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| The Music Lesson
Concert band - Intermediate/advanced
RWS Music Company
Grade 4 SKU: AP.98-RWS220500 (Mvt. 3 from Three Conversations with Mat...(+)
Grade 4 SKU: AP.98-RWS220500 (Mvt. 3 from Three Conversations with Matisse). Composed by Robert W. Smith. Concert Band. Score and set of parts. Composed 2022. RWS Music Company #RWS-2205-00. Published by RWS Music Company (AP.98-RWS220500). Inspired by the command and structure of two Henri Matisse paintings under the name The Music Lesson, this powerful work for alto saxophone and band will become a staple of the repertoire. From the strict structure of the opening piano statement to the classically influenced melodic interplay with the saxophone, the piece moves through a flowing musical environment highlighted by a virtuosic cadenza. The recapitulation of the initial melodic line completes our music lesson and provides a strong conclusion to Three Conversations With Matisse, a suite for alto saxophone and band. $120.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| The Music Lesson
Concert band - Intermediate/advanced
RWS Music Company
Grade 4 SKU: CL.RWS-2205-01 (Mvt. 3 from Three Conversations with Mati...(+)
Grade 4 SKU: CL.RWS-2205-01 (Mvt. 3 from Three Conversations with Matisse). Composed by Robert W. Smith. Concert Band. Extra full score. Composed 2022. RWS Music Company #RWS-2205-01. Published by RWS Music Company (CL.RWS-2205-01). Inspired by the command and structure of two Henri Matisse paintings under the name The Music Lesson, this powerful work for alto saxophone and band will become a staple of the repertoire. From the strict structure of the opening piano statement to the classically influenced melodic interplay with the saxophone, the piece moves through a flowing musical environment highlighted by a virtuosic cadenza. The recapitulation of the initial melodic line completes our music lesson and provides a strong conclusion to Three Conversations With Matisse, a suite for alto saxophone and band. $15.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Converse Fantasy
Concert band - Intermediate
Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Cabasa, Clarinet 1, Clarinet 2, C...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Cabasa, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion, Marimba, Oboe, Percussion 1, Percussion 2, Snare Drum and more. - Grade 3.5 SKU: CF.CPS113F Composed by William Harbinson. SWS. Carl Fischer Concert Performance Series. Full score. With Standard notation. 40 pages. Duration 6 minutes, 31 seconds. Carl Fischer Music #CPS113F. Published by Carl Fischer Music (CF.CPS113F). ISBN 9780825884900. UPC: 798408084905. 9 x 12 inches. Key: Eb major. An exceptional new composition based upon the hymn Converse (commonly known as What a Friend We Have in Jesus), William Harbinson has crafted a concert overture using the hymn's theme as a starting point. Beginning with brilliant brass fanfares and woodwind flourishes, the middle section is made up of an inversion of the hymn tune, and ends with a dramatic climax. This work is simply beautiful and heartfelt; showcasing your group's musical expression like no other. $13.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Converse Fantasy
Concert band [Score and Parts] - Intermediate
Carl Fischer
For concert band. Carl Fischer Concert Performance Series. Grade 3-3.5. Score an...(+)
For concert band. Carl Fischer Concert Performance Series. Grade 3-3.5. Score and parts. Duration 6:31. Published by Carl Fischer
$95.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Uptown Strut
Concert band
FJH
Concert Band Concert Band - Grade 0.5 SKU: FJ.B1552S Score Only. C...(+)
Concert Band Concert Band - Grade 0.5 SKU: FJ.B1552S Score Only. Composed by Robert Sheldon. Concert Band. FJH Concert Band. Light Concert; Novelty. Score. Duration 1:30. The FJH Music Company Inc #98-B1552S. Published by The FJH Music Company Inc (FJ.B1552S). English. Using no eighth notes in the winds, this relaxed work reflects a light-hearted stroll through the big city. An air of calm, cool confidence sets the mood as people dress to impress and hit the streets. Brief musical conversations are interjected as they meet others on their walk around town in this easy-to-play, yet tuneful offering. About FJH Concert Band Designed for high school groups and upper-level middle school groups. Independence is encouraged, but many lines are cross-cued. Usually includes an expanded percussion section. Grades 3 - 3.5 $5.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Refining The March Style
Concert band - Easy
Carl Fischer
Band Concert Band - Grade 2 SKU: CF.YPS105 Warm-Ups and Fundamentals(+)
Band Concert Band - Grade 2 SKU: CF.YPS105 Warm-Ups and Fundamentals. Composed by Larry Clark. Collate - FS SWS - spine: 3/4 or .75. Young Performance Series. Set of Score and Parts. With Standard notation. 16+4+8+8+4+10+4+4+8+8+8+12+4+6+2+2+4+2+20 pages. Duration 2 minutes, 53 seconds. Carl Fischer Music #YPS105. Published by Carl Fischer Music (CF.YPS105). ISBN 9780825884870. UPC: 798408084875. 9 x 12 inches. Key: Bb major. Based on our popular New Bennett Band Book series, we have compiled march-style warm-ups in a separate publication so they may be used by all bands wishing to learn from them. These innovative warm-ups and fundamental drills are the ultimate method of teaching and reinforcing the March style.
How To Use the March Warm-upsPlaying in a march style can present difficulties for young students. The most prevalent problem is that students have a tendency to play every note too short. Conversely, accented notes are usually played incorrectly with too much tongue. Do marches contain short notes? Absolutely, but these shortest of notes should be reserved for notes that precede an accent or notes that are specifically marked with a staccato. Think of unmarked notes as being separated, but not short and certainly not clipped or stopped with the tongue. Accented notes should be played with more weight using air and more length, and not just a harder tongue. Accents are given to show emphasis to a note and should be thought of in this manner.The warm-up exercises provided in this collection should give you many opportunities to stress the above-mentioned comments on march performance style. The following gives an explanation on the purpose and use of each of these exercises.No. 1 – Basic Chords and ModulationsOne of the challenges of playing marches with young students is successfully performing the key change at the Trio. This exercise presents the three basic chords (tonic, subdominant and dominant) in each of the three keys in this collection of marches. You can also use this exercise to teach and reinforce the style of accented notes. You may want to have your band play major scales in succession by fourths to reinforce the concept of modulation to the subdominant that occurs at the Trio (i.e. the B≤-major scale, then the E≤-major scale, then the A≤-major scale). I might suggest getting the students to try continuing the pattern all the way around the circle of fourths.No. 2 – March Style in B≤ MajorThis exercise contains many opportunities to teach and reinforce the difference between staccato and accented notes. The melody voices move up and down the B≤-major scale, while other instruments play chords commonly found in the marches in this collection. These include diminished chords, secondary dominant chords (i.e. the V of the V) and other common chromatic chords that Fillmore often used.No. 3 – Cakewalk Rhythm in B≤ MajorThe simple syncopated rhythm in this exercise is common to many marches. This drill gives you the opportunity to teach/ reinforce the standard ar-ticulation and natural accent of this rhythmic pattern. Again, this exercise uses an ascending and descending major-scale pattern as the melodic basis, accompanied by chords commonly found in American- style marches.No. 4 – The March Scale in B≤ MajorI call this exercise “The March Scale,†because often in marches (and especially in these marches) the descending half-step is part of the melodic material. These chromatic figures give the melodies of many marches their charm and flow. Thus, I devised this exercise and others like it in E≤ major and A≤ major to familiarize students with these patterns. I would suggest playing the pattern in a variety of ways different from what is written. Here are some other possibilities:• Tongue one, slur three• Slur two, tongue two• Tongue two, slur two• Tongue one, slur two, tongue oneGradually increase the tempo to the march tempo and the articulation style will fall right into place.Another important consideration is the performance of the bass line and the bass-drum part. Too often, the bass drum and bass instruments play their parts with equal emphasis on both beats in the measure. This is incorrect, and frequently makes the marchNo. 5 – March Style in E≤ MajorThis is a similar to exercise No. 2, but with a different rhythmic pattern. Emphasize the difference between accented and unaccented notes. Also, play the exercise with line direction moving the musical line forward. Experiment and play the exercise with different dynamic choices and with hairpins up and down in different ways.No. 6 – More March Style in E≤ MajorExercise No. 6 comprises more rhythmic patterns and harmonic materials in E≤ major to teach and reinforce the march style. This exercise em-phasizes the sixteenth-note rhythm, as notated in the third measure of the exercise. Young stu- dents have a tendency to “crush†the sixteenths; consequently, they lack clarity. It would be a good idea to work this rhythmic figure on a scale pattern with all of the instruments in the band as an additional warm-up exercise.No. 7 – The March Scale in E≤ MajorSee the information for No. 4 and apply it to this exercise. Use all of the various articulations described above as well.No. 8 – March Style in A≤ MajorSee the information for No. 2 and apply it to this exercise.No. 9 – Cakewalk Rhythm in A≤ MajorSee the information for No. 3 and apply it to this exercise.No. 10 – The March Scale in A≤ MajorSee the information for No. 4 and apply it to this exercise.Other Ideas for March PerformanceA rehearsal practice that has worked very well for me is to start out by having the band play the march very slowly at about Œ = 60 in a chorale/legato style. The slow tempo is a fine opportunity to work on clarity of harmonic move- ment and to work on the balance and blend of the tutti band sound. This will pay great dividends toward improving the sound of your band. Gradually increase the tempo to the march tempo and the articulation style will fall right into place.Another important consideration is the performance of the bass line and the bass-drum part. Too often, the bass drum and bass instruments play their parts with equal emphasis on both beats in the measure. This is incorrect, and frequently makes the march. $70.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| The Spirit of the Solitary Defender
Concert band - Intermediate
Opus III Wind Orchestra Publications
Concert band - Grade 3 SKU: CL.012-4406-75 Composed by Galvin. Concert Ba...(+)
Concert band - Grade 3 SKU: CL.012-4406-75 Composed by Galvin. Concert Band. Concert Band Series. Audio recording available separately (item CL.WFR385). Oversized, spiral-bound score. Composed 2015. Duration 3 minutes, 57 seconds. Opus III Wind Orchestra Publications #012-4406-75. Published by Opus III Wind Orchestra Publications (CL.012-4406-75). This exciting piece depicts the many facets of the once-endangered jaguar. The longing opening statements and animated main theme transition into a soloistic, lonesome melodic section that offers a haunting conversation amongst several key instruments. An energetic pursuit and capture of prey is depicted by several percussion instruments, and is followed by a return to the original theme with a powerful finish. Performers will enjoy working on this mixed-meter adventure, which can easily be incorporated into your project-based learning opportunities. $25.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| The Spirit of the Solitary Defender
Concert band - Intermediate
Opus III Wind Orchestra Publications
Concert band - Grade 3 SKU: CL.012-4406-01 Composed by Galvin. Concert Ba...(+)
Concert band - Grade 3 SKU: CL.012-4406-01 Composed by Galvin. Concert Band. Concert Band Series. Audio recording available separately (item CL.WFR385). Extra full score. Composed 2015. Duration 3 minutes, 57 seconds. Opus III Wind Orchestra Publications #012-4406-01. Published by Opus III Wind Orchestra Publications (CL.012-4406-01). This exciting piece depicts the many facets of the once-endangered jaguar. The longing opening statements and animated main theme transition into a soloistic, lonesome melodic section that offers a haunting conversation amongst several key instruments. An energetic pursuit and capture of prey is depicted by several percussion instruments, and is followed by a return to the original theme with a powerful finish. Performers will enjoy working on this mixed-meter adventure, which can easily be incorporated into your project-based learning opportunities. $8.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| The Spirit of the Solitary Defender
Concert band - Intermediate
Opus III Wind Orchestra Publications
Concert band - Grade 3 SKU: CL.012-4406-00 Composed by Galvin. Concert Ba...(+)
Concert band - Grade 3 SKU: CL.012-4406-00 Composed by Galvin. Concert Band. Concert Band Series. Audio recording available separately (item CL.WFR385). Score and set of parts. Composed 2015. Duration 3 minutes, 57 seconds. Opus III Wind Orchestra Publications #012-4406-00. Published by Opus III Wind Orchestra Publications (CL.012-4406-00). This exciting piece depicts the many facets of the once-endangered jaguar. The longing opening statements and animated main theme transition into a soloistic, lonesome melodic section that offers a haunting conversation amongst several key instruments. An energetic pursuit and capture of prey is depicted by several percussion instruments, and is followed by a return to the original theme with a powerful finish. Performers will enjoy working on this mixed-meter adventure, which can easily be incorporated into your project-based learning opportunities. $78.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Sea of Hope
Concert band - Intermediate
De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1185979-010 Composed by Jacob...(+)
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1185979-010 Composed by Jacob De Haan. Concert and Contest Collection CBHA. Concert Piece. Set (Score & Parts). Composed 2018. De Haske Publications #DHP 1185979-010. Published by De Haske Publications (BT.DHP-1185979-010). English-German-French-Dutch. Sea of Hope is an optimistic work about new land arisen from the former Zuiderzee (the Netherlands). In the introduction, the sea is conveyed in all its glory and ferocity, through a melody that keeps you wondering whether it makes you happy or sad. Then, finally, there is a glimmer of hope, when the water is dammed up and the land partly reclaimed (by conversion into polder land). The town of Dronten, for instance, develops into a place where one day two people meet up and fall in love. This love is reflected in the slow, passionate middle movement. New life in the town is celebrated joyfully: the zest for life clearly shines through this part of the work, followed byoptimism and celebration in the closing bars.
Sea of Hope is een optimistisch werk over nieuw land, ontstaan vanuit de genadeloze voormalige Zuiderzee. In de inleiding wordt deze zee in al haar glorie en smart bezongen door een melodie waarvan je eigenlijk niet weet of je er blij of verdrietig van wordt. Dan gloort er eindelijk hoop als het water wordt ingedamd en deels in polderland verandert. Zo ontwikkelt het dorp Dronten zich tot een plaats waar twee mensen elkaar op een dag ontmoeten om de liefde te vinden. Deze liefde wordt weerspiegeld in het langzame, gepassioneerde middengedeelte. Het leven in het dorp wordt met blijdschap gevierd: de levensvreugde spat er in dit snelle deel van af en wordt gevolgd dooroptimistische, vreugdevolle slotmaten.
Sea of Hope ist ein optimistisches Werk über das neue Land, das aus der unbarmherzigen ehemaligen Zuiderzee (Niederlande) entstanden ist. In der Einleitung wird das Meer mit all seiner Herrlichkeit und seinem Leid durch eine Melodie dargestellt, bei der man sich fragt, ob sie fröhlich oder traurig macht. Dann gibt es schließlich einen Hoffnungsschimmer, als das Wasser aufgestaut und teilweise in eine Polderlandschaft umgewandelt wird. So entwickelt sich die Stadt Dronten zu einem Ort, an dem sich eines Tages zwei Menschen begegnen und ineinander verlieben. Diese Liebe wird in dem langsamen und leidenschaftlichen mittleren Satz zum Ausdruck gebracht. Das gemeinsameneue Leben in der Stadt wird fröhlich gefeiert: Die Lebensfreude kommt in diesem Teil des Werkes deutlich zum Ausdruck und es folgen optimistische und feierliche Schlusstakte.
Sea of Hope est une œuvre optimiste concernant la nouvelle terre créée sur l’ancienne Zuiderzee (Pays-Bas). Dans l’introduction, la mer est représentée dans toute sa gloire et dans sa douleur par une mélodie qui évoque toutes sortes d’émotions contradictoires. Ensuite, enfin, on retrouve une lueur d’espoir lorsque l’eau est barrée et une partie de la terre est transformée en polder. Le développement de la ville de Dronten, par exemple, permet deux personnes de se rencontrer et de tomber amoureux. Cet amour est représenté par le mouvement lent et passionné du milieu. La célébration de cette nouvelle joie de vivre de la ville transparaît dans cette partie de l’œuvre,suivie par les dernières mesures optimistes et festives. $157.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Sea of Hope
Concert band - Intermediate
De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1185979-140 Composed by Jacob...(+)
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1185979-140 Composed by Jacob De Haan. Concert and Contest Collection CBHA. Concert Piece. Score Only. Composed 2018. 27 pages. De Haske Publications #DHP 1185979-140. Published by De Haske Publications (BT.DHP-1185979-140). English-German-French-Dutch. Sea of Hope is an optimistic work about new land arisen from the former Zuiderzee (the Netherlands). In the introduction, the sea is conveyed in all its glory and ferocity, through a melody that keeps you wondering whether it makes you happy or sad. Then, finally, there is a glimmer of hope, when the water is dammed up and the land partly reclaimed (by conversion into polder land). The town of Dronten, for instance, develops into a place where one day two people meet up and fall in love. This love is reflected in the slow, passionate middle movement. New life in the town is celebrated joyfully: the zest for life clearly shines through this part of the work, followed byoptimism and celebration in the closing bars.
Sea of Hope is een optimistisch werk over nieuw land, ontstaan vanuit de genadeloze voormalige Zuiderzee. In de inleiding wordt deze zee in al haar glorie en smart bezongen door een melodie waarvan je eigenlijk niet weet of je er blij of verdrietig van wordt. Dan gloort er eindelijk hoop als het water wordt ingedamd en deels in polderland verandert. Zo ontwikkelt het dorp Dronten zich tot een plaats waar twee mensen elkaar op een dag ontmoeten om de liefde te vinden. Deze liefde wordt weerspiegeld in het langzame, gepassioneerde middengedeelte. Het leven in het dorp wordt met blijdschap gevierd: de levensvreugde spat er in dit snelle deel van af en wordt gevolgd dooroptimistische, vreugdevolle slotmaten.
Sea of Hope ist ein optimistisches Werk über das neue Land, das aus der unbarmherzigen ehemaligen Zuiderzee (Niederlande) entstanden ist. In der Einleitung wird das Meer mit all seiner Herrlichkeit und seinem Leid durch eine Melodie dargestellt, bei der man sich fragt, ob sie fröhlich oder traurig macht. Dann gibt es schließlich einen Hoffnungsschimmer, als das Wasser aufgestaut und teilweise in eine Polderlandschaft umgewandelt wird. So entwickelt sich die Stadt Dronten zu einem Ort, an dem sich eines Tages zwei Menschen begegnen und ineinander verlieben. Diese Liebe wird in dem langsamen und leidenschaftlichen mittleren Satz zum Ausdruck gebracht. Das gemeinsameneue Leben in der Stadt wird fröhlich gefeiert: Die Lebensfreude kommt in diesem Teil des Werkes deutlich zum Ausdruck und es folgen optimistische und feierliche Schlusstakte.
Sea of Hope est une œuvre optimiste concernant la nouvelle terre créée sur l’ancienne Zuiderzee (Pays-Bas). Dans l’introduction, la mer est représentée dans toute sa gloire et dans sa douleur par une mélodie qui évoque toutes sortes d’émotions contradictoires. Ensuite, enfin, on retrouve une lueur d’espoir lorsque l’eau est barrée et une partie de la terre est transformée en polder. Le développement de la ville de Dronten, par exemple, permet deux personnes de se rencontrer et de tomber amoureux. Cet amour est représenté par le mouvement lent et passionné du milieu. La célébration de cette nouvelle joie de vivre de la ville transparaît dans cette partie de l’œuvre,suivie par les dernières mesures optimistes et festives. $31.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Banda Bella
Concert band - Intermediate
De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1104875-140 Composed by Peter...(+)
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1104875-140 Composed by Peter Riedemann. Brilliant Marches. March. Score Only. Composed 2010. 20 pages. De Haske Publications #DHP 1104875-140. Published by De Haske Publications (BT.DHP-1104875-140). 9x12 inches. English-German-French-Dutch. Banda Bella heißt schönes Blasorchester“. Mit einer martialischen Eröffnung beginnend, treten alle Register des Blasorchesters in diesem frischen, lebhaften Marsch den Beweis dafür an: die Holzbläser mit charakteristischen Sechzehntel-Mustern in der ersten und zweiten Reprise, das Tenorregister mit einem melodiösen Trio-Thema, Holz und Blechbläser schließlich alternierend in einem Intermezzo, das dem von Holzbläsern verzierten Schluss vorausgeht.
Banda Bella est une marche de concert pleine de vitalité. Après une ouverture martiale, les bois développent un motif bouillonnant. Le trio est dominé par un thème dans le registre ténor, qui laisse sa place un intermezzo dans lequel les cuivres conversent en alternance avec les bois. Le thème du trio revient de manière grandiose sur un chant ornementé aux bois. $21.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| A Huntingdon Celebration
Concert band - Intermediate
Anglo Music
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-043-140 Composed by Philip Sp...(+)
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-043-140 Composed by Philip Sparke. Anglo Music Midway Series. Concert Piece. Score Only. Composed 2003. 32 pages. Anglo Music Press #AMP 043-140. Published by Anglo Music Press (BT.AMP-043-140). These eight little solos are intended to supply easy, descriptive pieces for the beginner horn player which are not only beneficial for technical development but will also be useful performance material. The tunes are characteristically horn-like in nature.
A Huntingdon Celebration ist eine kurze, lebhafte Ouvertüre. In dieser abwechslungsreichen Komposition erscheinen verschiedene Themen und Phrasen einmal in einzelnen Instrumentengruppen, dann spielt wieder das gesamte Blasorchester. Die Fanfare der Eröffnung rundet schließlich ein Werk ab, mit dem Sie Ihr Ensemble von vielen Seiten präsentieren können. So setzen Sie Ihre Musiker ins rechte Licht!
L’Orchestre d’Harmonie du Comté du Huntingdonshire, situé dans l’Est de l’Angleterre, a été fondé en 1993. En 2001, les musiciens invitent le compositeur Philip Sparke, pour un week-end de travail consacré ses œuvres. De cette collaboration chaleureuse, naît l’idée de passer commande d’une pièce pour le 10ème anniversaire de la création de la formation, célébré en 2003. Philip Sparke leur compose A Huntingdon Celebration.Cette ouverture courte et vive débute avec une introduction écrite en forme de fanfare qui s’inspire du thème principal, exposé, dans un premier temps, par les clarinettes et les saxophones, puis par l’Orchestre d’Harmonie en entier. Cuivres et boisétablissent une conversation musicale qui mène l’introduction d’un second thème tout en legato, sur un accompagnement bouillonnant en croches. Le passage central, plus lent, développe un choral dans les registres ténors. Le tempo premier revient ensuite et le thème initial est exposé nouveau, amorçant la reprise de la fanfare d’ouverture qui vient conclure l’œuvre sur une note brillante.
Questo breve e vivace brano d’apertura è ideale per iniziare un concerto. L’incipit è scandito da un tema in stile di fanfara eseguito dai clarinetti e dai sassofoni, sostenuto dall’intera banda. Dopo un corale centrale più lento, ritorna il tempo originale seguito dalla fanfara d’apertura che riappare portando il brano ad una trionfale chiusura. $28.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | | |
| Banda Bella
Concert band - Intermediate
De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1104875-010 Composed by Peter...(+)
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1104875-010 Composed by Peter Riedemann. Brilliant Marches. March. Set (Score & Parts). Composed 2010. De Haske Publications #DHP 1104875-010. Published by De Haske Publications (BT.DHP-1104875-010). 9x12 inches. English-German-French-Dutch. Banda Bella heißt schönes Blasorchester“. Mit einer martialischen Eröffnung beginnend, treten alle Register des Blasorchesters in diesem frischen, lebhaften Marsch den Beweis dafür an: die Holzbläser mit charakteristischen Sechzehntel-Mustern in der ersten und zweiten Reprise, das Tenorregister mit einem melodiösen Trio-Thema, Holz und Blechbläser schließlich alternierend in einem Intermezzo, das dem von Holzbläsern verzierten Schluss vorausgeht.
Banda Bella est une marche de concert pleine de vitalité. Après une ouverture martiale, les bois développent un motif bouillonnant. Le trio est dominé par un thème dans le registre ténor, qui laisse sa place un intermezzo dans lequel les cuivres conversent en alternance avec les bois. Le thème du trio revient de manière grandiose sur un chant ornementé aux bois. $110.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Divertimento
Concert band - Intermediate
Latham Music Enterprises
Concert Band Clarinet or Violin, Viola, Cello and Piano - Grade 3.5 SKU: AP.3...(+)
Concert Band Clarinet or Violin, Viola, Cello and Piano - Grade 3.5 SKU: AP.36-52784001 For Violin or Clarinet, Viola, Cello and Piano. Composed by Anna Amalia. Arranged by Lynne Latham. This edition: Latham Music. String Ensemble - Mixed. LudwigMasters - Latham Music. Score and Part(s). Latham Music Enterprises #36-52784001. Published by Latham Music Enterprises (AP.36-52784001). English. Anna Amalia of Prussia held various titles during her lifetime, including Princess and Abbess of Quedlinburg. Born in Berlin, she was one of ten surviving children of the royal family of King Frederick William I of Prussia. Princess Anna Amalia studied harpsichord, piano and counterpoint. Princess Anna also founded a music library collection, which included autographed scores of J.S. Bach and other composers. This collection still exists today (Amalien Bibliothek). This two-movement Divertimento in Bb Major has something for everyone. The melodic and secondary parts are passed equally between the instruments. The piano part is quite playable for a high school student. It has the character of a conversation between friends gathering for a friendly afternoon tea. This arrangement is scored for piano quartet, with a substitue clarinet part in place of violin. These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months. $14.95 - See more - Buy online | | |
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