| Selections from Star Wars: The Rise of Skywalker Concert band - Intermediate Hal Leonard
Score Only Concert Band (Score) - Grade 3 SKU: HL.4006544 Composed by Joh...(+)
Score Only Concert Band (Score) - Grade 3 SKU: HL.4006544 Composed by John Williams. Arranged by Johnnie Vinson. Flex-Band Grade 3. Disney, Movies. Softcover. 24 pages. Published by Hal Leonard (HL.4006544). UPC: 840126912449. 9.0x12.0x0.046 inches. The final installment of the storied Star Wars saga brings us another masterful score from John Williams. Here's a terrific medley scored for flexible instrumentation that features favorite themes from the earlier films along with dramatic new material. $7.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Star-Spangled Banner Concert band [Score and Parts] - Easy Belwin
(The United States National Anthem). Composed by Francis Scott Key, music attrib...(+)
(The United States National Anthem). Composed by Francis Scott Key, music attributed to John Stafford Smith. Arranged by Jack Bullock. Concert Band. Concert Band; Part(s); Score. Belwin Concert Band. Form: Transcription. Patriotic. Grade 2.5. 114 pages. Published by Belwin Music
$60.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Star-Spangled Banner Concert band - Easy Belwin
Concert Band - Grade 2.5 SKU: AP.38374S The United States National Ant...(+)
Concert Band - Grade 2.5 SKU: AP.38374S The United States National Anthem. Arranged by Jack Bullock. Concert Band; Performance Music Ensemble; Single Titles. Belwin Concert Band. Form: Transcription. 4th of July; Patriotic; Summer. Score. 8 pages. Belwin Music #00-38374S. Published by Belwin Music (AP.38374S). UPC: 038081441153. English. Words by Francis Scott Key; music attributed to John Stafford Smith. Why another arrangement of The Star-Spangled Banner? While watching a TV sports show, Dr. Bullock was dismayed after hearing a particularly poor performance flawed with wrong lyrics and the incorporation of personal musical phrases intertwined with the traditional melody. So, don't just play your marching band version in a concert setting, but rather program this tasteful reverent rendition which is certain to be moving in your concert environment. $10.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Shooting Star Concert band - Easy C.L. Barnhouse
Grade 2 SKU: CL.015-2195-00 March. Composed by K. Harris. Young Co...(+)
Grade 2 SKU: CL.015-2195-00 March. Composed by K. Harris. Young Concert Band. Norman Lee Series. Score and set of parts. Composed 1989. C.L. Barnhouse #015-2195-00. Published by C.L. Barnhouse (CL.015-2195-00). An outstanding easy march from Ken Harris. Ken Harris has a wonderful gift for making younger bands sound more advanced and Shooting Star March is another excellent example of this. $50.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Shooting Star Concert band - Easy C.L. Barnhouse
Grade 2 SKU: CL.015-2195-01 March. Composed by K. Harris. Young Co...(+)
Grade 2 SKU: CL.015-2195-01 March. Composed by K. Harris. Young Concert Band. Extra full score. Composed 1989. C.L. Barnhouse #015-2195-01. Published by C.L. Barnhouse (CL.015-2195-01). An outstanding easy march from Ken Harris. Ken Harris has a wonderful gift for making younger bands sound more advanced and Shooting Star March is another excellent example of this. $8.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| JumpStart First Holiday Concert - Percussion 2 (opt.) Concert band [Sheet music] - Beginner Heritage Music Press | | |
| JumpStart First Holiday Concert - Score with CD Concert band [Sheet music + CD] - Beginner Heritage Music Press
By Peter Blair. For conductor score. Level: Grade 1. Concert band. Published by ...(+)
By Peter Blair. For conductor score. Level: Grade 1. Concert band. Published by Heritage Music Press. (50/1112H)
$19.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| JumpStart First Holiday Concert - F Horn Concert band [Part] - Beginner Heritage Music Press
(Grade 1). By Peter Blair. Concert band. For horn. Grade 1. Published by Heritag...(+)
(Grade 1). By Peter Blair. Concert band. For horn. Grade 1. Published by Heritage Music Press
$3.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| More Cowbell Concert band [Score and Parts] - Beginner Alfred Publishing
By Mark Williams. Concert Band. Concert Band. Accent on Achievement. Contemporar...(+)
By Mark Williams. Concert Band. Concert Band. Accent on Achievement. Contemporary; TV. Grade 1. Conductor Score and Parts. 128 pages. Duration 2:00:00
(3)$48.00 $45.6 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Cosmic Expedition Concert band - Intermediate Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet ...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion 1, Mallet Percussion 2, Marimba, Oboe 1, Oboe 2, Percussion 1 and more. - Grade 3 SKU: CF.CPS216 Composed by Michael J. Miller. Concert Band (CPS). Set of Score and Parts. With Standard notation. 8+2+4+2+8+16+16+4+4+4+4+4+4+8+8+8+4+4+6+6+6+8+6+2+2+4+10+36+4 pages. Duration 3 minutes, 3 seconds. Carl Fischer Music #CPS216. Published by Carl Fischer Music (CF.CPS216). ISBN 9781491152423. UPC: 680160909926. Cosmic Expedition takes performers on a musical journey far across the galaxy via three main sections. This fanfare composition would be perfect for opening a concert. It has bold brass fanfare figures over textural woodwinds to start and then takes the listener on a sonic journey through a variation of harmonic colors, tambural and textural shifts. Cosmic Expedition takes performers on a musical journey far across the galaxy via three main sections. The first, a rather celebratory and triumphant fanfare in Bb major begins with the upper woodwinds and percussion creating a sound-screen, that is a busy texture consisting of a flurry of repeated notes over which the horns and alto saxophones present the opening theme. The sound-screen should be carefully balanced and give way to the melody at m. 5, which should be played extremely marcato. The timpani solo beginning in m. 11 must not be understated. A brief percussion interlude separates a restatement of the opening theme, this time with the addition of the trumpet, tenor saxophone, and euphonium, and a counter melody by the low winds. The percussion interlude is playful, light, but full of vigor and energy. An Ab in the low winds pulls the harmony towards G minor in m. 40 to start the second section, a more serious fanfare. Here, the marimba repeats an ostinato that is complemented by the bass drum and woodblock. The upper woodwinds with the xylophone and snare drum dance over the stern secondary fanfare. A longing call lead by the trombones, interrupted by a subtle snare drum beckons to the clarinets and horn who begin the third section of the piece at m. 68. This haunting melody in C minor is legato, and starkly contrasts all which came before it. A relentless concert tom-tom played with hard mallets keeps the momentum persistent, and a heartbeat-like pulse is felt from the tuba and baritone saxophone. The melody rises towards m. 84 when the brass harken back to the fanfare style before fading back into another lush woodwind strain.A recapitulation of the low winds’ call is heard at m. 100 which in this occasion intensifies into an emphatic statement by the battery percussion instruments. Now in Eb major, the opening fanfare theme is heard again once more before fading into the beginning of the piece’s conclusion.To end, the counter melody from the opening section duels with chromatic tension above before swelling to an arrival in the original key of Bb major. The full ensemble celebrates the piece’s resolution, and after a few crunchy power chords the journey is completed. $95.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Cosmic Expedition Concert band - Intermediate Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet ...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion 1, Mallet Percussion 2, Marimba, Oboe 1, Oboe 2, Percussion 1 and more. - Grade 3 SKU: CF.CPS216F Composed by Michael J. Miller. Concert Band (CPS). Full score. With Standard notation. 36 pages. Carl Fischer Music #CPS216F. Published by Carl Fischer Music (CF.CPS216F). ISBN 9781491153109. UPC: 680160910601. Cosmic Expedition takes performers on a musical journey far across the galaxy via three main sections. This fanfare composition would be perfect for opening a concert. It has bold brass fanfare figures over textural woodwinds to start and then takes the listener on a sonic journey through a variation of harmonic colors, tambural and textural shifts. Cosmic Expedition takes performers on a musical journey far across the galaxy via three main sections. The first, a rather celebratory and triumphant fanfare in Bb major begins with the upper woodwinds and percussion creating a sound-screen, that is a busy texture consisting of a flurry of repeated notes over which the horns and alto saxophones present the opening theme. The sound-screen should be carefully balanced and give way to the melody at m. 5, which should be played extremely marcato. The timpani solo beginning in m. 11 must not be understated. A brief percussion interlude separates a restatement of the opening theme, this time with the addition of the trumpet, tenor saxophone, and euphonium, and a counter melody by the low winds. The percussion interlude is playful, light, but full of vigor and energy. An Ab in the low winds pulls the harmony towards G minor in m. 40 to start the second section, a more serious fanfare. Here, the marimba repeats an ostinato that is complemented by the bass drum and woodblock. The upper woodwinds with the xylophone and snare drum dance over the stern secondary fanfare. A longing call lead by the trombones, interrupted by a subtle snare drum beckons to the clarinets and horn who begin the third section of the piece at m. 68. This haunting melody in C minor is legato, and starkly contrasts all which came before it. A relentless concert tom-tom played with hard mallets keeps the momentum persistent, and a heartbeat-like pulse is felt from the tuba and baritone saxophone. The melody rises towards m. 84 when the brass harken back to the fanfare style before fading back into another lush woodwind strain.A recapitulation of the low winds’ call is heard at m. 100 which in this occasion intensifies into an emphatic statement by the battery percussion instruments. Now in Eb major, the opening fanfare theme is heard again once more before fading into the beginning of the piece’s conclusion.To end, the counter melody from the opening section duels with chromatic tension above before swelling to an arrival in the original key of Bb major. The full ensemble celebrates the piece’s resolution, and after a few crunchy power chords the journey is completed. $14.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Symphony No. 2 Concert band [Score] - Intermediate/advanced Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for the most advanced high school bands...(+)
By Frank Ticheli. Concert band. Suitable for the most advanced high school bands, community, college, university, and professional bands. Level: Grade 6. Conductor Full Score. Duration 21:00. Published by Manhattan Beach Music.
$95.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Refining The March Style Concert band - Easy Carl Fischer
Band Concert Band - Grade 2 SKU: CF.YPS105 Warm-Ups and Fundamentals(+)
Band Concert Band - Grade 2 SKU: CF.YPS105 Warm-Ups and Fundamentals. Composed by Larry Clark. Collate - FS SWS - spine: 3/4 or .75. Young Performance Series. Set of Score and Parts. With Standard notation. 16+4+8+8+4+10+4+4+8+8+8+12+4+6+2+2+4+2+20 pages. Duration 2 minutes, 53 seconds. Carl Fischer Music #YPS105. Published by Carl Fischer Music (CF.YPS105). ISBN 9780825884870. UPC: 798408084875. 9 x 12 inches. Key: Bb major. Based on our popular New Bennett Band Book series, we have compiled march-style warm-ups in a separate publication so they may be used by all bands wishing to learn from them. These innovative warm-ups and fundamental drills are the ultimate method of teaching and reinforcing the March style. How To Use the March Warm-upsPlaying in a march style can present difficulties for young students. The most prevalent problem is that students have a tendency to play every note too short. Conversely, accented notes are usually played incorrectly with too much tongue. Do marches contain short notes? Absolutely, but these shortest of notes should be reserved for notes that precede an accent or notes that are specifically marked with a staccato. Think of unmarked notes as being separated, but not short and certainly not clipped or stopped with the tongue. Accented notes should be played with more weight using air and more length, and not just a harder tongue. Accents are given to show emphasis to a note and should be thought of in this manner.The warm-up exercises provided in this collection should give you many opportunities to stress the above-mentioned comments on march performance style. The following gives an explanation on the purpose and use of each of these exercises.No. 1 – Basic Chords and ModulationsOne of the challenges of playing marches with young students is successfully performing the key change at the Trio. This exercise presents the three basic chords (tonic, subdominant and dominant) in each of the three keys in this collection of marches. You can also use this exercise to teach and reinforce the style of accented notes. You may want to have your band play major scales in succession by fourths to reinforce the concept of modulation to the subdominant that occurs at the Trio (i.e. the B≤-major scale, then the E≤-major scale, then the A≤-major scale). I might suggest getting the students to try continuing the pattern all the way around the circle of fourths.No. 2 – March Style in B≤ MajorThis exercise contains many opportunities to teach and reinforce the difference between staccato and accented notes. The melody voices move up and down the B≤-major scale, while other instruments play chords commonly found in the marches in this collection. These include diminished chords, secondary dominant chords (i.e. the V of the V) and other common chromatic chords that Fillmore often used.No. 3 – Cakewalk Rhythm in B≤ MajorThe simple syncopated rhythm in this exercise is common to many marches. This drill gives you the opportunity to teach/ reinforce the standard ar-ticulation and natural accent of this rhythmic pattern. Again, this exercise uses an ascending and descending major-scale pattern as the melodic basis, accompanied by chords commonly found in American- style marches.No. 4 – The March Scale in B≤ MajorI call this exercise “The March Scale,†because often in marches (and especially in these marches) the descending half-step is part of the melodic material. These chromatic figures give the melodies of many marches their charm and flow. Thus, I devised this exercise and others like it in E≤ major and A≤ major to familiarize students with these patterns. I would suggest playing the pattern in a variety of ways different from what is written. Here are some other possibilities:• Tongue one, slur three• Slur two, tongue two• Tongue two, slur two• Tongue one, slur two, tongue oneGradually increase the tempo to the march tempo and the articulation style will fall right into place.Another important consideration is the performance of the bass line and the bass-drum part. Too often, the bass drum and bass instruments play their parts with equal emphasis on both beats in the measure. This is incorrect, and frequently makes the marchNo. 5 – March Style in E≤ MajorThis is a similar to exercise No. 2, but with a different rhythmic pattern. Emphasize the difference between accented and unaccented notes. Also, play the exercise with line direction moving the musical line forward. Experiment and play the exercise with different dynamic choices and with hairpins up and down in different ways.No. 6 – More March Style in E≤ MajorExercise No. 6 comprises more rhythmic patterns and harmonic materials in E≤ major to teach and reinforce the march style. This exercise em-phasizes the sixteenth-note rhythm, as notated in the third measure of the exercise. Young stu- dents have a tendency to “crush†the sixteenths; consequently, they lack clarity. It would be a good idea to work this rhythmic figure on a scale pattern with all of the instruments in the band as an additional warm-up exercise.No. 7 – The March Scale in E≤ MajorSee the information for No. 4 and apply it to this exercise. Use all of the various articulations described above as well.No. 8 – March Style in A≤ MajorSee the information for No. 2 and apply it to this exercise.No. 9 – Cakewalk Rhythm in A≤ MajorSee the information for No. 3 and apply it to this exercise.No. 10 – The March Scale in A≤ MajorSee the information for No. 4 and apply it to this exercise.Other Ideas for March PerformanceA rehearsal practice that has worked very well for me is to start out by having the band play the march very slowly at about Œ = 60 in a chorale/legato style. The slow tempo is a fine opportunity to work on clarity of harmonic move- ment and to work on the balance and blend of the tutti band sound. This will pay great dividends toward improving the sound of your band. Gradually increase the tempo to the march tempo and the articulation style will fall right into place.Another important consideration is the performance of the bass line and the bass-drum part. Too often, the bass drum and bass instruments play their parts with equal emphasis on both beats in the measure. This is incorrect, and frequently makes the march. $70.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Honor Roll Concert band - Easy C.L. Barnhouse
Grade 2 SKU: CL.015-2316-01 March. Composed by K. Harris. Young Co...(+)
Grade 2 SKU: CL.015-2316-01 March. Composed by K. Harris. Young Concert Band. Extra full score. Composed 1990. C.L. Barnhouse #015-2316-01. Published by C.L. Barnhouse (CL.015-2316-01). You’ll want to put your whole band on the Honor Roll’’ after you hear them perform this great Ken Harris march. Traditional in style yet playable by very young bands, Ken’s melodic flair and skillful scoring have produced yet another addition to his already impressive list of popular young band marches including Field of Victory,’’ Pride & Glory March’’ and Blessings of Liberty’’ and Shooting Star.’’ Very Highly Recommended! Full Score. $8.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Honor Roll Concert band - Easy C.L. Barnhouse
Grade 2 SKU: CL.015-2316-00 March. Composed by K. Harris. Young Co...(+)
Grade 2 SKU: CL.015-2316-00 March. Composed by K. Harris. Young Concert Band. Norman Lee Series. March. Score and set of parts. Composed 1990. C.L. Barnhouse #015-2316-00. Published by C.L. Barnhouse (CL.015-2316-00). You’ll want to put your whole band on the Honor Roll’’ after you hear them perform this great Ken Harris march. Traditional in style yet playable by very young bands, Ken’s melodic flair and skillful scoring have produced yet another addition to his already impressive list of popular young band marches including Field of Victory,’’ Pride & Glory March’’ and Blessings of Liberty’’ and Shooting Star.’’ Very Highly Recommended! Full Score. $40.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Desert Storm Concert band - Beginner C.L. Barnhouse
Grade 1.5 SKU: CL.015-2403-01 March. Composed by K. Harris. Young ...(+)
Grade 1.5 SKU: CL.015-2403-01 March. Composed by K. Harris. Young Concert Band. Extra full score. Composed 1991. C.L. Barnhouse #015-2403-01. Published by C.L. Barnhouse (CL.015-2403-01). Another wonderful traditional march for young band from the composer of Pride and Glory March, Field of Victory March, Shooting Star March, and many others. If you wish to teach your students the traditional march style, you just can’t beat a Ken Harris march and the fresh yet accessible sounds of Desert Storm make it one of his best yet! $9.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Return To Neverland - Brass Band Concert band Hal Leonard
SKU: HL.4002168 De Haske Concert Band. Published by Hal Leonard (HL.40021...(+)
SKU: HL.4002168 De Haske Concert Band. Published by Hal Leonard (HL.4002168). UPC: 073999224511. $80.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Moses and Ramses Concert band - Intermediate/advanced De Haske Publications
Concert Band (Score & Parts) - Grade 4 SKU: HL.44011065 Symphonic Poem...(+)
Concert Band (Score & Parts) - Grade 4 SKU: HL.44011065 Symphonic Poem for Wind Orchestra. Composed by Satoshi Yagisawa. De Haske Concert Band. Set (Score & Parts). Composed 2010. De Haske Publications #1104914010. Published by De Haske Publications (HL.44011065). UPC: 884088640101. 9.0x12.0x0.97 inches. English-German-French-Dutch. This piece was commissioned by Matsudo Citizen Wind Orchestra for their 30th anniversary concert and premiered by the band conducted by Kenichiro Hasunuma in July 2009. This piece is typical of Satoshi Yagisawa in that it depicts a magnificent spectacle. This one is set in ancient Egypt and is based on the story depicted in the famous film The Ten Commandments (1956, directed by Cecil B. DeMille). One day Moses, who was raised by the rich royal family, found out that he was originally Hebrew. The Hebrews had been forced to live as slaves. Ramses, the prince directly descended from the Pharaoh, envied Moses' strength and popularity. After internal argument Moses decides todeliver the Hebrew from the Pharaoh's tyranny and escape from Egypt with them.The music starts with brilliant royal fanfare and depicts magnificent architecture, the Hebrew people forced into hard labour, and the slaves escaping from the Pharaoh's tyranny. At the climax they are at crisis point, trapped by the sea. Moses waves his staff and the miracle happens; the sea parts and Hebrew people successfully escape. Following on from Perseus - A Hero's Quest in the Heavens, this work Moses and Ramses is another piece written in the dramatic style favoured by Satoshi Yagisawa.
Het oude testament verhaalt van Mozes die met zijn volk Egypte verlaat, na zijn strijd met de jonge farao Ramses. De film The Ten Commandments uit 1956 is gebaseerd op dit verhaal. Satoshi Yagisawa zette de beelden van dezemonumentale film om in de karakteristiek dramatische stijl die zo eigen is voor de verfilming. De muzikale beelden geven het koninklijke paleis weer, maar ook de architectonische pracht en praal van het oude Egypte. Ook komen deverlossing van de slavernij en de uittocht aan bod. Natuurlijk met als hoogtepunt dat Mozes de zee opent en het volk door de zee uit Egypte leidt. Een fantastisch spektakel!
Von Moses, der nach einem Streit mit dem jungen Ramses mit seinem ganzen Volk, Israel, das Land verliess, erzahlt das alte Testament und der darauf basierende Film Die zehn Gebote von 1965. Satoshi Yagisawa setzte die Bilder dieses monumentalen Films in seinem charakteristischen dramatischen Stil um: Die musikalischen Bilder zeigen den Konigshof, die architektonische Pracht des alten Agypten, das versklavte Volk Israel und natürlich die Flucht mit dem Hohepunkt, als Moses das Meer teilt. Ein prachtvolles Spektakel!
Moses and Ramses (Moise et Ramses) est une commande de l'Orchestre d'Harmonie de la ville de Matsudo au Japon, a l'occasion des festivites marquant le trentieme anniversaire de la creation de la formation. La premiere mondiale a eu lieu en juillet 2009. Elle fut assuree par la formation dedicataire, placee sous la direction de Kenichiro Hasunuma. Apres Perseus - A Hero's Quest in the Heavens, Satoshi Yagisawa nous livre une nouvelle œuvre dramatique, flamboyante et epique. L'action se deroule en Egypte ancienne, et suit la chronologie du celebre film biblique Les Dix Commandements (1956), du realisateur americain Cecil B. DeMille. Le jeune Moisegrandit au sein de la riche famille royale egyptienne. Devenu adulte, il decouvre ses origines hebraiques. Or, Pharaon a reduit les Hebreux en esclavage. Le prince Ramses, descendant direct de Pharaon, envie la force et la gloire de Moise. Apres une querelle grave, Moise doit fuir dans le desert. Dans son exil, il decide de delivrer son peuple de la tyrannie de Pharaon et de le mener hors d'Egypte. L'œuvre debute avec une fanfare royale flamboyante qui sonne la grandeur architecturale de l'Egypte. Le peuple d'Israel est condamne a subir les travaux forces ; des esclaves echappent a la tyrannie du Pharaon. Lorsque la musique atteint sa densite maximale, les Hebreux en fuite sont accules devant la mer Rouge. Moise invoque Dieu. Celui-ci lui ordonne de lever son baton au-dessus des eaux de la mer Rouge. Moise obeit et le miracle se produit ; les eaux se divisent en deux pour laisser passer les enfants d'Israel. $172.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Return to Neverland Concert band De Haske Publications
Brass SKU: HL.4002167 For Fanfare Orchestra. Arranged by P. Kleine...(+)
Brass SKU: HL.4002167 For Fanfare Orchestra. Arranged by P. Kleine Schaars. De Haske Concert Band. Movies. Published by De Haske Publications (HL.4002167). UPC: 073999277845. $135.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Return to Neverland Concert band [Score and Parts] - Intermediate Hal Leonard
Arranged by Peter Kleine Schaars. Peter's Popular Collection. TV-Film-Musical-...(+)
Arranged by Peter Kleine
Schaars. Peter's Popular
Collection. TV-Film-Musical-
Show. Set (Score and Parts).
Composed 2004. Hal Leonard
#1099-04-010 DHE. Published
by Hal Leonard
$144.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Bon Jovi - Rock Mix Concert band - Intermediate Music Sales
Concert Band/Harmonie - Grade 3 SKU: BT.1793-10-140-MS Composed by Desmon...(+)
Concert Band/Harmonie - Grade 3 SKU: BT.1793-10-140-MS Composed by Desmond Child, George Karakoglou, Jon Bon Jovi, Max Martin, and Richie Sambora. Arranged by Wolfgang Wössner. Ovation Series. Pop & Rock. Score Only. Composed 2010. 36 pages. Music Sales #1793-10-140 MS. Published by Music Sales (BT.1793-10-140-MS). 9x12 inches. English-German-French-Dutch. Wolfgang Wössner has created yet another energetic and exciting medley for concert band, following in the footsteps of his previous successful medley, Bryan Adams - The Best of Me. This time Wössner has moulded four hits by the American rock band Bon Jovi into one sensational work. Combining Runaway, It’s My Life, Livin’ On a Prayer and You Give Love a Bad Name, creates an incredibly fun medley that will rock your next concert!
Na Bryan Adams - The Best of Me en Grönemeyer! doet Wolfgang Wössner het weer: een geweldige medley schrijven in het pop- en rockgenre. Deze keer nam hij vier hits van de Amerikaanse rockband Bon Jovi. De medley begintmet Runaway uit 1983. Daarna volgen de hits It’s My Life en Livin’ on a Prayer uit het jaar 1999. You Give Love a Bad Name uit 1986 rondt deze sterke medley mooi af. Schud die haren los en rocken mar…!
Nach Bryan Adams - The Best of Me und Grönemeyer! hat Wolfgang Wössner ein neues Medley für Blasorchester im Pop-Rock-Genre geschaff en. Diesmal nahm er sich vier Hits der amerikanischen Rockband Bon Jovi vor. Das Medley beginnt mit Runaway von 1983. Dem folgen die Songs It’s My Life aus dem Jahr 1999 sowie Livin’ on a Prayer. You Give Love a Bad Name von 1986 vervollständigt dieses starke Medley, mit dem Sie die Bühne rocken werden!
Après le vif succès remporté par ses précédents medleys pop-rock, dont Grönemeyer!, Wolfgang Wössner récidive avec un nouveau medley solide et puissant qui reprend quatre tubes du groupe de rock américain, Bon Jovi. Ce groupe légendaire, fondé par Jon Bon Jovi, manie avec la même aisance les ballades sereines et les morceaux axés rock mainstream. Bon Jovi Rock Mix débute avec Runaway, le titre avec lequel Jon Bon Jovi lança sa carrière. Les succès It’s My Life, Livin’ on a Prayer et You Give Love a Bad Name complètent ce medley rugissant, qui séduira vos auditeurs.
Dopo il grande successo ottenuto con i precedenti medley - Bryan Adams - The Best of Me e Grönemeyer!, Wolfgang Wössner propone un nuovo medley che riprende quattro successi della band americana Bon Jovi. Questo gruppo leggendario, fondato da Jon Bon Jovi, ammalia il pubblico sia con serene ballate, sia con brani di rock sfrenato. Questo medley include: Runaway (1983), It’s My Life (1999), Livin’ on a Prayer e You Give Love a Bad Name (1986). $29.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Moses and Ramses Concert band - Intermediate/advanced De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1104914-140 Symphonic Poem...(+)
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1104914-140 Symphonic Poem for Wind Orchestra. Composed by Satoshi Yagisawa. Concert and Contest Collection CBHA. Score Only. Composed 2010. 177 pages. De Haske Publications #DHP 1104914-140. Published by De Haske Publications (BT.DHP-1104914-140). 9x12 inches. English-German-French-Dutch. This piece was commissioned by Matsudo Citizen Wind Orchestra for their 30th anniversary concert and premiêred by the band conducted by Kenichiro Hasunuma in July 2009. This piece is typical of Satoshi Yagisawa in that it depicts a magnificent spectacle. This one is set in ancient Egypt and is based on the story depicted in the famous film “The Ten Commandments†(1956, directed by Cecil B. DeMille). One day Moses, who was raised by the rich royal family, found out that he was originally Hebrew. The Hebrews had been forced to live as slaves. Ramses, the prince directly descended from the Pharaoh, envied Moses’ strength and popularity. After internal argument Moses decides todeliver the Hebrew from the Pharaoh’s tyranny and escape from Egypt with them.The music starts with brilliant royal fanfare and depicts magnificent architecture, the Hebrew people forced into hard labour, and the slaves escaping from the Pharaoh’s tyranny. At the climax they are at crisis point, trapped by the sea. Moses waves his staff and the miracle happens; the sea parts and Hebrew people successfully escape. Following on from Perseus - A Hero’s Quest in the Heavens, this work Moses and Ramses is another piece written in the dramatic style favoured by Satoshi Yagisawa.
Het oude testament verhaalt van Mozes die met zijn volk Egypte verlaat, na zijn strijd met de jonge farao Ramses. De film The Ten Commandments uit 1956 is gebaseerd op dit verhaal. Satoshi Yagisawa zette de beelden van dezemonumentale film om in de karakteristiek dramatische stijl die zo eigen is voor de verfilming. De muzikale beelden geven het koninklijke paleis weer, maar ook de architectonische pracht en praal van het oude Egypte. Ook komen deverlossing van de slavernij en de uittocht aan bod. Natuurlijk met als hoogtepunt dat Mozes de zee opent en het volk door de zee uit Egypte leidt. Een fantastisch spektakel!
Von Moses, der nach einem Streit mit dem jungen Ramses mit seinem ganzen Volk, Israel, das Land verließ, erzählt das alte Testament und der darauf basierende Film Die zehn Gebote von 1965. Satoshi Yagisawa setzte die Bilder dieses monumentalen Films in seinem charakteristischen dramatischen Stil um: Die musikalischen Bilder zeigen den Königshof, die architektonische Pracht des alten Ägypten, das versklavte Volk Israel und natürlich die Flucht mit dem Höhepunkt, als Moses das Meer teilt. Ein prachtvolles Spektakel!
Moses and Ramses (Mo se et Ramsès) est une commande de l’Orchestre d’Harmonie de la ville de Matsudo au Japon, l’occasion des festivités marquant le trentième anniversaire de la création de la formation. La première mondiale a eu lieu en juillet 2009. Elle fut assurée par la formation dédicataire, placée sous la direction de Kenichiro Hasunuma. Après Perseus - A Hero’s Quest in the Heavens, Satoshi Yagisawa nous livre une nouvelle œuvre dramatique, flamboyante et épique. L’action se déroule en Égypte ancienne, et suit la chronologie du célèbre film biblique Les Dix Commandements (1956), du réalisateur américain Cecil B. DeMille. Le jeune Mo segrandit au sein de la riche famille royale égyptienne. Devenu adulte, il découvre ses origines hébra ques. Or, Pharaon a réduit les Hébreux en esclavage. Le prince Ramsès, descendant direct de Pharaon, envie la force et la gloire de Mo se. Après une querelle grave, Mo se doit fuir dans le désert. Dans son exil, il décide de délivrer son peuple de la tyrannie de Pharaon et de le mener hors d’Égypte. L’œuvre débute avec une fanfare royale flamboyante qui sonne la grandeur architecturale de l’Égypte. Le peuple d’Israël est condamné subir les travaux forcés ; des esclaves échappent la tyrannie du Pharaon. Lorsque la musique atteint sa densité maximale, les Hébreux en fuite sont acculés devant la mer Rouge. Mo se invoque Dieu. Celui-ci lui ordonne de lever son b ton au-dessus des eaux de la mer Rouge. Mo se obéit et le miracle se produit ; les eaux se divisent en deux pour laisser passer les enfants d’Israël. $38.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Keystone Concert band - Advanced De Haske Publications
Concert Band (SCORE) - Grade 5 SKU: HL.4007468 Composed by Thierry Deleru...(+)
Concert Band (SCORE) - Grade 5 SKU: HL.4007468 Composed by Thierry Deleruyelle. De Haske Concert Band. Concert. Softcover. Duration 990 seconds. De Haske Publications #033197. Published by De Haske Publications (HL.4007468). UPC: 196288050087. Keystone tells the story of the Odeon of Vriezenveen, a town in the Netherlands. “Odeon†is the name of ancient Greek and Roman buildings used for activities such as singing, music and poetry. This was the name chosen in 1998 by several members of the 'Vriezenveense Harmonie' for the cultural ceter they decided to have built. The piece starts slowly with the bass instruments, then speeds up in a counterpoint passage where the main motif moves from one set of instruments to another. After a slow section, the music speeds up again to reach a majestic chorale symbolising the splendid Odeon. $42.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Keystone Concert band - Advanced De Haske Publications
Concert Band (SCORE+PARTS) - Grade 5 SKU: HL.4007467 Composed by Thierry ...(+)
Concert Band (SCORE+PARTS) - Grade 5 SKU: HL.4007467 Composed by Thierry Deleruyelle. De Haske Concert Band. Concert. Softcover. Duration 990 seconds. De Haske Publications #033197. Published by De Haske Publications (HL.4007467). UPC: 196288050070. 9.0x12.0 inches. Keystone tells the story of the Odeon of Vriezenveen, a town in the Netherlands. “Odeon†is the name of ancient Greek and Roman buildings used for activities such as singing, music and poetry. This was the name chosen in 1998 by several members of the 'Vriezenveense Harmonie' for the cultural ceter they decided to have built. The piece starts slowly with the bass instruments, then speeds up in a counterpoint passage where the main motif moves from one set of instruments to another. After a slow section, the music speeds up again to reach a majestic chorale symbolising the splendid Odeon. $235.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Addison Way Concert band - Easy C.L. Barnhouse
Grade 2.5 SKU: CL.011-2650-01 Composed by Huckeby. Young Concert Band. Co...(+)
Grade 2.5 SKU: CL.011-2650-01 Composed by Huckeby. Young Concert Band. Command Series. Audio recording available separately (item CL.WFR192). Extra full score. Composed 1994. Duration 3 minutes, 46 seconds. C.L. Barnhouse #011-2650-01. Published by C.L. Barnhouse (CL.011-2650-01). Another very strong concert or contest overture from the composer of Abington Ridge, Brandon Bay, Oxford Pointe and many other quality young band pieces! Addison Way starts off with a lively allegro section that contains all of the appeal that has made this composer so popular. A charming section in 3/4 provides the contrasts that make this such a delightful piece for Jr. High and Middle School bands. Playable yet challenging for younger players. A Guaranteed Winner! About C.L. Barnhouse Command Series The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content. $9.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| All Glory Told Concert band [Score and Parts] - Intermediate C.L. Barnhouse
By James Swearingen. Concert Band. Grade 3. Score and set of parts. Composed 199...(+)
By James Swearingen. Concert Band. Grade 3. Score and set of parts. Composed 1995. Duration 0:06:34
(1)$76.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| István (part 3 from 'Sinfonia Hungarica') Concert band De Haske Publications
Concert Band/Harmonie - Grade 6 SKU: BT.DHP-1002209-010 Composed by Jan V...(+)
Concert Band/Harmonie - Grade 6 SKU: BT.DHP-1002209-010 Composed by Jan Van der Roost. Sovereign Series. Concert Piece. Set (Score & Parts). Composed 2000. De Haske Publications #DHP 1002209-010. Published by De Haske Publications (BT.DHP-1002209-010). Sinfonia Hungarica is a three-movement symphony that depicts the history of Hungary. All three movements were inspired by historical key figures, wars, and other important events from this country. This symphony is a celebration of Hungary’s millennium in 2001.The final movement is named after ISTVAN, the King who introduced Christianity into Hungary and who was crowned by Pope Silvestro II on January 1, 1001. A rather solemn start leads to another war-like passage, ending with some loud crashes. This symbolizes the fact that the body of the pagan Koppany was cut into four pieces, and sent to the four castles of the country as an example. After a quiet, almost religiousintermezzo, the National Hymn of Hungary is introduced. This broad “grandioso†ending also has a symbolic meaning: after ten centuries, Hungary has many reasons to look back on the past with pride, and to look forward to the future with optimism and confidence.
Dit stuk werd gecomponeerd in opdracht van het symfonisch blaasorkest Kiskunfélegyhaza uit Hongarije en opgedragen aan dirigent Ferenc Jankovski, burgemeester Jozsef Ficsor en Gabriella Kiss. De wereldpremière vond plaats op 31 maart2001 in Budapest (Hongarije) door het eerdergenoemde orkest onder leiding van de componist.Deze driedelige symfonie beschrijft de geschiedenis van Hongarije. De drie delen zijn ge nspireerd op historische sleutelfiguren, oorlogenen andere belangrijke gebeurtenissen in dit land. De symfonie werd geschreven ter gelegenheid van de millenniumviering van Hongarije in 2001.ATTILA, koning van de Hunnen, vaak ‘de gesel Gods’ genoemd, is de centrale figuurin het eerste deel, dat voornamelijk wordt gekenmerkt door angst, dreiging, agressie en wreedheid. Attila’s broer, Buda, heeft echter een hero scher thema, terwijl zijn geliefde vrouw, Rika, een lyrische melodie heeft. Het spannendeeinde van dit openingsdeel illustreert de gevreesde snelheid van Attila’s troepen: ze achtervolgden hun slachtoffers en vermoordden ze allemaal! Het tweede deel gaat over ARPAD, de stichter van de Hongaarse staat. Hetbegint met een sfeerpassage, die het beeld oproept van zijn grootmoeder, Emese, dromend over zijn bestemming. Een van Arpad’s tegenstanders, de Bulgaarse prins Zalan, werd verdreven na een gevecht. Hierna noemde Arpad het gebiedofficieel ‘Magyarorszag’.Het laatste deel is genoemd naar ISTVAN, de koning die het christendom in Hongarije introduceerde en die werd gekroond door paus Silvester II op 1 januari 1001. Een vrij plechtige start leidt tot nogeen martiale passage, die eindigt met een aantal luide slagen. Deze symboliseren het voorval waarbij het lichaam van de heiden Koppany in vier stukken werd gesneden, die naar de vier kastelen van het land werden gezonden als schrikwekkend
Die Sinfonie in drei Sätzen ist eine musikalische Schilderung der Geschichte Ungarns. Alle drei Sätze haben bedeutende historische Persönlichkeiten und Schlüsselereignisse aus der Landesgeschichte - wie etwa Kriege - zum Inhalt. Das Werk wurde zuUngarns Tausendjahrfeier im Jahr 2001 geschrieben.Attila, König der Hunnen, oftmals auch die Geißel Gottes genannt, ist die zentrale Gestalt des ersten Satzes; in seiner musikalischen Beschreibung sind Aggressivität und Grausamkeit, die vonihm ausgehende Bedrohung und ihm entgegengebrachte Furcht spürbar. Daneben erscheinen das heroischer klingende Thema von Buda, Attilas Bruder, und das lyrische von Rika, seiner zärtlich geliebten Frau. Der aufpeitschende Schluss desSatzes ist Sinnbild für die gefürchtete Schnelligkeit von Attilas Truppen, mit der sie ihre Opfer eingeholt und ohne Ausnahme getötet haben.Im Mittelpunkt des zweiten Satzes steht Arpad, der eigentliche Begründer des ungarischen Staates. Eineatmosphärisch klingende Einleitung beschwört Emese, die Großmutter Arpads, herauf, die im Traum seine Bestimmung vorhergesehen hatte. Er schlug seinen Gegner, den Prinzen Zalan von Bulgarien, im Kampf in die Flucht und gab dem Land denNamen Magyarorszag.Das Finale ist nach Istvan benannt, dem König, der in Ungarn das Christentum einführte und am ersten Januar 1001 durch Papst Sylvester II. gekrönt wurde. Ein feierlicher Anfang leitet über in einen an Kriegsgetümmelerinnernden Abschnitt, der in lärmendem Getöse endet. Es steht für das Ende des Heiden Koppany, dessen Körper gevierteilt und als abschreckendes Beispiel an die vier Burgen des Landes gesandt wurde. Ein ruhiges, beinahe religiös wirkendesZwischenspiel mündet in die ungarische Nationalhymne. Dieser prachtvolle, mit grandioso überschriebene Schluss hat auch eine symbolische Bedeutung: Nach zehn Jahrhunderten hat Ungarn guten Grund, mit Stolz zurückzublicken und der Zukunft mitZuversicht und Optimismus entgegenzusehen.Die wunderbare Melodie der Nationalhymne erscheint in der Sinfonie auch vorher schon immer wieder, wird meist aber ganz oder teilweise überdeckt. Sie durchläuft das Werk wie ein roter Faden, der anfangs kaumwahrzunehmen ist und erst im Verlauf der Sinfonie immer deutlicher wird. Am Ende krönt sie das Werk in einer letzten prachtvollen Steigerung, in der das Orchester den majestätischen Klang einer Orgel annimmt.
Sinfonia Hungarica est une œuvre de commande pour l’Orchestre d’Harmonie de Kiskunfelegyhaze en Hongrie. Elle est dédiée Ferenc Jankovski (Directeur de l’Orchestre d’Harmonie), Jozsef Ficsor (Maire de la ville de Kiskunfelegyhaze) et Gabriella Kiss.Cette symphonie en trois mouvements retrace l’histoire de la Hongrie. L’ensemble des trois mouvements s’inspire de la vie de personnages historiques clés, de guerres et d’autres événements de grande importance qui ont marqué l’histoire de ce pays. Sinfonia Hungarica célèbre le millénaire de la fondation de l’État hongrois (1001-2001). L’œuvre a été donnée en création mondiale, le 31 mars 2001 Budapest,par l’Orchestre d’Harmonie de Kiskunfelegyhaze placé sous la direction du compositeur.ATTILA, roi des Huns, surnommé “le Fléau de Dieuâ€, est le personnage central du premier mouvement où règne une atmosphère de peur, de menace, d’agression et de cruauté. Bléda, le frère d’Attila, est associé un thème aux accents plus héro ques, tandis que Kerka, l’épouse bien-aimée du roi des Huns, est représentée par une mélodie lyrique. La fin trépidante de ce mouvement d’ouverture illustre l’effroyable rapidité avec laquelle les troupes d’Attila poursuivaient et tuaient toutes leurs victimes.Le deuxième mouvement est centré sur ARPAD, le fondateur de l’État hongrois. Un passage limpide et aérien ouvre ce mouvement évoquant Émèse, la grand-mère d’Arpad, qui vit en rêve sa destinée future. Après avoir livré bataille contre l’un de ses opposants, le prince bulgare Zalan, et l’avoir chassé des terres magyares, Arpad donne officiellement au territoire le nom de Magyarorszag.Le troisième et dernier mouvement de la symphonie porte le nom de celui qui convertit le pays au christianisme : Étienne Ier (ISTVAN), sacré roi de Hongrie le 1er janvier 1001 par le Pape Sylvestre II. Les mesures d’ouverture, solennelles et majestueuses, mènent un passage dont l’atmosphère belliqueuse s’intensifie pour s’achever en de violents fracas symbolisant la mort
Sinfonia Hungarica, commissionata dalla banda ungherese di Kiskunfelegyahaza, è dedicata al maestro Ferenc Jankovski, al sindaco della citt Jozsef Ficsor e a Gabriella Kiss. La prima mondiale, eseguita dalla banda Kiskunfelegyhaza si è tenutaa Budapest il 31 marzo 2001 sotto la direzione del compositore.Gli eventi salienti della storia dell’Ungheria, come le guerre ed altri avvenimenti importanti, sono tradotti in musica in questa sinfonia strutturata in tre movimenti. Sinfonia Hungaricavuole anche essere un omaggio allo stato ungherese che festeggia il suo millennio nel 2001.ATTILA, re degli Unni, spesso chiamato “il flagello di Dio“ è la figura centrale del primo movimento, caratterizzato dalla paura, dalla minaccia,dall’aggressione e dalla crudelt . Buda, fratello di Attila è associato ad un tema più eroico, mentre Rika, l’amata moglie, è rappresentata da una melodia lirica. L’eccitante finale di questo movimento di apertura illustra la tanto temuta velocit delle truppe di Attila che seminavano paura e morte.Il secondo movimento pone l’accento su ARPAD, il fondatore dello Stato ungherese. Inizia con un passaggio in stile atmosferico che evoca la nonna di Arpad, Emese che aveva sognato e predettoil futuro del nipote. Uno degli oppositori di Arpad, il principe bulgaro Zalan, fu cacciato dopo una battaglia. In seguito, Arpad chiamò ufficialmente il territorio “Magyarorszagâ€.Il movimento finale prende il nome da ISTVAN, il re che portòil cristianesimo in Ungheria e che fu incoronato da Papa Silvestro II il 1 gennaio, 1001. Un inizio solenne prelude ad un passaggio bellico accentuato da rumori imponenti; questo a simboleggiare l’atroce fine del pagano Koppany il cui corpo futagliato in quattro pezzi e inviato ai quattro castelli del paese come monito. Dopo un intermezzo quieto, quasi religioso, viene presentato l’Inno nazionale ungherese. In questo ampio e grandioso finale riecheggia l’orgoglio dell’Ungheria nelricordare il suo passato e la fiducia con la quale si proietta al futuro.Lo stupendo tema dell’Inno nazionale ungherese è proposto nell’arco dell’intera sinfonia. E’ però spesso parzialmente nascosto e usato come filo conduttore, appena riconoscibileall’inizio ma sempre più ovvio quando la sinfonia si avvicina al suo finale. A conclusione della sinfonia, il sublime inno conduce la banda in un’apoteosi finale, facendo apparire l’organico strumentale come un maestoso organo. $314.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Instinct Concert band [Score and Parts] - Intermediate Carl Fischer
For concert band. Carl Fischer Concert Performance Series. Grade 3-3.5. Score an...(+)
For concert band. Carl Fischer Concert Performance Series. Grade 3-3.5. Score and parts. Duration 3:32. Published by Carl Fischer
$90.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Instinct Concert band - Intermediate Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet ...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Suspended Cymbal, Tam-tam and more. - Grade 3 SKU: CF.CPS120F Composed by Larry Clark. Closer. Carl Fischer Concert Performance Series. Full score. With Standard notation. 32 pages. Duration 3 minutes, 32 seconds. Carl Fischer Music #CPS120F. Published by Carl Fischer Music (CF.CPS120F). ISBN 9780825885044. UPC: 798408085049. 9 x 12 inches. Key: C minor. Larry Clark’s natural instinct is to provide great concert band music, and once again, trusting his gut feeling has resulted in another winner. Instinct blazes out of the starting gate with an aggressive 6/8 theme, which is then manipulated and developed over the course of this great concert opener or closer. We’re willing to bet that your audience will be out of their seats by the end. $13.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Song of Solace Concert band - Easy C.L. Barnhouse
Grade 2 SKU: CL.011-3545-00 Composed by Neeck. Young Concert Band. Comman...(+)
Grade 2 SKU: CL.011-3545-00 Composed by Neeck. Young Concert Band. Command Series. Audio recording available separately (items CL.WFR342 & CL.WFR353). Score and set of parts. Composed 2006. Duration 2 minutes, 59 seconds. C.L. Barnhouse #011-3545-00. Published by C.L. Barnhouse (CL.011-3545-00). A expressive and reflective composition for developing bands that is a superb choice for any performance situation. Starts out with a very nice flute solo and also includes another short solo which may be performed by either oboe or trumpet. Wonderful material for teaching legato playing as well as tone development and improved intonation. Very highly recommended! About C.L. Barnhouse Command Series The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content. $45.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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