SKU: HL.4006099
UPC: 888680956998. 9.0x12.0 inches.
This Grade 3 arrangement by Hiroki Takahashi allows bands to perform music from the fantastic new live-action version of Disney's Aladdin, including the ever popular 'Friend Like MeÂ’, 'A Whole New WorldÂ’ and 'Prince AliÂ’.
SKU: HL.26423052
9.0x12.0x0.045 inches.
Jay Bocook has again given us a valuable addition to young band literature with this skillful transcription of a classic. Dvorak's 1st movement from the New World Symphony has unforgettable themes and musical moments that will inspire younger players.
SKU: HL.4003188
UPC: 884088655686. 9.0x12.0x0.083 inches.
On a Sunday afternoon in May of 2011 tornados devastated the city of Joplin, Missouri. In Perfect Silence, I Often Gaze at the New Stars is intended as a musical tribute to those who lost their lives that day and to those heroes who gave everything they could to help others. The music is a beautiful blending of sounds and moods, and carries with it a full range of emotions from reflective quiet moments to the massive outpouring from the entire ensemble. An evocative and moving work for band that will resonate with both performers and listeners. Dur: 3:50.
SKU: BT.1750-10-010-MS
9x12 inches. English-German-French-Dutch.
Four unforgettable disco songs come together in one stunning medley. Up fi rst is the 1979 dance floor hit I’m in the Mood for Dancing by The Nolans. Next the medley quiets down with a charming love song, Lovin’ You, a song Minnie Riperton dedicated to her daughter. You Can’t Hurry Love was a huge success for The Supremes in 1966 and Phil Collins repeated their success in 1983 making the song immortal. This exciting medley ends with Olivia Newton-John’s hit-song Xanadu, from her 1980 musical of the same name.Vier disco-evergreens in één medley voor harmonieorkest. Het begint gelijk al goed! I’m in the Mood for Dancing van de gezusters Nolans uit 1979. In alle windstreken kregen zij met dit nummer mensen de dansvloer op. Hiernavolgt de betoverende lovesong Lovin’ You. Minnie Riperton droeg het in 1975 op aan haar toen tweejarige dochtertje. You Can’t Hurry Love was zowel voor de Supremes in 1966 als voor Phil Collins een geweldige hit. Xanaduvan Olivia Newton-John uit de gelijknamige musical van 1980 besluit deze boeiende medley van Naohiro Iwai. Dat wordt swingen!Vier Evergreens aus der Disco-Ära in einem Blasorchester-Medley: Den Anfang macht I’m in the Mood for Dancing, mit dem die Geschwister- Combo The Nolans 1979 auf vier Kontinenten die Menschen auf die Tanzflächen jagte. Danach folgt als Ruhepunkt das bezaubernde Liebeslied Lovin’ You, das Minnie Riperton 1975 ihrer kleinen Tochter widmete. You Can’t Hurry Love war in der Originalversion von 1966 für die Supremes ein Riesenhit - Phil Collins wiederholte diesen Erfolg 1983 und machte den Song unsterblich. Den Abschluss von Naohiro Iwais mitreißendem Medley bildet Olivia Newton-Johns Hit Xanadu aus dem gleichnamigen Musical von 1980.Ce medley tonique, signé Naohiro Iwai, réunit quatre standards des années disco. I’m in the Mood for Dancing, des sœurs Nolan (The Nolans Sisters), ouvre la série. Sortie en 1979, cette chanson a fait bouger des générations de danseurs. La musique s’apaise sur les notes délicieuses de la ballade Lovin’ You, que Minnie Ripperton dédia sa fille. Au cours de l’été 1966, The Supremes connaissent la gloire, avec la version originale du titre You Can’t Hurry Love. En 1983, Phil Collins renouvelle le succès des Supremes et rend la chanson immortelle. Pour clore son medley, Naohiro Iwai a choisi Xanadu (1980), la chanson phare de la comédiemusicale éponyme, qui prolongea le succès d'Olivia Newton-John. Questo medley racchiude quattro standard degli anni della musica disco: I’m in the Mood for Dancing delle Nolan Sisters anticipa le deliziose note della ballata Lovin’ You di Minnie Ripperton. Nel 1966, The Supremes conoscono la gloria con la versione originale di Can’t Hurry Love. Nel 1983, Phil Collins replica il successo dei Supremes e rende la canzone immortale. Per concludere il suo medley, Naohiro Iwai ha scelto Xanadu (1980) la canzone della commedia musicale interpretata da Olivia Newton John.
SKU: BT.1750-10-140-MS
SKU: HL.4008967
UPC: 196288282167.
“Rising into a New Era” was commissioned by the city of Landeck in 2023 to commemorate its 100th anniversary since being declared a city. The composition serves as the introductory part of a trilogy, encapsulating the years from 1923 to 1956, depicting Landeck's transformation from a market town to a city. The outset of the piece is characterized by a reserved and hushed atmosphere, reflecting the initial uncertainty during a period of economic challenges. The optimistic anticipation of a new beginning is only echoed by the sound of the city's new bells. The central motif, threading throughout the entire composition, is derived from the name of the city: LAnDECk (A-D-E-C). This motif unfolds at the onset within the resonance of the city's bells, gradually evolving into the main theme through the gentle tones of the clarinets. Following the initial years of the burgeoning city, where a positive societal shift and newfound security are symbolized by a second musical theme, the sudden eruption of the Second World War disrupts this progress. A mournful melody, borrowed from the cheerful second theme of the piece, speaks of sorrow, nostalgia, yet also solace and hope for peace and freedom. A “Vivace furioso” captures the uncertainties and intense turbulence of the war. These tumultuous emotions gradually settle, culminating after a delicate oboe and saxophone solo into the now powerful main theme presented in the form of a majestic chorale. A “Vivace con bravura” brings the composition to a radiant conclusion, signifying a strengthened future for the city of Landeck.
SKU: HL.4008968
UPC: 196288282174.
SKU: CF.YPS188
ISBN 9781491147405. UPC: 680160904907. 9 x 12 inches. Key: Bb major.
Has a monster started terrorizing your city? Has the mayor been re-elected? We've got Breaking News! Find out what the news is about at the end of this fun piece for young band. The title says it all in composer John Pasternak's new piece reminiscent of a news program theme. It is exciting, unique, and students will love to play it again and again.
SKU: CF.YPS188F
ISBN 9781491148105. UPC: 680160905607. 9 x 12 inches.
SKU: BT.DHP-1216332-215
English-German-French-Dutch.
Funk is a very rhythmic music style that finds its origin in the 1960s. The American artist James Brown and the New Orleans-based group The Meters are considered the founders of this genre. Funk is characterized by an independentbass line that emphasizes each first beat of the bar (the one), as well as by a rhythmic combination of syncopated melodies and accompaniments with lots of harmonic additions. This style-conscious composition by Peter KleineSchaars contains a healthy blend of the harmonic ingredients as well as the rhythmic challenges of funk music. On the one hand, New Orleans Funk is an educational exercise with the rhythmic cells 9,10, 14, 15 and 16: on the otherhand, it is a funky highlight of your rehearsal or concert!Funk is een sterk ritmische muziekstijl die in de jaren zestig van de vorige eeuw is ontstaan. De Amerikaanse muzikant James Brown en de uit New Orleans afkomstige groep The Meters worden beschouwd als de grondleggers van ditgenre. Naast een zelfstandige baslijn die elke eerste tel van de maat (the one) stevig benadrukt, wordt funk gekenmerkt door een ritmisch samenspel tussen syncopische melodieën en begeleidingen met veel harmonische toevoegingen.Deze stijlbewuste compositie van Peter Kleine Schaars bevat zowel de harmonische ingrediënten als de ritmische uitdagingen die erbij horen. Enerzijds is New Orleans Funk een pedagogische oefening met de ritmische cellen 9,10, 14,15 en 16, anderzijds is het werk een funky hoogtepunt van uw repetitie of concert!Funk ist ein sehr rhythmischer Musikstil, der seinen Ursprung in den 1960er Jahren hatte. Der amerikanische Künstler James Brown und die aus New Orleans stammende Band The Meters gelten als die Begründer dieses Genres. Funkzeichnet sich durch eine unabhängige Basslinie aus, die jeden ersten Taktschlag (the one“) betont, sowie durch eine rhythmische Kombination von synkopierten Melodien und Begleitungen mit zahlreichen harmonischen Ergänzungen.Diese stilkonforme Komposition von Peter Kleine Schaars enthält eine gute Mischung aus harmonischen Zutaten sowie rhythmischen Herausforderungen der Funkmusik. Einerseits ist New Orleans Funk ein pädagogisches Übungsstück aus denRhythmus-Einheiten 9, 10, 14, 15 und 16, andererseits ist es auch ein funkiges Highlight für Proben oder Konzerte!Né dans les années 1960, le funk est un style musical très rythmé. Le chanteur américain James Brown et un groupe de la Nouvelle-Orléans, The Meters, sont considérés comme les fondateurs de ce genre. Le funk se caractérise par uneligne de basse indépendante qui souligne le premier temps de la mesure, ainsi que par une combinaison rythmique de mélodies syncopées et d’accompagnements chargés d’adjonctions harmoniques. Adoptant pleinement ce style, lacomposition de Peter Kleine Shaars est l’heureuse fusion des ingrédients harmoniques, mais aussi des difficultés de la musique funk. D'une part, les cellules rythmiques 9, 10, 14, 15 et 16 font de New Orleans Funk un exercicepédagogique : d’autre part, cette pièce apportera une belle ambiance funky vos répétitions et vos concerts !
SKU: CN.S11192
Hear the sounds of marching bands, choirs, and the music of Broadway in this exciting concert march. Inspired by an actual parade in New York, Michael Brand brings us this spectacular original march. Perfect in any setting throughout the year.In June 1997 I was in New York and had a free weekend. On Sunday morning I was awoken early by a great deal of banging and saw that barriers and roadblocks had been erected throughout Central Park. Why? I soon heard the answer: a great parade. When the Americans put together a parade they really mean it! This one lasted 3 hours and brought the center of New York to a standstill. Bands, dancers and choirs marched past in celebration of the Jewish faith. New York Parade is completely original but its starting point in my imagination was a marching band, a choir and Broadway. The marching band starts in the distance, passes by and as it moves away we hear the next block of performers singing, almost chanting, a hymn (called Jewish Song). The groups suddenly turn into Broadway, as a song from an imaginary show intervenes but then the band and choir return in counterpoint and all three themes come together.
SKU: CN.R10192
SKU: FJ.B1172
UPC: 674398211456. English.
This one-movement festival work uses a slightly reduced instrumentation, insuring that bands of all sizes will be able to enjoy it. The work is written in three sections, each based on material from a New England song. Consider this new piece from one of the country's most prolific composers.
About FJH Concert Band
Designed for high school groups and upper-level middle school groups. Independence is encouraged, but many lines are cross-cued. Usually includes an expanded percussion section. Grades 3 - 3.5
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