SKU: BT.1090-03-010-MS

Hey Jude hieß laut Paul McCartney ursprünglich Hey Jules und war dem Julian, dem Sohn von John Lennon gewidmet. Geschrieben als ein kleines Lied zum Trost des Jungen, wurde es rasch ein weltweiter Erfolg und ergreift heute noch viele Menschen. Naohiro Iwai setzte den Evergreen gekonnt für Blasorchester um.

SKU: HL.44007682

UPC: 884088310387. 9x12 inches.

Whether a powerful opener or a thrilling centerpiece, this stirring new arrangement of “We Three Kings” maintains relentless momentum. Melodic and orchestrational surprise after surprise unfolds. Timothy Johnson gives this delightful old favorite an entirely new wardrobe in an arrangement that bears great gifts for the musicians and the audience alike. (Grade 3).

SKU: HL.44010593

UPC: 884088495268. 9x12 inches.

An excellent choice for festival or concert, To the Ends of the Earth is an exciting challenge for your advancing young band. The connection with the major historic event of the first successful excursion to the South Pole will come to life for your band and audience. A look at the score shows the wealth of opportunities found in this powerful teaching tool. Your band will “come of age” through their own interpretation of the polar saga. Careful scoring will make your band sound its best!

SKU: HL.44007387

UPC: 884088251550. 9x12 inches.

Three of Abraham Lincoln's favorite melodies serve to bring the sounds of his generation alive for your concert audience. Colorful orchestration combines with imaginative harmony and counterpoint to make this a strikingly original suite of familiar songs from a time gone by. Expressive, accented, lyrical, delicate, boisterous; you'll discover that A Lincoln Celebration shows off your band in a wide variety of ways and lets all the players thoroughly enjoy the process of performance preparation. Excellent cross-curricular opportunities.

SKU: BT.AMP-028-140

English-German-French-Dutch.

The piece reflects the composer's fascination with the origins of the universe and deep space in general. The title comes from a theory, formulated by Pythagoras, that the cosmos was ruled by the same laws he had discovered that govern the ratios of note frequencies of the musical scale. (‘Harmonia’ in Ancient Greek, which means scale or tuning rather than harmony - Greek music was monophonic). He also believed that these ratios corresponded to the distances of the six known planets from the sun and that the planets each produced a musical note which combined to weave a continuous heavenly melody (which, unfortunately, we humans cannot hear). In this work, these six notesform the basis of the sections MUSIC OF THE SPHERES and HARMONIA. The pieces opens with a horn solo called t = 0, a name given by some scientists to the moment of the Big Bang when time and space were created, and this is followed by a depiction of the BIG BANG itself, as the entire universe bursts out from a single point. A slower section follows called THE LONELY PLANET which is a meditation on the incredible and unlikely set of circumstances which led to the creation of the Earth as a planet that can support life, and the constant search for other civilisations elsewhere in the universe. ASTEROIDS AND SHOOTING STARS depicts both the benign and dangerous objects that are flying through space and which constantly threaten our planet, and the piece ends with THE UNKNOWN, leaving in question whether our continually expanding exploration of the universe will eventually lead to enlightenment or destruction.

Dit werk weerspiegelt de fascinatie van de componist voor het heelal. Het begint met een hoornsolo met de naam t = 0, waarmee sommige wetenschappers de oerknal aanduiden. Dan volgt een weergave van de oerknal zelf. Het volgendegedeelte, The Lonely Planet, is een meditatie over het ongelooflijke samenspel van omstandigheden dat leidde tot het ontstaan van de Aarde. Asteroids and Shooting Stars beschrijft objecten in de ruimte. Het werkeindigt met The Unknown, waarmee we in het ongewisse blijven over de gevolgen van onze verdere verkenning van het universum. In 2005 won Philip Sparke met Music of the Spheres de National Band Association/William D.Revelli Memorial Band Composition Contest.

Dieses Werk handelt vom Weltall und unserem Platz im Universum, auf dem Weltbild von Pythagoras basierend. Am einfachsten lässt sich diese außergewöhnliche Komposition wohl als Filmmusik ähnliches Stück beschreiben ? Musik zu einem Science-Fiction-Film eines Ripley Scott oder Steven Spielberg oder auch Musik, wie sie ein John Williams oder Danny Elfman schreiben würde: absolut stimmungsvoll, brillant instrumentiert mit Klangfarben, Strukturen, Effekten und Timbres, gemischt mit fließenden musikalischen Linien, die die Substanz des Themas auf den Punkt treffen. Dieses atemberaubende neue Stück hebt Ihr Blasorchester auf ein höheres Niveau, sowohl im technischen als auchmusikalischen Sinn.

La fresque Music of the Spheres (“La musique des sphères”) souligne la fascination qu’éprouve le compositeur pour les origines de l’univers. L’orchestration est proche de la musique de film. Le climat musical est ample, sonore et contrasté.

Music of the Spheres evidenza il fascino che le origini dell’universo esercitano su Philip Sparke. Il titolo proviene da una teoria del matematico greco Pitagora, secondo la quale il cosmo è retto dalle stesse leggi che governano i rapporti di frequenza tra le note della scala musicale. Questa composizione inizia con un assolo di corno chiamato t = 0, nozione che definisce il momento del big-bang. The Lonely Planet (Il pianeta solitario) è una meditazione sulle circostanze che hanno portato alla creazione della terra. Asteroids and Shooting Stars (Asteroidi e Stelle cadenti) descrive i molteplici oggetti che si muovono nello spazio e che rappresentano unrischio per il nostro pianeta. Le battute finali portano verso l’ignoto (The Unknown) sollevando una domanda la cui risposta resta in sospeso: la nostra continua avanzata nell’esplorazione dell’Universo porter un giorno alla scoperta o alla distruzione?