SKU: BT.DHP-1033505-010
9x12 inches.
Maxime Aulio composed Les Voyages de Gulliver (Gulliver’s Travels) for the concert band of the Conservatoire National de Région in Toulouse (France) conducted by Jean-Guy Olive. The first performance took place in Toulouse (Auditorium Saint-Pierre des Cuisines) on April 25, 2001. The Anglo-Irish author Jonathan Swift (1667-1745) took about six years to complete his epic tale of adventure. The creative storyline, clear writing and subtlety of Gulliver’s Travels have been engaging readers for generations. This literary travel between reason and foolishness was Maxime Aulio’s inspiration for this piece. Each of the four movements of this suite is a review of Gulliver’sadventures, resembling the effect of a kaleidoscope, which juxtaposes small fragments of colour in a linear pattern. Jonathan Swifts satirischer Roman Gullivers Reisen - eine literarische Reise zwischen Vernunft und Verrücktheit - regte auch die Phantasie des Komponisten Maxime Aulio an. Seine Suite für Blasorchester besteht aus mehreren kurzen, teilweise wie eine Kette aneinander gereihten Sätzen. Zyklisch in veränderter Form wiederkehrende Motive und Themen beschreiben Gullivers Gedanken und Gefühle oder auch Landschaften und Personen, die ihm unterwegs begegnen.1. Voyage Lilliput • 2. Voyage Brobdingnag • 3. Voyage Laputa/Voyage Balnibarbi; l’Académie de Lagado/Voyage Glubbdubdrib, l’île des Magiciens /Voyage Luggnagg; Les Struldbruggs • 4. Voyage chez les Houyhnhnms / Maxime Aulio a composé Gulliver's Travels (Les Voyages de Gulliver) pour l’Orchestre d’Harmonie du Conservatoire National de Région de Toulouse placé sous la direction de Jean-Guy Olive. L’œuvre a été donnée en création mondiale le 25 avril 2001, l’Auditorium Saint-Pierre des Cuisines de Toulouse, par la formation dédicataire.Vers 1720, lorsque Jonathan Swift (1667-1745), écrivain irlandais d’origine anglaise, envoie Lemuel Gulliver,un vieux chirurgien malicieux, la découverte de contrées extraordinaires, il débute en réalité l’écriture d’un roman satirique sur la vanité, la morale et l’hypocrisie de la société humaine. L’utopie littéraire était alors l'unique moyen d’éviter la censure. Mais en écrivant ce livre, dont la rédaction dura six ans, Swift eut le temps de m rir ses idées, si bien que sa réflexion grinçante sur la condition humaine est toujours d’actualité. Le génie imaginatif, la finesse d’esprit et la prose simple qui caractérisent Les Voyages de Gulliver ont fasciné des générations de lecteurs. Ce voyage littéraire entre raison et folie s’est également arrimé dans l’imaginaire de Maxime Aulio qui nous offre avec sa suite en quatre mouvements, une vision musicale des pérégrinations de Gulliver, la manière d’un kaléidoscope qui juxtapose de petits fragments de couleur dans une trame linéaire.
SKU: HL.44010429
UPC: 884088414603. 9.0x12.0x1.97 inches. English-German-French-Dutch.
The piece traces key events in the life of Haakon the Good, later to become King Haakon I (ca. 921-960), who had been fostered by King Athelstan of England as part of a peace agreement made by his father (The Future King). The English king brought him up in the Christian religion and, on the news of his father's death, provided him with ships and men for an expedition against his half-brother Eirik Bloodaxe, who had been proclaimed king of Norway. On his arrival he travelled north (The Journey to Trondheim), where he began to gain the support of the landowners by promising to give up the rights of taxation his father had previously claimed. Elrik's sons allied themselves with the Danes, but were invariably defeated by Haakon, who was successful in everything he undertook except in his attempt to introduce Christianity to the country (The Missionary King), which aroused an opposition he did not feel strong enough to face. One of his most famous victories was The Battle of Rastarkalv (near Frei) in 955. By placing ten standards far apart along a low ridge (to give the impression his army was bigger than it actually was), he managed to fool Eirik's sons that they were outnumbered (the ten standards are represented by ten loud chords that begin in m. 420). The Danes fled and were slaughtered by Haakon's army.
SKU: HL.44010430
UPC: 884088414610. 9x12 inches. English-German-French-Dutch.
The piece traces key events in the life of Haakon the Good, later to become King Haakon I (ca. 921-960), who had been fostered by King Athelstan of England as part of a peace agreement made by his father (“The Future King”). The English king brought him up in the Christian religion and, on the news of his father's death, provided him with ships and men for an expedition against his half-brother Eirik Bloodaxe, who had been proclaimed king of Norway. On his arrival he travelled north (“The Journey to Trondheim”), where he began to gain the support of the landowners by promising to give up the rights of taxation his father had previously claimed. Elrik's sons allied themselves with the Danes, but were invariably defeated by Haakon, who was successful in everything he undertook except in his attempt to introduce Christianity to the country (“The Missionary King”), which aroused an opposition he did not feel strong enough to face. One of his most famous victories was “The Battle of Rastarkalv” (near Frei) in 955. By placing ten standards far apart along a low ridge (to give the impression his army was bigger than it actually was), he managed to fool Eirik's sons that they were outnumbered (the ten standards are represented by ten loud chords that begin in m. 420). The Danes fled and were slaughtered by Haakon's army.
SKU: BT.GOB-001033-010
Fort Fincastle was built in the Bahamas in 1793, constructed in the form of a ship’s bow so as to fool passing ships. The opening bars of Fincastle Overture reflect the form of the magnificent stronghold, before a heroic theme is heard in which the fort comes under repeated attack, and just about survives! Fort Fincastle werd in 1793 in Nassau gebouwd, de hoofdstad van de Bahamas. De oprichter ervan, Lord Dunmore, gaf het fort een bijzonder vorm: een cirkelvormig gebouw met een puntige uitbouw, in de vorm van een boeg of voorstevenvan schip. Dit was bedoeld om vijandige schepen te misleiden. De klanken van de eerste maten verwijzen naar de contouren van een majestueus verdedigingsbolwerk, waarna een heldhaftig thema volgt. Maar na het afslaanFort Fincastle wurde 1793 in Nassau, der Hauptstadt der Bahamas, gebaut. Der Erbauer, Lord Dunmore, gab dem Gebäude eine runde Form mit einem spitzen Aufbau in Form eines Bugs, der vorbeifahrende Schiffe täuschen sollte. Die ersten Takte der Fincastle Overture spiegeln die Form der prachtvollen Verteidigungsanlage wider, bevor ein heldenhaftes Thema erklingt. Nur scheinbar ruhig sind die Stunden der Wache, die immer wieder von Angriffen unterbrochen werden, denen das stolze Fort aber zuletzt zu trotzen vermag.Le Fort Fincastle fut érigé en 1793, Nassau, capitale des Bahamas. Le constructeur, Lord Dunmore, alors gouverneur de Virginie, fut plus que déçu par la structure ronde l’arrière du b timent alors que l’avant se présentait en pointe comme la proue d’un navire. Les premières mesures de Fincastle Overture reflètent la forme du magnifique système de défense alors que survient un thème héro que : le fort est attaqué et les vaillants soldats sont amenés se défendre. Le Fort résiste orgueilleusement !Fort Fincastle fu costruito nel 1793 a Nassau, la capitale delle isole Bahamas. Il costruttore diede all’edificio una forma rotonda con un tetto a punta, quasi a ricordare un castello. Le prime misure di Fincastle Overture riflettono la straordinaria bellezza del forte e anticipano un tema eroico, che ricorda la sua funzione di difesa. La calma è solo apparente, il forte sar l’oggetto di un ennesimo attacco che sar eroicamente respinto.
SKU: BT.GOB-001033-140
SKU: XC.ICB2111
UPC: 812598036923. 9 x 12 inches.
John M. Pasternak’s knack for writing great pieces for young band is on full display with Transformation. With many teaching opportunities, this work is a foolproof choice for contest and festival!
SKU: XC.ICB2111FS
UPC: 812598036381. 9 x 12 inches.
SKU: BT.DHP-1063974-010
9x12 inches. English-German-French-Dutch.
Here is your chance for some audience participation within your concert programme. The big Summer â??hitâ?? of 1995 was the Bayside Boys with their version of a modern Spanish song. Can you remember the moves? If so, why not demonstrate them and invite your audience to join in with this scintillating arrangement. Guaranteed to bring the house down! In Sevilla ligt de kleine Basilica de Macarena, oftewel de basiliek van de heilige maagd - de beschermheilige van de toreros. Stierenvechters komen hier bidden en brengen offergaven voor ze de arena betreden. La Virgen de la Macarenavan Bernardino Bautista Monterde, onsterfelijk gemaakt door de grote trompettist Rafael Mendez, roept de sfeer van bewondering en bezetenheid van de stierengevechten op.La Virgen de la Macarenaâ?? lautet der originale Titel dieses Stückes von Bernardo Bautista Monterde, das eine Marienprozession im spanischen Sevilla beschreibt. Die Melodie wurde bereits in mehreren Soundtracks, wie zum Beispiel zu den Filmen FOOLSRUSH IN (Herz über Kopf) und FORCES OF NATURE (Auf die stürmische Art) verwendet. Ein glänzender Auftritt für Ihren Solotrompeter und das gesamte Blasorchester!Somptueuse construction moderne, la basilique de la Macarena est célèbre pour la Vierge de la Macarena, déesse sévillane la plus vénérée et sainte patrone des toreros. La passion et la faveur inconditionnelle de la population sévillane pour la Vierge de la Macarena se retrouve tous les ans lors de la Semaine Sainte. Immortalisée par le grand trompettiste Rafael Mendez, La Virgen de la Macarena de Bernardo Bautista Monterde évoque lâ??émerveillement et la frénésie des corridas.Sontuosa costruzione moderna, la basilica della Macarena è celebre per la Vergine della Macarena, venerata a Siviglia e protettrice dei toreri. La passione e la venerazione incondizionata della popolazione per la Vergine della Macarena si rinnovano ogni anno in occasione della Settimana Santa. Immortalata dal grande trombettista Rafael Mendez, La Virgen de la Macarena di Bernardo Bautista Monterde evoca la frenesia delle corride.
SKU: BT.DHP-1063974-140
Here is your chance for some audience participation within your concert program. The big Summer ‘hit’ of 1995 was the Bayside Boys with their version of a modern Spanish song. Can you remember the moves? If so, why not demonstrate them and invite your audience to join in with this scintillating arrangement. Guaranteed to bring the house down! In Sevilla ligt de kleine Basilica de Macarena, oftewel de basiliek van de heilige maagd - de beschermheilige van de toreros. Stierenvechters komen hier bidden en brengen offergaven voor ze de arena betreden. La Virgen de la Macarenavan Bernardino Bautista Monterde, onsterfelijk gemaakt door de grote trompettist Rafael Mendez, roept de sfeer van bewondering en bezetenheid van de stierengevechten op.La Virgen de la Macarena“ lautet der originale Titel dieses Stückes von Bernardo Bautista Monterde, das eine Marienprozession im spanischen Sevilla beschreibt. Die Melodie wurde bereits in mehreren Soundtracks, wie zum Beispiel zu den Filmen FOOLSRUSH IN (Herz über Kopf) und FORCES OF NATURE (Auf die stürmische Art) verwendet. Ein glänzender Auftritt für Ihren Solotrompeter und das gesamte Blasorchester!Somptueuse construction moderne, la basilique de la Macarena est célèbre pour la Vierge de la Macarena, déesse sévillane la plus vénérée et sainte patrone des toreros. La passion et la faveur inconditionnelle de la population sévillane pour la Vierge de la Macarena se retrouve tous les ans lors de la Semaine Sainte. Immortalisée par le grand trompettiste Rafael Mendez, La Virgen de la Macarena de Bernardo Bautista Monterde évoque l’émerveillement et la frénésie des corridas.Sontuosa costruzione moderna, la basilica della Macarena è celebre per la Vergine della Macarena, venerata a Siviglia e protettrice dei toreri. La passione e la venerazione incondizionata della popolazione per la Vergine della Macarena si rinnovano ogni anno in occasione della Settimana Santa. Immortalata dal grande trombettista Rafael Mendez, La Virgen de la Macarena di Bernardo Bautista Monterde evoca la frenesia delle corride.
SKU: CN.S11011
Cast your self into a storm at sea with this fantastic piece from John Ireland. Turbulent rhythmic motives launch the work to blend into a more lyrical melody contrasting the opening. Don't be fooled though; the first rhythmic motive provides the underlay, a reminder that the calm surface of the sea is only masking the swirling water underneath!
SKU: CN.R10011
Cast your self into a storm at sea with this fantastic piece from John Ireland. Turbulent rhythmic motives launch the work to blend into a more lyrical melody contrasting the opening. Don't be fooled though; the first rhythmic motive provides the underlay, a reminder that the calm surface of the sea is only masking the swirling water underneath!A Maritime Overture was written in 1944 and published in 1946. This edition was published in 1988. The score was prepared from the composer's full draft by Norman Richardson, and uses the same material as Tritons - a Symphonic Prelude for orchestra dating from the early 1900s. The development of the material however is different in each piece. The work is conceived in F major - but it is 24 bars before Ireland establishes this tonality. Fortissimo chords of B-flat major open the work, and the Overture hovers between G minor and B-flat as a restless rhythmic motif is introduced. As soon as F major is finally established it is contradicted as the music fragments, but the key is allowed a further 4 bars to consolidate before more lyrical interplay leads to a second idea, introduced by flutes and oboes in C major. Marked 'espressivo e ben cantando' this is a complete contrast to the opening, although the first rhythmic motif provides the underlay - a reminder after the opening storms that the calm surface of the sea is only masking the swirling water underneath. A Maritime Overture has a freer approach to form than say the first movement of a symphony might allow, enabling Ireland to introduce a totally new central section marked 'poco meno mosso' in F minor. A bold cornet (not trumpet) heralds this new idea, in a passage marked 'with freedom' and perhaps for the only time there is a true tranquility in the sextuplet accompaniment. Thus the restlessness is suspended, but not for long, as the opening storm returns and a recapitulation allows the F major theme and the second theme - this time in the sub-dominant (B-flat) - to reassert themselves.
SKU: BT.AMP-033-140
This enchanting melody is from the fourth movement of Bach’s Cantata 140 which was composed in 1731 using the parable of the wise and foolish virgins as the text. The work is beautiful in its simplicity with only three melodic lines, demonstrating Bach’s counterpoint at its best. For greatest effect it is suggested that the trumpets and trombones play behind the band or to the right and left of the stage. Aus der Kantate 140 'Wachet auf, ruft uns die Stimme'Johann Sebastian Bach schrieb in seinem musikalisch überaus produktiven Leben unzählige Kantaten. Diese Kantate, deren Text vom Gleichnis der klugen und der törichten Jungfrauen handelt, schrieb er zum ersten Adventssonntag. Philip Sparke bearbeitete daraus den vierten Satz, in welchem sich Bachs Kontrapunkt von seiner elegantesten Seite zeigt, für Blasorchester. Das Stück besteht aus nur drei melodischen Linien, ist aber gerade in seiner Schlichtheit wunderschön.
SKU: BT.AMP-033-010
This enchanting melody is from the fourth movement of Bach’s Cantata 140 which was composed in 1731 using the parable of the wise and foolish virgins as the text. The work is beautiful in its simplicity with only three melodic lines, demonstratingBach’s counterpoint at its best. For greatest effect it is suggested that the trumpets and trombones play behind the band or to the right and left of the stage.Johann Sebastian Bach schrieb in seinem musikalisch überaus produktiven Leben unzählige Kantaten. Diese Kantate, deren Text vom Gleichnis der klugen und der törichten Jungfrauen handelt, schrieb er zum ersten Adventssonntag. Philip Sparke bearbeitete daraus den vierten Satz, in welchem sich Bachs Kontrapunkt von seiner elegantesten Seite zeigt, für Blasorchester. Das Stück besteht aus nur drei melodischen Linien, ist aber gerade in seiner Schlichtheit wunderschön.
SKU: CL.LDP-7257-01
I. Dance II. Song of the Mountain Horn III. Allegro Ironico IV. Fooling.
SKU: CL.LDP-7257-00
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