SKU: KJ.WB538F
UPC: 084027053355.
J. Scott McKenzie combines elements of bluegrass, jazz, funk, and blues into a classical sonata (black tie formal) for symphonic band. Black Tie Blu-Bop is tightly constructed, grooves despite tricky asymmetrical meters, and most of all gets audiences and players excited!
SKU: CL.LDP-7182-00
One of Beethoven’s most loved pieces skillfully arranged for marimba and band. It can also be performed as a vibraphone solo or as a marimba-vibraphone duet. Feature your mallet percussion, while treating your band and your audience to one of the classics!
SKU: CN.S11190
In 1969 I was teaching music at Cranleigh School in Surrey. I was asked to write a work for the orchestra and produced a four-movement piece entitled Concerto for School Orchestra. I have now reworked the music for wind band and re-titled it Perchance to Dream. the piece has a slow introduction followed by a loose sonata form movement in which the introductory material is reintroduced.
SKU: CL.LDP-7182-01
SKU: CN.R10190
SKU: BT.DHP-1033416-800
SKU: HL.50490252
ISBN 9790080146866. UPC: 884088524364. 9.0x12.0x0.306 inches. Laszlo Dubrovay.
Symphony no. 6 dates from the spring of 2009. It is dedicated to the conductor Karoly Neumayer and his orchestra, the Pecs Railway Workers' Concert Wind Ensemble. About the work, the composer writes: This three-movement composition follows the classical traditions, but the first movement further develops the Scriabin-type sonata form, combining two fast movements. In contrast to the lyricism of the second movement a subterranean, negative force also makes its presence felt but in a dramatic conflict is overcome by the massive, inspired communal singing of the lyrical material, which becomes chorale-like as it emanates from the modal scales. The third movement is a cheerful, dance-like scherzo, with comical, humorous sound-effects..
SKU: BT.DHP-1165681-140
English-German-French-Dutch.
A cantastoria or Bänkelsänger German for busker was a travelling musician who made music in streets and squares, together with his colleagues. Die Bänkelsängerlieder (buskers songs) originally stem from the seventeenth century. Robert van Beringen, who is known for his attractive arrangements of classical melodies, created a colourful transcription for wind band based on this characteristic music. Een cantastoria of Bänkelsänger Duits voor straatzanger was een rondreizende muzikant die samen met zijn collega’s musiceerde in straten en op pleinen. Die Bänkelsängerlieder stammen oorspronkelijk uit de zeventiende eeuw. Robert van Beringen, die bekendstaat om zijn fraaie arrangementen van klassieke melodieën, maakte van deze karakteristieke muziek een kleurrijke transcriptie voor blaasorkest. Ein Cantastoria“ oder Bänkelsänger war ein reisender Musiker, der auf den Straßen und Plätzen zusammen mit seinen Kollegen Musik machte. Die Bänkelsängerlieder stammen ursprünglich aus dem 17. Jahrhundert. Robert van Beringen, der für seine attraktiven Arrangements klassischer Melodien bekannt ist, hat eine abwechslungsreiche Bearbeitung dieser charakteristischen Musik für Blasorchester geschaffen. Un cantastoria ou Bänkelsänger allemand pour chanteur des rues était un musicien de voyage qui faisait de la musique dans les rues et places, en compagnie de ses collègues. Die Bänkelsängerlieder (chansons des artistes de rue) viennent du XVIIe siècle. Robert van Beringen, connu pour ses arrangements attractifs de mélodies classiques, a créé une transcription musicale pour orchestre d’harmonie basée sur cette musique typique. Van Beringen, noto per i suoi eccelsi riadattamenti di arie classiche, si è questa volta cimentato in una variopinta trascrizione per banda di soli fiati della musica tipica dei cantastorie, riuscendo sorprendentemente a tener vivo l’arcano fascino delle busker song.
SKU: CL.012-4849-01
There’s no better way to celebrate the 250th anniversary of Beethoven’s birth than with this dramatically-charged band arrangement containing excerpts from six of his most famous works! From the opening strains of the Pathetique to the final chords of the 1st Movement from his iconic Fifth Symphony, this work provides an exciting sampler of the master’s best! Also included are excerpts from Fur Elise, Moonlight Sonata, Symphony #3 (Eroica) and Symphony #9 (Choral). This outstanding mix is destined to become a frequently programmed classic presentation of Beethoven’s music.
SKU: CL.LDP-7253-75
SKU: KJ.WB309
UPC: 8402700766.
You won't find another piece of music more fitting of its title! Relentless is an intense, aggressive, wild ride of a piece that maintains energy and excitement throughout - even through the silences! Structured in sonata form, the music incorporates sparkling use of unusual orchestration, such as aleatoric whistling passage for the brass, and passages where the clarinetists play through their mouthpiece and barrel only. This is a surefire winner!
SKU: DH.DP944-SC
SKU: BT.DHP-1165681-010
SKU: HL.49002523
ISBN 9790220105005. UPC: 073999696370. 6.0x9.0x0.205 inches.
17 Wind Instruments (2 Flutes, 2 Oboes, 2 Clarinets in B flat, 2 Bassoons, 3 Horns in F, 1 Trumpet in D, 1 Trumpets in B flat, 2 Tenor-Trombones, 1 Tuba).
SKU: CL.012-1488-01
This overture to the opera is characteristic of Haydn. It is an abbreviated sonata form with a waltz instead of a development section. The melodies have real vitality, and ingenious counterpoint enriches the repetition of thematic material.
SKU: SU.50500130
Trumpet, 2222 2230 timp I. Allegro (Sonata-Allegro); II. Andante (Aria with Variations); III. Rondo Trumpet & Piano (reduction): available for sale (#50010722) Composed: 1984; Revised: 2006 Published by: Seesaw Music.
SKU: AP.36-A744690
UPC: 659359882814. English.
It is widely believed that Wolfgang Amadeus Mozart (1756-1791) wrote the Adagio in E major, K. 261 in or around 1776 as a replacement for the second movement of his Violin Concerto No. 5 in A, K. 219. The likely reason for the replacement is a complaint by Italian violinist Antonio Brunetti, recently brought to the Salzburg court orchestra by the Prince-Archbishop of Salzburg, Heironymus Colloredo, that the original movements was too artificial, according to a letter from Leopold Mozart. The Mozarts, finding Brunetti boorish and morally objectionable, also would have thought his complaint regarding the artificial second movement to confirm their worst opinions of Italian taste. Still, young Mozart wrote the replacement Adagio as requested, and its serene beauty in sonata form remains a fine example of his lyrical ability. Instrumentation: 2.0.0.0: 2.0.0.0: Str (4-4-3-3-3 in set): Solo Violin in set.
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