistre plusieurs reprises telles que The First Time I Ever Saw Your Face et That Ole Devil CalledLove, mais compose aussi de superbes titres tels que Love Resurrection et bien entendu All Cried Out, une chanson particulièrement expressive. L’arrangement de Peter Kleine Schaars reste très fidèle l’ambiance de la chanson d’origine.
SKU: AP.36-50105334
ISBN 9798892702997. UPC: 659359714030. English.
A uniquely styled setting of a march popular in the early days of the Prohibition era, Clarence E. Barber's arrangement of Prohibition Era March features an optional xylophone solo the first time through the trio. Just the sort of different march to make your concert a little spicy. (3:00).
SKU: AP.36-50100334
UPC: 659359724886. English.
SKU: HL.44007047
UPC: 884088158477.
Studio-Pop consists of five movements. The first movement, entitled Marching on a String, is an energetic rock march in a modern rhythm. Next, the charming Dreaming of Summer has been composed in three-four time - which is quite unusual in modern pop music. The inspiration for the third movement, Chicken-Charley was a youngman selling chicken legs from a stall. His supple, dancing movements can be recognised in the music. The fourth movement, Candlelight is a modern, attractive ballad. Finally, Discoteca takes us along on a night visit to a Spanish discotheque. The typically Spanish chords and the stirring, high-spirited rhythm provide an exuberant closing to Studio-Pop.Een temperamentvol werk in popstijl dat bestaat uit vijf verschillende delen. Een energieke rockmars in een modern ritme wordt gevolgd door een charmant deel in driekwartsmaat - in de moderne popmuziek is dat vrij uitzonderlijk. Daaropvolgt een stukje soepele dansmuziek. In een moderne, sfeervolle ballad zijn de samenklanken vervolgens spannend, maar ze lossen steeds weer op in een romantische stemming. Ten slotte zorgen typisch Spaanse akkoorden en een opzwependritme voor een uitbundige afsluiting.Ein temperamentvolles Werk in funf Satzen im Pop-Stil. Ein energiereicher Marsch in einem modernen Rhythmus wird gefolgt von einem charmanten Satz im - fur Popmusik ungewohnlichen - Dreivierteltakt. Der dritte Satz wurde inspiriert von einem Hahnchenverkaufer an der Riviera, wohingegen der vierte, eine moderne, romantische Ballade gut als Hintergrund zu einem lauschigen Abendessen dienen konnte. Abgeschlossen wird dieses unterhaltsame Werk von einem nachtlichen Besuch einer spanischen Diskothek. Einfache Musik, in der viel steckt!
SKU: HL.44007046
UPC: 884088158460.
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