SKU: CL.011-4746-00
Beyond the Shores of Avalon takes the listener on a musical journey to the island sanctuary hidden in the mist, said to be the resting place of King Arthur. According to legend, Avalon was a utopian paradise, home to many powerful enchantresses, including Arthur's sister Morgan le Fay. Beyond the Shores of Avalon is a wonderful work for teaching blend and dynamic balance within the ensemble, while also giving the low brass and woodwinds the opportunity to stand out with the melody. Enchanting music!
About C.L. Barnhouse Command Series
The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.
SKU: CL.RWS-2257-01
From the down beat to stinger, this march is composed to be accessible to the beginning band. It is a wonderful teaching tool for introducing march style. Have your young musicians sounding their best with this short and simple march.
SKU: CL.RWS-2257-00
SKU: BT.DHP-1001934-140
Y.M.C.A. ist der größte Hit der vom Produzentenduo Morali und Belolo ins Leben gerufenen Gruppe The Village People. Wie kaum eine andere Band steht diese Formation mit ihren bunten, amerikanischen Klischees reflektierenden Kostümen, für die Discobewegung der siebziger Jahre. Mit Y.M.C.A. bringen Sie Ihr Publikum dazu, aufzustehen und mitzufeiern! Formé en 1977 par deux auteurs et producteurs français (Jacques Morali et Henri Belolo), le groupe Village People se distingue par l'originalité presque politique de son concept artistique qui se voulait dénonciateur et parodique de la non-reconnaissance des minorités. Avec des chansons comme In the Navy, Macho Man et l’incontournable Y.M.C.A., le groupe connaît un succès mondial et devient emblématique de la musique disco.
SKU: KJ.JB118
UPC: 084027053539.
Written as a companion piece with Border Dance (JB117), Stranger At My Door is written in memory of Peg Bowden, a resident of southern Arizona, who was active in groups assisting migrants by providing food, shelter, clothing and medical assistance. Peg's book Stranger At My Door chronicles her involvements with a migrant who appeared at her doorstep one Christmas Eve in desperate need. Composer Jack Stamp opens this tone poem with a rendition of O Little Town Of Bethlehem accompanied out of time by a haunting melody in the low winds. An original melody, Peg's Theme and the hymn tune Bera (The Hymn of the Good Samaritan from 1849) are first presented plainly, then interwoven in a rhythmic fantasia of fugato fragments. Peg's Theme returns in its fully-harmonized form and the work ends in peaceful introspection. Solos for Flute, Clarinet, Bassoon, and Bass Clarinet, as well as solis for trumpets and trombones are featured. Although Stranger At My Door incorporates a well known Christmas carol, it is appropriate for all seasons due to its timeless message of selflessness in the face of danger.
SKU: CL.012-4900-75
In Ancient Dances, David Holsinger takes a theme, alluding to ancient polyphony, and transforms it into a pulse-pounding, finger-twisting, raucous set of breathless variations, so typical of this composer’s unique compositional style. Great moments for every musician in the ensemble! Not for the faint of heart!
SKU: CL.011-3385-75
SKU: CF.YPS195F
ISBN 9781491148174. UPC: 680160905676. 9 x 12 inches.
Dream Engine is a concert overture in classic ABA form. Opening with a tuneful melody that weaves throughout the ensemble over staccato accompaniments, the piece then evolves into a contrastingly lyrical and beautifully lush B section. As with the rest of Clark's work, Dream Engine blends musicality with teachability and is perfect for your next contest or festival.
SKU: RM.FROM01373-CO
SKU: CL.012-4987-00
This Allegro Moderato children’s march celebrates composer David Holsinger’s youngest granddaughter. A delightfully playful melody is passed throughout the piece, section to section, timbre to timbre, trailing off to a surprising last stinger. Eureka!
SKU: RM.FROM01373-BA
ISBN 9790231013733.
CD Printemps.
SKU: AP.36-A212602
UPC: 676737597597. English.
Richard Strauss (1864-1949) originally wrote this work for solo piano and orchestra under the title Scherzo in D minor in 1886 for conductor and pianist Hans von Bülow, a large influence on Strauss' career. Von Bülow, however, consider the work a complicated piece of nonsense and wanted nothing to do it. Discouraged, Strauss set the work aside until 1889, when he met Scottish pianist Eugen d'Albert, who liked it while also suggesting some changes. With a new title, Burleske, and a dedication to d'Albert, the work was premiered on June 21st, 1890 in Eisenach at the Tonkünstlerfest with d'Albert at the piano and Strauss conducting. Despite this, Strauss remained convinced that the work lacked merit and refused to have the work published until 1894, although it eventually became one of his favorite works. Strauss never gave the work an opus number, but many consider it to be Op. 11, which is actually assigned to his Horn Concerto No. 1 in E-flat. Instrumentation: 2+Picc.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Piano.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: BT.AMP-426-010
English-German-French-Dutch.
The Way to Heaven was commissioned by the Royal Air Force Music Services. 2015 was the 75th anniversary of the Battle of Britain, which took place between July and October 1940, when the courageous fighter pilots of the Royal Air Forcethwarted Hitler’s ambitions to launch an invasion on the UK. The Way to Heaven opens with fluttering woodwind figures and brass fanfares, which build to a climax before a change of key introduces a short quotation for the Polish National Anthem - Mazurek Dbrowskiego. This fades and you can hear thesignal to scramble and the throaty sounds of the squadron’s Merlin engines bursting into life before they line up to take off. This leads to the main thematic material of the work, which depicts the heaven-bound flight of 303 Squadron as it climbs tointercept the incoming Messerschmitt 109s. A brief allusion to the Polish national anthem brings the piece to a triumphant close. The Way to Heaven is geschreven in opdracht van de Britse Royal Air Force Music Services. In 2015 was het 75 jaar geleden dat de Slag om Engeland plaatsvond, tussen juli en oktober 1940, toen de moedige gevechtspiloten van de Royal Air Forcede ambities van Hitler om het Verenigd Koninkrijk tot capitulatie te dwingen wisten te dwarsbomen. The Way to Heaven opent met ‘dwarrelende’ motieven in het hout en koperfanfares, die worden opgebouwd tot een climax voordat een modulatie een kort citaat van het Poolse volkslied Mazurek Dbrowskiego introduceert. Dit sterft weg endan horen we het alarmsignaal voor het opstijgen van de vliegtuigen, en het schorre geluid van de Merlin-motoren voordat de gevechtstoestellen de lucht in gaan. Dit leidt tot het belangrijkste thematische materiaal van het werk, dat de ‘vlucht naarde hemel’ van het 303 Squadron beschrijft tijdens de klim omhoog met als doel het onderscheppen van de Duitse Messerschmitts Bf 109. Een toespeling op het Poolse volkslied brengt het werk naar zijn triomfantelijke slot.The Way to Heaven wurde von den Royal Air Force Music Services in Auftrag gegeben. 2015 jährte sich die Luftschlacht um England, die von Juli bis Oktober 1940 stattgefunden hat, zum 75. Mal. Die mutigen Jagdflieger der Royal Air Force hattenHitlers Ambitionen einer Invasion Englands verhindert. The Way to Heaven beginnt mit einer unruhigen Figur in den Holzbläsern und mit Blechbläser-Fanfaren, die sich zu einem Höhepunkt aufbauen, bevor ein Tonartwechsel einen kurzen Verweis auf die polnische Nationalhymne Mazurek Dbrowskiego“ einleitet. Dies verklingt langsam und man hört das Signal zum Kampf und das Dröhnen der Merlin-Triebwerke der Staffeln, die vor dem Start zum Leben erwachen und sich aufstellen. Dies führt zum Hauptthema des Werkes, das den Flug in den Himmel vonStaffel 303 beschreibt, um die herankommenden Messerschmidt 109 abzufangen. Es klingt nochmals kurz die polnische Nationalhymne an, bevor das Stück mit einem triumphalen Schluss endet.The Way to Heaven est une commande des services de musique de la Royal Air Force. 2015 a marqué le 75e anniversaire de la Bataille d’Angleterre qui eut lieu de juillet octobre 1940, et durant laquelle les courageux pilotes de chasse de laRoyal Air Force entravèrent les ambitions d’Hitler d’envahir le Royaume-Uni. The Way to Heaven commence par des motifs tremblants pour bois et des fanfares de cuivres qui se développent vers une apogée ; ensuite une modulation introduit une courte citation de l’hymne national polonais, Mazurek Dbrowskiego. Alorsque ces idées s’affaiblissent, on entend le signal pour décoller en urgence, puis le son rauque des moteurs Merlin de l’escadron mis en marche, avant que les avions ne s’alignent pour décoller. Ceci mène au matériel thématique principal de l’œuvrequi dépeint le vol vers le ciel de l’escadron 303 alors qu’il monte pour intercepter les Messerschmitt 109 entrants. Une brève allusion l’hymne national polonais mène la fin triomphante de l’œuvre.Way to Heaven (La strada per il Paradiso) è stata commissionato dai Servizi Musicali della Royal Air Force britannica. Nel 2015 è stato ricordato il 75° anniversario della Battaglia d'Inghilterra, che ebbe luogo tra luglio e ottobre del 1940, quando i coraggiosi piloti della RAF impedirono le ambizioni di Hitler, che voleva invadere il Regno Unito.
SKU: BT.AMP-426-140
The Way to Heaven was commissioned by the Royal Air Force Music Services. 2015 was the 75th anniversary of the Battle of Britain, which took place between July and October 1940, when the courageous fighter pilots of the Royal Air Forcethwarted Hitler’s ambitions to launch an invasion on the UK. The Way to Heaven opens with fluttering woodwind figures and brass fanfares, which build to a climax before a change of key introduces a short quotation for the Polish National Anthem - Mazurek Dbrowskiego. This fades and you can hear thesignal to scramble and the throaty sounds of the squadron’s Merlin engines bursting into life before they line up to take off. This leads to the main thematic material of the work, which depicts the heaven-bound flight of 303 Squadron as it climbs tointercept the incoming Messerschmitt 109s. A brief allusion to the Polish national anthem brings the piece to a triumphant close. The Way to Heaven<+O> is geschreven in opdracht van de Britse Royal Air Force Music Services. In 2015 was het 75 jaar geleden dat de Slag om Engeland plaatsvond, tussen juli en oktober 1940, toen de moedige gevechtspiloten van de Royal Air Forcede ambities van Hitler om het Verenigd Koninkrijk tot capitulatie te dwingen wisten te dwarsbomen. The Way to Heaven opent met ‘dwarrelende’ motieven in het hout en koperfanfares, die worden opgebouwd tot een climax voordat een modulatie een kort citaat van het Poolse volkslied Mazurek Dbrowskiego introduceert. Dit sterft weg endan horen we het alarmsignaal voor het opstijgen van de vliegtuigen, en het schorre geluid van de Merlin-motoren voordat de gevechtstoestellen de lucht in gaan. Dit leidt tot het belangrijkste thematische materiaal van het werk, dat de ‘vlucht naarde hemel’ van het 303 Squadron beschrijft tijdens de klim omhoog met als doel het onderscheppen van de Duitse Messerschmitts Bf 109. Een toespeling op het Poolse volkslied brengt het werk naar zijn triomfantelijke slot.The Way to Heaven wurde von den Royal Air Force Music Services in Auftrag gegeben. 2015 jährte sich die Luftschlacht um England, die von Juli bis Oktober 1940 stattgefunden hat, zum 75. Mal. Die mutigen Jagdflieger der Royal Air Force hattenHitlers Ambitionen einer Invasion Englands verhindert. The Way to Heaven beginnt mit einer unruhigen Figur in den Holzbläsern und mit Blechbläser-Fanfaren, die sich zu einem Höhepunkt aufbauen, bevor ein Tonartwechsel einen kurzen Verweis auf die polnische Nationalhymne Mazurek Dbrowskiego“ einleitet. Dies verklingt langsam und man hört das Signal zum Kampf und das Dröhnen der Merlin-Triebwerke der Staffeln, die vor dem Start zum Leben erwachen und sich aufstellen. Dies führt zum Hauptthema des Werkes, das den Flug in den Himmel vonStaffel 303 beschreibt um die herankommenden Messerschmidt 109 abzufangen. Es klingt nochmals kurz die polnische Nationalhymne an, bevor das Stück mit einem triumphalen Schluss endet.The Way to Heaven est une commande des services de musique de la Royal Air Force. 2015 a marqué le 75e anniversaire de la Bataille d’Angleterre qui eut lieu de juillet octobre 1940, et durant laquelle les courageux pilotes de chasse de laRoyal Air Force entravèrent les ambitions d’Hitler d’envahir le Royaume-Uni. The Way to Heaven commence par des motifs tremblants pour bois et des fanfares de cuivres qui se développent vers une apogée ; ensuite une modulation introduit une courte citation de l’hymne national polonais, Mazurek Dbrowskiego. Alorsque ces idées s’affaiblissent, on entend le signal pour décoller en urgence, puis le son rauque des moteurs Merlin de l’escadron mis en marche, avant que les avions ne s’alignent pour décoller. Ceci mène au matériel thématique principal de l’œuvrequi dépeint le vol vers le ciel de l’escadron 303 alors qu’il monte pour intercepter les Messerschmitt 109 entrants. Une brève allusion l’hymne national polonais mène la fin triomphante de l’œuvre.Way to Heaven (La strada per il Paradiso) è stata commissionato dai Servizi Musicali della Royal Air Force britannica. Nel 2015 è stato ricordato il 75° anniversario della Battaglia d'Inghilterra, che ebbe luogo tra luglio e ottobre del 1940, quando i coraggiosi piloti della RAF impedirono le ambizioni di Hitler, che voleva invadere il Regno Unito.
SKU: PR.416413660
ISBN 9781598063578. UPC: 680160601899. 9x12 inches.
Trained as a violinist in his native Tehran, composer Behzad Ranjbaran eagerly drew inspiration from the traditional Persian kamancheh and its delicate, lyrical sound when creating his profoundly luscious and brilliant Concerto for Violin and Orchestra. This work was completed in 1994 and premiered in England by Joshua Bell, who also gave the first American and Canadian performances. The Concerto for Violin and Orchestra is the recipient of the Rudolf Nissim Award from ASCAP, and it was supported in part by a grant from The National Endowment for the Arts. The solo part with a piano reduction as well as a large score are available on custom print. For advanced players. Duration: 31'.From my early years studying violin at the Tehran Music Conservatory, I was captivated by the sound of the kamancheh, an ancient Persian bowed instrument considered one of the ancestors to the modern violin. I was pleased when the National Endowment for the Arts awarded me a grant to write a violin concerto as it provided me with an occasion to rekindle my fascination with the kamancheh. The notionof writing a violin concerto that would incorporate the power and brilliance of a modern instrument with the delicate and lyrical character of an ancient one was simply irresistible. Moreover, the inspiration from the kamancheh also informed my use of Persian modes, melodic, and rhythmic figures.The notes of the violin’s open strings (G, D, A, E) also influenced many of the melodic and harmonic elements of my violin concerto. The opening tutti is mostly based on intervals of a perfect 4th and 5th. The primary material for each movement incorporates notes of two of the open strings of the violin, creating a three-note melodic motif as the basis of themes:1 st movement: A-D-A2nd movement: D-G-D3rd movement: E-A-EThe overall structure of the concerto is organic and cyclical, as themes are shared between the three movements. For example, the main musical idea of the third movement is a transformation of the first movement’s primary theme. While the movements share similar musical materials, each one is definedby distinguishing characters. The first movement is conflicted; alternating between sections of unabashed lyricism and unforgivingferocity. The second movement is haunting, mysterious, and expressive with long melodic lines that vary continuously. It moves through different moods and characters including a reimagining of a traditional Persian wedding tune played by the orchestra (m. 98). The third movement is festive in character and features much brilliant passagework for the solo violin. At the climax of this movement, themes fromthe previous movements re-emerge simultaneously with greater intensity, propelling the concerto to an energetic finale. The Concerto was composed in 1994 and is dedicated to Joshua Bell.
SKU: CL.011-4746-01
SKU: BT.DHP-0890152-010
This flashing piece was commissioned by 'Het muziekverbond van West-Vlaanderen' and is dedicated to the 'Arlequino' youthband.Colourfully and effectfully instrumentated, this piece speeds towards its finale without any tempo changes. The chord-blocks, which characterized the introduction, unite this virtuoso piece by reappearing in the end.Dit flitsende werk werd geschreven in opdracht van Het Muziekverbond van West-Vlaanderen en is opgedragen aan het jeugdorkest Arlequino.Het is een effectvol en kleurrijk ge nstrumenteerd nummer, dat na een korte inleiding zonder tempoveranderingen doorraast tot het slot. De akkoordblokken die de introductie kenmerkten, komen bij het einde terug, zodat dit virtuoze werk aldus eeneenheid vormt.Diese temperamentvolle Komposition wurde im Auftrag des Westflämischen Musikverbandes geschrieben und ist dem Jugendorchester Arlequino gewidmet. Es ist ein effektvolles und farbig instrumentiertes Werk. Die Akkordblöcke, die die Einleitungkennzeichnen, werden am Ende wieder aufgenommen, sodass diese virtuose Komposition ein Ganzes bildet.Cette petite oeuvre jaillisante a été écrite sur l’ordre de Het Muziekverbond van Westvlaanderen et est dédiée l’orchestre de jeunesse Arlequino. Il s’agit d’une pièce orchestrée d’une manière colorée et pleine d’effets et qui après unbrève introduction sans changements de rythme fonce sans cesse jusqu’ la fin. Les blocs d’accords qui caractérisaient l’introduction reviennent vers la fin, de sorte que ce petit ouvrage forme ainsi une unité.Commissionato dal Muziekverbond van West-Vlaanderen e dedicato alla giovane banda Arlecchino, Flashing Winds è un brano esplosivo, variopinto ed egregiamente arrangiato. Ricco di cambi di tempo, si contraddistingue per il finale virtuosistico.
SKU: CL.012-4987-01
SKU: AP.98-RWS220101
The Finale to Saint-Saëns’ 3rd Symphony (with Organ) is a shimmering, sparkling explosion of color that stands out among the classical repertoire as one of its most exciting endings! Evan VanDoren has masterfully captured Saint-Saëns’ unique compositional color and style, adjusting the key for maximum playability, while staying true to the original work!
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