Commissioned by the award-winning Kalamazoo (MI) Concert Band Alleluia is a convergence of hauntingly emotive themes that culminate in breath-taking builds. The Kalamazoo Gazette described it as the “pinnacle of theconcert” in which it was premiered adding that Hazo's master composition takes the listener from “...bells and chimes to full Hosannas. The result was transfiguring! It first fades like a sunset then explodes inwhite light bringing the audience to their feet.” Written for mature ensembles this work will have a powerful impact on the performers as well as all who hear it. Dur: 7:55

Band directors work hard to build balanced ensembles but it's often a challenge to keep the trombone section strong. Trombone players carry one of the larger instruments back and forth to school and they don't get to play the“tune” as often as they would like. Help keep them committed to the group by spotlighting the trombone section at your next concert with this enjoyable feature. Dur: 1:50

Composé par le pianiste jazz Chick Corea et enregistré sur son album emblématique de 1973 Light as a Feather cette oeuvre dynamique a concrétisé son statut de classique du jazz-fusion. Le début lyrique et sensuel sur saxophone ténor solo est suivi par un rythme latin rapide et énergique qui comprend une mélodie partagée entre les différents registres. La version captivante de Paul Murtha est parfaite pour des concerts.

A Christmas Medley for Concert Band with optional Chorus and Strings-Perfect for light holiday occasions here is a terrific and entertaining medley for band and chorus or for band alone. Includes: Frosty the Snow Man; Jingle-Bell Rock; Let It Snow!; Rudolph the Red Nosed Reindeer andSilver Bells. Also Available: 08740139/$2.50 SATB ? 08740140/$2.50 3-Part Mixed ? 08740141/$2.50 2-Part ? 04626014/$40.00 Opt. String Pak

for Oboe and Concert Band-White Light (Lumière Blanche) est une pièce lumineuse et harmonieusement légère ponctuellement colorée par l?orchestre mettant en valeur la pureté des flûtes traversières et des clarinettes en utilisant des accords majeurs et mineurs simples. De caractère pastoral et de style plutôt baroque White Light expose avec passion la quintessence du hautbois en tant qu?instrument solo.

Undercurrents provides an electrifying virtuosic showcase for the whole ensemble - featuring a series of solos duets and trios as well as highlighting the various chamber sections within the band. The music was inspired by watching schools of fish and flocks of birds perpetually moving with the ocean currents and air currents. Every once in a while a single solo shape will appear - or two or three - they dance apart for a moment and then are drawn back into the ensemble. Commissioned by the Naden Band of the Royal Canadian Navy Victoria BC this is a powerful tour-de-force from beginning to end. Dur: c. 6:30.

Undercurrents provides an electrifying virtuosic showcase for the whole ensemble - featuring a series of solos duets and trios as well as highlighting the various chamber sections within the band. The music was inspired by watching schools of fish and flocks of birds perpetually moving with the ocean currents and air currents. Every once in a while a single solo shape will appear - or two or three - they dance apart for a moment and then are drawn back into the ensemble. Commissioned by the Naden Band of the Royal Canadian Navy Victoria BC this is a powerful tour-de-force from beginning to end. Dur: c. 6:30

Rob Goorhuis wrote his Variations on a Pentatonic Theme (1987) for the Royal Wind band of Thorn conductor Jan Cober. The work consists of five character variations on a pentatonic (five-tone) theme. The basic elements of the theme are the descending minor third and the descending major second which in the course of the composition build up to a broad melody unfolding itself in the final variation. The first variation resembles minimal music in its repetitive rhythmic motives. The second variation is explosive in character: rapid broken chords provide a background for soft solo motifs. The third variation is a quiet intermezzo on a slow chorale theme creatingtwo contrasting moods. The fourth variation is a light-hearted scherzo. The final variation is a brilliant finale with all the necessary ingredients or in the composer's words 'the works' Testpiece WMC 2005 Concert Division.

The First Noel-Alluring harmonies give this great new treatment of The First Noel a special character all its own. Your band members will light up as they go to work on it. Creative orchestration and rhythmic treatments mean there’s always something of interest going on. On A Cold Winter’s Night will be the perfect contrast piece for your concert.Unique!

Rob Goorhuis wrote his Variations on a Pentatonic Theme (1987) for the Royal Wind band of Thorn conductor Jan Cober. The work consists of five character variations on a pentatonic (five-tone) theme. The basic elements of the theme are the descending minor third and the descending major second which in the course of the composition build up to a broad melody unfolding itself in the final variation. The first variation resembles minimal music in its repetitive rhythmic motives. The second variation is explosive in character: rapid broken chords provide a background for soft solo motifs. The third variation is a quiet intermezzo on a slow chorale theme creatingtwo contrasting moods. The fourth variation is a light-hearted scherzo. The final variation is a brilliant finale with all the necessary ingredients or in the composer's words 'the works' Testpiece WMC 2005 Concert Division.

Ray of light was composed for the 75th anniversary of the Royal Wind Band (De Heidegalm Berkenbos). The mining environment of Berkenbos (Heusden-Zolder, B) is a proof of what used to be one of the most flourishing industries inLimburg viz. the Mining Industry. Going down the shaft in the elevator for the first time was a sensational experience for every miner: the noise of the closing doors, the shock experienced when the lift cage started moving tofall down whizzingly into the deep at a speed of 30 km an hour. The opening theme of Ray of Light doesn?t only reflect the bravery of the descending miners but also their anxiety, their doubt and insecurity. In the solo passage,the anxiety during the long walk in the dark through the mine corridors with only headlamps and mine lamps is clearly audible. Working in the mines wasn?t without any danger. The very flammable and at times explosive mine gasesalways posed a hidden threat. Apart from that there was always the continuous danger of collapse. The beautiful choral movements are therefore an ode to the miners that left their lives in the mine. The eastern scale refers tothe multicultural character of the mining environment of Berkenbos with its many commercial shops and different types of housing inherent in mining architecture. The mining profession is still a very dangerous job, but at the endof the dark corridor the miners still see a beam of light as a sign of hope.ay of Light

Playful moods abound in this light-hearted set of holidayvariations based on a traditional Irish carol. Four briefsections portray the colorful ?ornaments? of the season.Exciting rhythmic motion creative and surprising variations lyrical interludes infused with rich harmonies and a jovialwaltz-like final section all combine to make a splendid anddistinct offering for your next Christmas concert. Mr. Bulla?sorchestration techniques ensure that your band will soundGREAT!Imaginative!

Change your band into a Big Band with the swinging sounds of this composition. It is a transcription by top arranger Klaas van der Woude of original light music by Barrie Gott. Various instruments can play the solo in this versatile piece and there is even an invitation to improvise! . The audience will find it impossible to keep still as your band plays the rhythmic Light-walk. However that's no problem: dancing is allowed!

?He alone has the secret of making me smile and touching me to the bottom of my soul ? said Mozart about ?Papa? Haydn and his music. The ?Surprise? Symphony (No.94) incidentally written during the final year of Mozart?s short life has become one of Haydn?s most memorable works.Since this symphony was written during the zenith of the Classical period Timothy Johnson?s skillful arrangement gives you a perfect opportunity to teach your young band ?lightness? and control as essentials of Classical style playing. You can introduce the concept of making the staccato notes ?separated? instead of just ?short? in order to best approximate the sound of the times. It?s a naturalselection for your next festival or concert! Why not give your young band a chance to meet ?Papa? Haydn through this charming arrangement?

The title Saxophones in the Light describes what the piece does - it puts not one not two but three of your saxophones into the limelight! At the same time Harm Evers also manages to bring out the best in your concert band. This exciting and inventive piece will give all your musicians a chance to shine.