Band Bass Clarinet, Bass Drum, Bassoon, Brake Drum, Chimes, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Suspended Cymbal, Tam-tam, Timpani and more. - Grade 1.5

SKU: CF.FPS81F

Composed by Sean O'Loughlin. SWS. Carl Fischer First Plus Performance Series. Full score. With Standard notation. 16 pages. Duration 2 minutes, 23 seconds. Carl Fischer Music #FPS81F. Published by Carl Fischer Music (CF.FPS81F).

ISBN 9780825873829. UPC: 798408073824. 9x12 inches. Key: C minor.

Promised Land is a serious-sounding, new piece for the developing band that sounds much more difficult than it plays, allowing your students to show off while remaining at their ability level. The title has its roots in the ideals of John Humphrey Noyes, who founded the Oneida community in the late 1840s. He built a thriving agricultural and spiritual community that became his “promised land.” The music depicts the struggles and triumph of those first settlers in the area, who worked the land and fought for their ideals through much persecution. Promised Land contains all of the rhythmic interest and memorable motives that Sean's music is so known for. It is also an excellent choice for contest/festival.

By Elvis Presley. By Billy Hayes and Jay Johnson. Arranged by Jay Dawson. Score and Parts. Arrangers' Publ Concert Band. Published by Arrangers' Publishing Company

By Jule Styne and Sammy Cahn. Arranged by Mark Hayes. For concert band (ORCHESTRA ACCOMPANIMENT). Choral. Published by Shawnee Press

Grade 3 - Score and Parts. Composed by J. W. Callcott. Arranged by Philip Sparke. Anglo Music Concert Band. Set (Score and Parts). Composed 2011. Anglo Music Press #AMP320010. Published by Anglo Music Press

Concert Band (parts and score) - Grade 4

SKU: HL.35006439

Composed by Scott Watson. Shawnee Press. Print on demand - publisher prints this title after order is received. Full Score and Parts. Shawnee Press #K0601. Published by Shawnee Press (HL.35006439).

UPC: 747510061656. 8.5x11 inches.

This piece is an instrumental fantasia on the eighteenth-century English tune, “Drink to Me Only with Thine Eyes.” It is a modern, yet tonal work, for competition that plays like a Grade 3-4 and yet sounds like a Grade 5.

Grade 3

SKU: CL.CTS-8065-75

Arranged by Coleman. Concert Band. Oversized, spiral-bound score. Composed 2023. Claude T. Smith Publications #CTS-8065-75. Published by Claude T. Smith Publications (CL.CTS-8065-75).

Composed by John Philip Sousa (1854-1932). Arranged by Brion. For concert band. Sousa Legacy. Level 4.5. Score and set of parts. Duration 4 minutes, 44 seconds. Published by Willow Blossom Music

Composed by Robert W. Smith. Concert Band. Opus III Series. Audio recording available separately (item CL.WFR356). Score and set of parts. Composed 2008. Duration 4 minutes, 33 seconds. Published by Opus III Wind Orchestra Publications

By Timothy Mahr. For Concert Band. Conservatory Editions. Grade 5. Score and set of parts

By Brian Balmages. FJH Starter Series. Very few compositions offer the opportunity to truly work on musical expression without the technical demands often placed on students. I am often disappointed by the number of directors who avoid lyrical works because their students "can't play that kind of music without sounding bad . . " As a result, I have written a short lyrical piece that uses only six notes in all instruments and is of moderate length for young musicians. It is my sincere hope that this work will open the door that many ensembles have hesitated to pass through. This piece is the second of three included in Midnight Suite. Score for this title: B1321S. Extra part for this title: B1321P. Concert Band. Level: 0.5. Score and Set of Parts. Published by The FJH Music Company Inc

Funkelnde Kinderaugen. By Rodenmacher. Concert Band. Swiss import. Level: 3 . Score and parts. Published by Editions Marc Reift. (EMR 10494)

Arranged by David Marshall. Discovery Concert Band Plus. Grade 2. Score and full set of parts. Published by Hal Leonard.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet, Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Gong, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Tambourine, Temple Blocks, Timpani, Triangle, Trombone and more. - Grade 1

SKU: CF.BPS115F

Composed by Matthew R. Putnam. Beginning Band (BPS). Full score. With Standard notation. 16 pages. Carl Fischer Music #BPS115F. Published by Carl Fischer Music (CF.BPS115F).

ISBN 9781491152690. UPC: 680160910199.

The Gauntlet is a piece written to sound bold and exciting while also being accessible to young performers with a limited range. Simple yet bold rhythms add excitement, heightened by the fact that every section has an opportunity to play melodic content. The interesting “development” section provides a contrast to the opening and helps to build the suspense before the return of the main theme. The percussion helps to drive the energy of the piece by providing a variety of colorful sounds including a gong solo at the end to signal the knight’s triumph.
A knight gallops over the rise of the hill into battle, determination shining in his eyes. He must charge through the treacherous lines and survive in order to preserve his kingdom and his honor. The pounding of the battle drums echoes the desperate pounding of his heart. Swords clash and the hooves of the horses strike the muddy ground. He must run this torturous gauntlet. Will he succeed before it is too late?The Gauntlet is a piece written to sound bold and exciting while also being easy for young players to perform due to the piece’s limited range (comprised of the first seven notes in most method books). Simple but bold rhythms add an air of excitement. This is heightened by the fact that every section has an opportunity to play melodic content, even the low brass. The interesting “development” section provides a contrast to the opening section and helps to build some intrigue and suspense before the return of the main theme. The percussion helps to drive the energy of the piece by providing lots of colorful sounds including a gong solo at the end to signal the knight’s triumph.