SKU: AP.36-A201248
ISBN 9798892700283. UPC: 659359929090. English.
Robert Schumann (1810-1856) wrote his CELLO CONCERTO in A minor, Op. 129, in 1850, within the span of only two weeks. He tried offering the work to two publishers before Breitkopf and Hartel decided to publish it. He stressed the point that it would probably sell because cello concerti were few and far between. Never performed in the composer's lifetime, it received its premiere in Oldenburg on April 23, 1860, with Ludwig Ebert playing the solo part. The unique charm of the concerto lies in its structure and scoring, without movement breaks, and written so that the cello part almost never strays from its middle and upper registers. Instrumentation: 2.2.2.2: 2.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Cello. Reprint edition. Solo part edited by Rudolf Metzmacher.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: AP.36-A800502
UPC: 659359791000. English.
Franz Joseph Haydn's (1732-1809) Concerto for Cello in C, Hob. VIIb: 1 is a rare instance where a masterpiece was lost, in this case for almost 200 years, before being rediscovered. The manuscript was discovered by Oldrich Pulkert at the Czech National Library in Prague among the Radenín Castle collection. Composed between 1761 and 1765 for his longtime friend Joseph Franz Weigl, then the principal cellist in the Esterházy Orchestra. As the refinements of the Classical concerto were yet to be established by Mozart, this concerto reflects the Baroque ritornello form. This edition is completed by Oldrich Pulkert and Karel olc, with the solo cello part being edited by Milo Sádlo, who also gave the 20th century premiere of the work. Instrumentation: 0.2.0.0: 2.0.0.0: Str (4-4-3-3-3 in set): Solo Cello.
SKU: AP.36-A516502
UPC: 659359800221. English.
Cellist and composer David Popper published the CELLO CONCERTO No. 5 in C major, Hob. VIIb:5, in 1899 as a completion of stetches supposedly made by Franz Joseph Haydn (1732-1809). Due to more recent scholarship, the work is now believed to have been written by Popper himself. A blend of technical exploration and melodic charm, the concerto has become a familiar staple of the cello repertoire. It consists of three movements: 1. Allegro moderato, 2. Andante, and 3. Allegretto vivace. Instrumentation: 2.2.2.2: 2.0.0.0: Str (4-4-3-3-3 in set): Solo Cello.
SKU: CL.013-0091-00
Note: This is a reprint from a vintage publication of 1894. No conductor score is published for this work. The Solo Cornet part serves as a conductor guide. Due to the era of this work, saxophone parts are not published. Parts for Eb Horns are included; no F Horn parts are published for this work. If a C Piccolo/C Flute part was not published originally, one has been subsequently added by our editorial staff.
SKU: CL.013-0198-00
Note: This is a reprint from a vintage publication of 1899. No conductor score is published for this work. The Solo Cornet part serves as a conductor guide. Due to the era of this work, saxophone and double-reed parts are not published. Parts for Eb Horns are included; no F Horn parts are published for this work. If a C Piccolo/C Flute part was not published originally, one has been subsequently added by our editorial staff.
SKU: AP.36-A516548
ISBN 9798892704236. UPC: 659359531361. English.
SKU: CL.011-1812-00
A very playable, but exceptionally rewarding work for contest by the composer of the best-selling Prometheus Overture’’ and Hyperion Overture.’’ A wonderful overture that sounds great and is also a very effective teaching device for the very young.
SKU: CL.013-2928-00
Composed by Karl L. King under his nom de plume Carl Lawrence.
SKU: CN.R10229
Written in the Italian style - with a pinch of Sousa, Marcia a Montecelio was composed on pure inspiration in just two days. This concert march will excite your audience and challenge your ensemble.Monticello is the name of a little place northeast of Rome where my wife and I have rented a simple home for more than 20 years. We participated intensively in the cultural life of the community where there was also a little band, the Banda Municipale Cornicolana, which consisted of about 55 wind players, mostly youngsters. One day, the Il Direttore came to me and asked if I would like to write a march for them, which I naturally did. It became the Marcia a Montecelio. After 14 rehearsals, with everyone tired, perspiring and red in the face, we were forced to give up. The march was too difficult for them. I then wrote another, easier march for them to perform at the forthcoming feast of San Michaeli. The Montecelio march was composed on pure inspiration in just two days. It is written in the Italian style - with a pinch of Sousa.
SKU: HL.4004715
UPC: 888680617233. 9x12 inches.
Commissioned by the Virginia Band and Orchestra Directors Association to commemorate its 75th anniversary, Presidential Suite recognizes the rich historical heritage of Virginia, particularly as the birthplace of eight United States presidents. Using a suite format, the work focuses on three of the founding fathers. The first movement, Mount Vernon, is a serene musical impression of the home of George Washington. Monticello is the second movement and portrays the stately style of music typical of Thomas Jefferson's time. The suite concludes with Montpelier, the home of James Madison, and uses bold and majestic motifs to portray the broad and magnificent landscape of Madison's estate. Duration: c 5:30.
SKU: AP.36-52784001
English.
Anna Amalia of Prussia held various titles during her lifetime, including Princess and Abbess of Quedlinburg. Born in Berlin, she was one of ten surviving children of the royal family of King Frederick William I of Prussia. Princess Anna Amalia studied harpsichord, piano and counterpoint. Princess Anna also founded a music library collection, which included autographed scores of J.S. Bach and other composers. This collection still exists today (Amalien Bibliothek). This two-movement Divertimento in Bb Major has something for everyone. The melodic and secondary parts are passed equally between the instruments. The piano part is quite playable for a high school student. It has the character of a conversation between friends gathering for a friendly afternoon tea. This arrangement is scored for piano quartet, with a substitue clarinet part in place of violin.
SKU: BT.AMP-403-010
English-German-French-Dutch.
Philip Sparke’s third symphony, A Colour Symphony, was commissioned by “sinfonischen blasorchester wehdel†conducted by Thomas Ratzek. In the five movements (white, yellow, blue, red and green) the composer creates links betweenthe instrumentation and harmonic elements and the actual colour of the spectrum the movement stands for. In order to create the greatest richness possible, Philip Sparke used a very large instrumentation including low woodwinds, harp, piano andcelli. A Colour Symphony is an impressive and iconic addition to the standard repertoire for large symphonic bands.De derde symfonie van Philip Sparke, A Colour Symphony, is geschreven in opdracht van het ‘sinfonischen blasorchester wehdel’, dat onder leiding staat van dirigent Thomas Ratzek. In de vijf delen (white, yellow, blue, red andgreen) legt de componist verbanden tussen de instrumentatie en harmonische elementen en de kleur waar het betreffende deel voor staat. Om een grote klankrijkdom te creëren heeft Sparke een omvangrijk palet aan instrumentatie gebruikt,waaronder het lage houtregister, een harp, piano en cello’s. A Colour Symphony is een indrukwekkende en iconische aanvulling op het standaardrepertoire van het grote symfonische blaasorkest.Philip Sparkes dritte Sinfonie, A Colour Symphony, wurde vom Sinfonischen Blasorchester Wehdel, das von Thomas Ratzek geleitet wird, in Auftrag gegeben. In den fünf Sätzen (white, yellow, blue, red and green) stellt der Komponisteine Verbindung zwischen der Instrumentierung und den harmonischen Elementen sowie der jeweiligen Farbe, für die der Satz steht, her. Um eine möglichst große Bandbreite zu erzeugen, verwendete Philip Sparke eine sehr umfangreiche Instrumentierung mittiefen Holzbläsern, Harfe, Klavier und Celli. A Colour Symphony ist eine eindrucksvolle und hervorragende Ergänzung zum Standardrepertoire für sinfonisches Blasorchester.La troisième symphonie de Philip Sparke, A Colour Symphony, fut commandée par le Sinfonisches Blasorchester Wehdel, dont le chef d’orchestre est Thomas Ratzek. Dans chacun des cinq mouvements (white, yellow, blue, red and green),le compositeur établit un rapport entre l’instrumentation et les éléments harmoniques, et la couleur réelle attribuée au mouvement spécifique. Pour créer autant de richesse que possible, Philip Sparke utilise une instrumentation variée qui comprendles bois de registre grave, harpe, piano et violoncelles. A Colour Symphony est un ajout impressif et iconique au répertoire de norme des grands orchestres d’harmonie.La terza sinfonia di Philip Sparke, è stata commissionata dalla Sinfonischen Blasorchester Wehdel di Thomas Ratzek. Ciascuno dei quattro movimenti corrisponde a un colore (bianco, giallo, blu e rosso), in un inarrestabile sinestetico rincorrersi di suoni e visioni. L’orchestrazione è di quelle imponenti: legni, arpa, pianoforte e violoncello svolgono una parte fondamentale nell’opera di conferimento di ulteriore rigoglio arrangiativo alla sinfonia sparkiana.
SKU: CN.S11229
SKU: MH.1-59913-064-5
ISBN 9781599130644.
I wrote Galloping Ghosts (A Ragtime March) to conclude a concert of my chamber music in New York City on October 28, 1986. It is the final part of a work called Rags for Divers Players. This work was written to show the variety possible within the standard rag form. I used all the players available for the finale -- two violins, viola, cello, bass, flute, oboe, clarinet, horn, bassoon, and piano. Since this is a rather unusual instrumental combination and not easy to reassemble, I decided to rescore the work for concert band. Galloping Ghosts is written in a standard march form but incorporates many of the syncopations found in ragtime. The uniquely American music called ragtime traces its history to African rhythms brought over by slaves. Over the years this music became welded to European musical forms such as the quadrille and the march. Drums and banjos and the minstrel tradition lent a special flavor, and from all these elements ragtime slowly evolved within the largely unknown black subculture of the late 19th century. In the late 1890's it emerged as a fully developed form in the classic piano solos of Scott Joplin (1869-1917). Joplin's 1899 hit, Maple Leaf Rag, was an overnight sensation and brought ragtime worldwide fame. Ensemble instrumentation: 1 Piccolo, 8 Flute 1 and 2, 2 Oboe, 1 Eb Clarinet, 4 Bb Clarinet 1, 4 Bb Clarinet 2, 4 Bb Clarinet 3, 2 Eb Alto Clarinet, 3 Bb Bass and Bb Contrabass Clarinet, 2 Bassoon 1 and 2, 2 Eb Alto Saxophone 1, 2 Eb Alto Saxophone 2, 2 Bb Tenor Saxophone, 1 Eb Baritone Saxophone, 3 Bb Cornet 1, 3 Bb Cornet 2, 3 Bb Cornet 3, 2 Horn 1 and 2 in F, 2 Horn 3 and 4 in F, 4 Trombone 1 and 2, 4 Bass Trombone, 2 Baritone (B.C.), 2 Baritone (T.C.), 4 Tuba, 1 String Bass, 1 Timpani, 1 Xylophone, 3 Percussion 1, 3 Percussion 2.
SKU: CL.012-4492-01
Sir Edward Elgar’s beautiful Salut d’Amour has been skillfully arranged for the Barnhouse Spotlight series by Andrew Glover. Designed to feature your choice of solo instrument with concert band accompaniment, parts are included for solo flute/oboe/violin, clarinet/trumpet, alto saxophone, horn, or euphonium/cello. A great choice for a lyrical solo feature for your outstanding instrumentalist or guest soloist. Lovely music!
About C.L. Barnhouse Spotlight Series
The Barnhouse Spotlight series includes publications for solo instruments with concert band accompaniment. These publications are designed to feature outstanding members of your band as soloist, and to provide unique and entertaining programming options. Solo parts are graded more difficult than the band accompaniments
SKU: CL.012-4492-75
Sir Edward Elgar's beautiful Salut d'Amour has been skillfully arranged for the Barnhouse Spotlight series by Andrew Glover. Designed to feature your choice of solo instrument with concert band accompaniment, parts are included for solo flute/oboe/violin, clarinet/trumpet, alto saxophone, horn, or euphonium/cello. A great choice for a lyrical solo feature for your outstanding instrumentalist or guest soloist. Lovely music!
SKU: KJ.SOS1C
UPC: 8402703965.
This arrangement provides a rich and energetic accompaniment for the virtuosic, yet accessible solo part. The multiple solo options of violin, viola, or cello, are all arranged in the key of D Minor, thus using the same accompaniment. Lots of fantastic options here!
SKU: ML.013499060-S
This march is part of the operetta Babes in Toyland, composed by Victor Herbert in 1903. Toyland is a magical land where two children experience all sorts of adventures. This quick march in a pseudo military style depicts a scene in the operetta where toy soldiers rescue the two children. Victor Hugo (1859-1924) was born in Ireland, but spent his youth in Germany where he studied composition and cello. He found fame in America as an (operetta) composer and conductor.
SKU: BT.PIL0979
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