SKU: BT.DHP-1063947-010
9x12 inches. English-German-French-Dutch.
The Banquet of Light is an easily accessible piece which takes itsinspiration from ?light? both in terms of it representing good news andjoy together with scenes inspired by light, such as a sunset over water,fireworks lighting up the sky and sunlight as it streams through a thickforest. Banquet of Light will bring a ray of light to any concert. De componist werd voor deze concertmars ge nspireerd door het woord ‘licht’, dat staat voor het goede. Ook een bron van inspiratie vormde het gegeven ‘licht’ op zich: het schijnen van de zon op het water, het licht van vuurwerk enzonlicht door de bomen. The Banquet of Light begint briljant, waarna krachtige passages door trombones en trompetten volgen - deze thematiek wordt overgenomen door houtblazers. De melodie van het trio is gebaseerd op de notene, a, b en d. Na een aantal herhalingen komt de fanfare van het begin terug en leidt naar een stralend slot.Das brillante und leicht zugängliche Eröffnungsstück weckt verschiedenste Assoziationen zum Thema Licht“. Nach der Fanfare ähnlichen Einleitung folgen Passagen in den Posaunen und Trompeten und deren Variationen in den Holzbläsern, die schließlich in einem strahlenden Finale enden. Lassen Sie sich inspirieren und entdecken Sie in The Banquet of Light ein Feuerwerk aus Sonnenlicht und purer Freude! Takamasa Sakai s’est laissé inspiré la fois par la lumière comme source de joie et de bien-être, et par une déclinaison de scènes de lumière : les reflets de la lumière sur l’eau, les jeux de lumière d’un feu d’artifice, la lumière du soleil qui filtre travers les arbres et les illuminations des parcs thèmes.The Banquet of Light s’ouvre dans une atmosphère éclatante. Les trombones et les trompettes exposent une ligne puissante, reprise par les bois sous la forme d’une variation. La mélodie du trio développe un motif répété, basé sur les notes Mi, La, Si et Ré avant de se fondre dans la fanfare initiale qui clôt l’œuvre dans un brillant élan de lumière.
SKU: RU.UIL20102
9 x 12 inches.
SKU: RU.UIL20102S
SKU: AP.36-S014201
ISBN 9781608740055. UPC: 659359973819. English.
Franz Liszt (1811-1886) started work on his Concerto for Piano and Orchestra No. 2 in A major, S. 125, in 1839 and 1840. Putting it through a series of revisions, he dedicated the concerto to his student Hans von Bronsart von Schellendorf. The composer conducted the first performance in Weimar on January 7, 1857 with Bronsart as soloist. Liszt completed a 4th revision in 1861. Less virtuosic than his first piano concerto, it is played without break and serves as a masterful example of thematic transformation. Instrumentation: 3(3rd dPicc).2.2.2: 2.2.3.1: Timp.Perc(1-2): Str (9-8-7-6-5 in set): Solo Piano. Reprint edition. Study score.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: AP.36-A932601
ISBN 9781638879831. UPC: 676737768577. English.
Béla Bartók's (1881-1945) Four Orchestra Pieces, Op. 12 premiered in January 1922 in Budapest, but did not become one of Bartók's best-known works until its popularity was revived by Pierre Boulez in the 1970s. Bartók's influences are on display in these pieces, including that of Debussy in the first movement Preludio, and Beethoven's Ninth Symphony in the Scherzo. Four Orchestra Pieces is considered a bridge stylistically between Bartók's early works like Duke Bluebeard's Castle and his mature works like The Miraculous Mandarin. Instrumentation: 4(3&4dPicc).3(2&3dEH).3(3dEb/BCl)+BCl(dEb).4(4dCBsn): 4.4(AlldCrnt).4.1: Timp.Perc(2): Clst.Hp(2).Pno(4-Hands): Str (9-8-7-6-5 in set). Reprint edition.
SKU: AP.36-E112601
ISBN 9798892700733. UPC: 659359826610. English.
The Sleeping Beauty ballet in 3 acts, which tells the story of conflicting forces of good and evil, incorporates various fairy-tale characters from the Brothers Grimm and French fairy tales. Tchaikovsky's (1840-1893) longest ballet, the work was met with a favorable response following the January 15th, 1890, premiere at the Imperial Mariinsky Theatre in St. Petersburg, but the composer would not live to see the work become the mainstay of the ballet repertoire that it has enjoyed for over one hundred years. The popular Waltz, No. 6 from Act I, takes place as the introduction to Princess Aurora as a dance on her sixteenth birthday. Instrumentation: 2+Picc.2+EH.2.2: 4.2+2.3.1: Timp.Perc(1): Str (9-8-7-6-5 in set).
SKU: AP.36-A932690
UPC: 676737521530. English.
SKU: AP.36-A171502
UPC: 659359994098. English.
In 1840, the King of Prussia invited Felix Mendelssohn (1809-1847) to accept a lofty musical appointment in the French Academie Royale. A few years later, Wilhelm IV commissioned the composer to write incidental music to a religious drama by Jean Racine, ATHALIE, based on the queen of Judah during Jehoram's reign. It was intended for a private performance on December 1, 1845 and saw its first public performance on January 8th of the following year. WAR MARCH OF THE PRIESTS, a brief excerpt taken from the work, is sometimes heard during graduation ceremonies. Reprint edition. Instrumentation: 2.2.2.2: 2.2.3.1: Timp: Str (9-8-7-6-5 in set).
SKU: AP.36-A164001
ISBN 9798892703208. UPC: 659359825644. English.
Franz Liszt (1811-1886) started work on his CONCERTO FOR PIANO AND ORCHESTRA No. 2 in A major, S. 125, in 1839 and 1840. Putting it through a series of revisions, he dedicated the concerto to his student Hans von Bronsart von Schellendorf. The composer conducted the first performance in Weimar on January 7, 1857 with Bronsart as soloist. Liszt completed a 4th revision in 1861. Less virtuosic than his first piano concerto, it is played without break and serves as a masterful example of thematic transformation. Instrumentation: 3(3rd dPicc).2.2.2: 2.2.3.1: Timp.Perc(1-2): Str (9-8-7-6-5 in set): Solo Piano. Reprint edition.
SKU: AP.36-A134702
UPC: 659359985690. English.
Johannes Brahms (1833-1897) wrote his Violin Concerto in D major, Op. 77, in 1878. He composed the work for his longtime friend, famed violinist Joseph Joachim, who premiered it in Leipzig with the Gewandhaussaal on January 1, 1879, Brahms himself conducting. The program also included, at Joachim's insistence, Beethoven's Violin Concerto in D major, Op. 61, on which Brahms modeled his own concerto. While the critical reception of the time was mixed, the audiences at the various early performances received the work well. Most complaints directed at the concerto addressed the role of the solo violin, noting that the soloist does not offer much of the melodic material or include much in the way virtuosic passages, a consequence of looking more towards Beethoven's serious aesthetic rather than Paganini's flashy one. Joachim himself, before a falling out with the composer over personal reasons, included Brahms' concerto among the best German offered, saying: The Germans have four violin concertos. The greatest, most uncompromising is Beethoven's. The one by Brahms vies with it in seriousness. The richest, the most seductive, was written by Max Bruch. But the most inward, the heart's jewel, is Mendelssohn's. Instrumentation: 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Violin in set.
SKU: AP.36-A171501
ISBN 9798892702669. UPC: 659359839108. English.
SKU: AP.36-A134748
ISBN 9798888529850. UPC: 659359935244. English.
SKU: AP.36-E112602
UPC: 659359956621. English.
SKU: AP.36-A164002
UPC: 659359515002. English.
SKU: PR.44541007L
UPC: 680160607747. 11 x 14 inches.
Solo Bassoon, 4 Horns in F, 3 Trumpets in Bb, 2 Trombones, Bass Trombone, Euphonium, Tuba, Harp, Piano (doubles Celesta), 4 Horns in F (offstage), Timpani, 3 Percussion.
SKU: AP.36-A134701
ISBN 9798888529843. UPC: 659359537080. English.
SKU: AP.36-A464991
ISBN 9798892700023. UPC: 659359968167. English.
While Felix Mendelssohn (1809-1847) modestly refers to Hear My Prayer (Hör' mein Bitten) in G Major, WoO 15, as a trifle, it is among his most popular works for chorus. On the autograph score, he inscribed the following: A sacred Solo, for a Soprano and Chorus, with Organ accompaniment, composed for W. Bartholomew, Esq., by Felix Mendelssohn Bartholdy. William Bartholomew wrote the text, which is derived on Psalm 55, and requested that Mendelssohn set it to music. This version premiered on January 8, 1845, at Crosby Hall in London. In 1847, Mendelssohn orchestrated the work, but he passed before he could hear this version, which premiered on December 21, 1848, in Dublin. Score and parts for orchestral accompaniment available separately. This edition adds reheasal numbers that match between the score, parts, and choral score.
SKU: PR.445410070
UPC: 680160607730. 8.5 x 11 inches.
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